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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 100 86 it is the complementary color RGB 150 155 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 100 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 105 100 86: RGB 110 100 81, RGB 127 118 100, RGB 144 136 119, RGB 161 154 138 and RGB 178 172 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 100 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 105 100 86: RGB 105 100 86, RGB 88 82 67, RGB 71 64 48, RGB 54 46 29 and RGB 37 28 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 18 / 59

HEX #696456

RGB 105 100 86

HSL 44.21, 0.1%, 0.37%

LAB 42.44, -0.65, 8.65

 

Complementary color

CMYK 11 / 8 / 0 / 34

HEX #969BA9

RGB 150 155 169

HSL 224.21, 0.1%, 0.63%

LAB 63.99, 1.08, -7.91

 

CMYK 0 / 9 / 26 / 57

HEX #6E6451

RGB 110 100 81

HSL 39.31, 0.15%, 0.37%

LAB 42.8, 0.64, 12.23

 

CMYK 0 / 7 / 21 / 50

HEX #7F7664

RGB 127 118 100

HSL 40, 0.12%, 0.45%

LAB 49.96, 0.29, 11.17

 

CMYK 0 / 6 / 17 / 44

HEX #908877

RGB 144 136 119

HSL 40.8, 0.1%, 0.52%

LAB 56.95, -0.01, 10.21

 

CMYK 0 / 4 / 14 / 37

HEX #A19A8A

RGB 161 154 138

HSL 41.74, 0.11%, 0.59%

LAB 63.77, -0.26, 9.31

 

CMYK 0 / 3 / 12 / 30

HEX #B2AC9D

RGB 178 172 157

HSL 42.86, 0.12%, 0.66%

LAB 70.46, -0.49, 8.47

 

CMYK 0 / 5 / 18 / 59

HEX #696456

RGB 105 100 86

HSL 44.21, 0.1%, 0.37%

LAB 42.44, -0.65, 8.65

 

CMYK 0 / 7 / 24 / 65

HEX #585243

RGB 88 82 67

HSL 42.86, 0.14%, 0.3%

LAB 35.03, -0.34, 9.7

 

CMYK 0 / 10 / 32 / 72

HEX #474030

RGB 71 64 48

HSL 41.74, 0.19%, 0.23%

LAB 27.35, 0.05, 10.9

 

CMYK 0 / 15 / 46 / 79

HEX #362E1D

RGB 54 46 29

HSL 40.8, 0.3%, 0.16%

LAB 19.34, 0.62, 12.3

 

CMYK 0 / 24 / 73 / 85

HEX #251C0A

RGB 37 28 10

HSL 40, 0.57%, 0.09%

LAB 10.89, 1.58, 12.16

 

CMYK 0 / 5 / 18 / 59

HEX #696456

RGB 105 100 86

HSL 44.21, 0.1%, 0.37%

LAB 42.44, -0.65, 8.65

 

CMYK 0 / 2 / 18 / 60

HEX #676554

RGB 103 101 84

HSL 53.68, 0.1%, 0.37%

LAB 42.51, -2.42, 9.92

 

CMYK 1 / 0 / 18 / 60

HEX #666754

RGB 102 103 84

HSL 63.16, 0.1%, 0.37%

LAB 43.01, -4.02, 10.62

 

CMYK 4 / 0 / 18 / 60

HEX #636754

RGB 99 103 84

HSL 72.63, 0.1%, 0.37%

LAB 42.75, -5.26, 10.22

 

CMYK 7 / 0 / 18 / 60

HEX #606754

RGB 96 103 84

HSL 82.11, 0.1%, 0.37%

LAB 42.5, -6.49, 9.83

 

CMYK 0 / 5 / 18 / 59

HEX #696456

RGB 105 100 86

HSL 44.21, 0.1%, 0.37%

LAB 42.44, -0.65, 8.65

 

CMYK 0 / 4 / 18 / 39

HEX #9C9580

RGB 156 149 128

HSL 45, 0.12%, 0.56%

LAB 61.76, -1.08, 12.02

 

CMYK 0 / 5 / 18 / 19

HEX #CFC5AA

RGB 207 197 170

HSL 43.78, 0.28%, 0.74%

LAB 79.67, -0.95, 14.81

 

CMYK 0 / 0 / 33 / 99

HEX #030302

RGB 3 3 2

HSL 60, 0.2%, 0.01%

LAB 0.8, -0.14, 0.38

 

CMYK 0 / 6 / 19 / 79

HEX #36332C

RGB 54 51 44

HSL 42, 0.1%, 0.19%

LAB 21.33, -0.15, 4.92

 

CMYK 0 / 5 / 18 / 59

HEX #696456

RGB 105 100 86

HSL 44.21, 0.1%, 0.37%

LAB 42.44, -0.65, 8.65

 

CMYK 17 / 0 / 18 / 60

HEX #566754

RGB 86 103 84

HSL 113.68, 0.1%, 0.37%

LAB 41.72, -10.5, 8.61

 

CMYK 12 / 18 / 0 / 60

HEX #5B5467

RGB 91 84 103

HSL 262.11, 0.1%, 0.37%

LAB 37.01, 7.02, -9.91

 

CMYK 0 / 5 / 18 / 59

HEX #696456

RGB 105 100 86

HSL 44.21, 0.1%, 0.37%

LAB 42.44, -0.65, 8.65

 

CMYK 18 / 0 / 5 / 60

HEX #546762

RGB 84 103 98

HSL 164.21, 0.1%, 0.37%

LAB 41.95, -8.27, 0.44

 

CMYK 5 / 18 / 0 / 60

HEX #625467

RGB 98 84 103

HSL 284.21, 0.1%, 0.37%

LAB 37.69, 9.66, -8.81

 

CMYK 0 / 5 / 18 / 59

HEX #696456

RGB 105 100 86

HSL 44.21, 0.1%, 0.37%

LAB 42.44, -0.65, 8.65

 

CMYK 17 / 0 / 18 / 60

HEX #566754

RGB 86 103 84

HSL 113.68, 0.1%, 0.37%

LAB 41.72, -10.5, 8.61

 

CMYK 18 / 14 / 0 / 60

HEX #545967

RGB 84 89 103

HSL 224.21, 0.1%, 0.37%

LAB 37.86, 1.32, -8.69

 

CMYK 1 / 18 / 0 / 60

HEX #665467

RGB 102 84 103

HSL 296.84, 0.1%, 0.37%

LAB 38.1, 11.19, -8.16

 

CMYK 0 / 5 / 18 / 59

HEX #696456

RGB 105 100 86

HSL 44.21, 0.1%, 0.37%

LAB 42.44, -0.65, 8.65

 

CMYK 18 / 0 / 14 / 60

HEX #546759

RGB 84 103 89

HSL 135.79, 0.1%, 0.37%

LAB 41.7, -10.25, 5.54

 

CMYK 18 / 14 / 0 / 60

HEX #545967

RGB 84 89 103

HSL 224.21, 0.1%, 0.37%

LAB 37.86, 1.32, -8.69

 

CMYK 0 / 18 / 4 / 60

HEX #675463

RGB 103 84 99

HSL 312.63, 0.1%, 0.37%

LAB 38.07, 10.74, -5.71

 

Description

Color code: RGB 105 100 86 | qconv.com Color code: RGB 105 100 86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 100 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 100 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 18 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 18% 59% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

38% - the Hardwick Abergav...
Link: http://www.thehardwick.co.uk

47% - Ferreira Alves Fisio...
Link: http://ferreiraalvesfisioterapia.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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