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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 102 247 it is the complementary color RGB 150 153 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 102 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 105 102 247: RGB 110 102 242, RGB 127 120 255, RGB 144 138 255, RGB 161 156 255 and RGB 178 174 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 102 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 105 102 247: RGB 105 102 247, RGB 88 84 228, RGB 71 66 209, RGB 54 48 190 and RGB 37 30 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 59 / 0 / 3

HEX #6966F7

RGB 105 102 247

HSL 241.24, 0.9%, 0.68%

LAB 50.95, 41.6, -72.46

 

Complementary color

CMYK 2 / 0 / 95 / 40

HEX #969908

RGB 150 153 8

HSL 61.24, 0.9%, 0.32%

LAB 61.03, -15.95, 63.07

 

CMYK 55 / 58 / 0 / 5

HEX #6E66F2

RGB 110 102 242

HSL 243.43, 0.84%, 0.67%

LAB 50.95, 40.94, -69.64

 

CMYK 50 / 53 / 0 / 0

HEX #7F78FF

RGB 127 120 255

HSL 243.11, 1%, 0.74%

LAB 57.24, 37.58, -66.63

 

CMYK 44 / 46 / 0 / 0

HEX #908AFF

RGB 144 138 255

HSL 243.08, 1%, 0.77%

LAB 62.78, 30.82, -57.68

 

CMYK 37 / 39 / 0 / 0

HEX #A19CFF

RGB 161 156 255

HSL 243.03, 1%, 0.81%

LAB 68.44, 24.67, -48.62

 

CMYK 30 / 32 / 0 / 0

HEX #B2AEFF

RGB 178 174 255

HSL 242.96, 1%, 0.84%

LAB 74.16, 19.11, -39.57

 

CMYK 57 / 59 / 0 / 3

HEX #6966F7

RGB 105 102 247

HSL 241.24, 0.9%, 0.68%

LAB 50.95, 41.6, -72.46

 

CMYK 61 / 63 / 0 / 11

HEX #5854E4

RGB 88 84 228

HSL 241.67, 0.73%, 0.61%

LAB 44.26, 43.49, -72.73

 

CMYK 66 / 68 / 0 / 18

HEX #4742D1

RGB 71 66 209

HSL 242.1, 0.61%, 0.54%

LAB 37.55, 45.56, -72.88

 

CMYK 72 / 75 / 0 / 25

HEX #3630BE

RGB 54 48 190

HSL 242.54, 0.6%, 0.47%

LAB 30.92, 47.72, -72.76

 

CMYK 78 / 82 / 0 / 33

HEX #251EAB

RGB 37 30 171

HSL 242.98, 0.7%, 0.39%

LAB 24.52, 49.62, -72.05

 

CMYK 57 / 59 / 0 / 3

HEX #6966F7

RGB 105 102 247

HSL 241.24, 0.9%, 0.68%

LAB 50.95, 41.6, -72.46

 

CMYK 49 / 60 / 0 / 4

HEX #7E63F6

RGB 126 99 246

HSL 251.02, 0.89%, 0.68%

LAB 51.85, 46.83, -70.35

 

CMYK 39 / 60 / 0 / 4

HEX #9763F6

RGB 151 99 246

HSL 261.22, 0.89%, 0.68%

LAB 54.19, 51.89, -66.45

 

CMYK 29 / 60 / 0 / 4

HEX #AF63F6

RGB 175 99 246

HSL 271.02, 0.89%, 0.68%

LAB 56.77, 57.15, -62.16

 

CMYK 19 / 60 / 0 / 4

HEX #C863F6

RGB 200 99 246

HSL 281.22, 0.89%, 0.68%

LAB 59.76, 62.91, -57.22

 

CMYK 57 / 59 / 0 / 3

HEX #6966F7

RGB 105 102 247

HSL 241.24, 0.9%, 0.68%

LAB 50.95, 41.6, -72.46

 

CMYK 58 / 58 / 0 / 83

HEX #12122B

RGB 18 18 43

HSL 240, 0.41%, 0.12%

LAB 6.64, 8.24, -16.88

 

CMYK 57 / 59 / 0 / 63

HEX #28275E

RGB 40 39 94

HSL 241.09, 0.41%, 0.26%

LAB 18.84, 18.05, -32.85

 

CMYK 57 / 59 / 0 / 43

HEX #3E3C91

RGB 62 60 145

HSL 241.41, 0.41%, 0.4%

LAB 30.16, 26.5, -46.91

 

CMYK 58 / 59 / 0 / 23

HEX #5351C4

RGB 83 81 196

HSL 241.04, 0.49%, 0.54%

LAB 40.75, 34.16, -60.09

 

CMYK 57 / 59 / 0 / 3

HEX #6966F7

RGB 105 102 247

HSL 241.24, 0.9%, 0.68%

LAB 50.95, 41.6, -72.46

 

CMYK 0 / 60 / 13 / 4

HEX #F663D7

RGB 246 99 215

HSL 312.65, 0.89%, 0.68%

LAB 64.5, 68.99, -32.04

 

CMYK 37 / 0 / 60 / 4

HEX #9CF663

RGB 156 246 99

HSL 96.73, 0.89%, 0.68%

LAB 88.87, -51.31, 60.86

 

CMYK 57 / 59 / 0 / 3

HEX #6966F7

RGB 105 102 247

HSL 241.24, 0.9%, 0.68%

LAB 50.95, 41.6, -72.46

 

CMYK 0 / 59 / 60 / 4

HEX #F66663

RGB 246 102 99

HSL 1.22, 0.89%, 0.68%

LAB 61.65, 55.02, 30.08

 

CMYK 60 / 0 / 59 / 4

HEX #63F666

RGB 99 246 102

HSL 121.22, 0.89%, 0.68%

LAB 86.76, -66.69, 56.61

 

CMYK 57 / 59 / 0 / 3

HEX #6966F7

RGB 105 102 247

HSL 241.24, 0.9%, 0.68%

LAB 50.95, 41.6, -72.46

 

CMYK 0 / 60 / 13 / 4

HEX #F663D7

RGB 246 99 215

HSL 312.65, 0.89%, 0.68%

LAB 64.5, 68.99, -32.04

 

CMYK 1 / 0 / 60 / 4

HEX #F4F663

RGB 244 246 99

HSL 60.82, 0.89%, 0.68%

LAB 94.33, -18.69, 68.43

 

CMYK 60 / 0 / 47 / 4

HEX #63F683

RGB 99 246 131

HSL 133.06, 0.89%, 0.68%

LAB 87.1, -62.94, 43.68

 

CMYK 57 / 59 / 0 / 3

HEX #6966F7

RGB 105 102 247

HSL 241.24, 0.9%, 0.68%

LAB 50.95, 41.6, -72.46

 

CMYK 0 / 60 / 31 / 4

HEX #F663AA

RGB 246 99 170

HSL 331.02, 0.89%, 0.68%

LAB 62.86, 62.97, -9.01

 

CMYK 1 / 0 / 60 / 4

HEX #F4F663

RGB 244 246 99

HSL 60.82, 0.89%, 0.68%

LAB 94.33, -18.69, 68.43

 

CMYK 60 / 0 / 29 / 4

HEX #63F6AF

RGB 99 246 175

HSL 151.02, 0.89%, 0.68%

LAB 87.8, -55.33, 22.67

 

Description

Color code: RGB 105 102 247 | qconv.com Color code: RGB 105 102 247 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 102 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 102 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 59 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 59% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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