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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105.1 126.8 81 it is the complementary color RGB 149.9 128.2 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105.1 126.8 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 105.1 126.8 81 shade: RGB 110.1 126.8 76, RGB 127.1 144.8 95, RGB 144.1 162.8 114, RGB 161.1 180.8 133 and RGB 178.1 198.8 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105.1 126.8 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 105.1 126.8 81 shade: RGB 105.1 126.8 81, RGB 88.1 108.8 62, RGB 71.1 90.8 43, RGB 54.1 72.8 24 and RGB 37.1 54.8 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 105.1 126.8 81 shade: RGB 105 127 81, RGB 118 127 81, RGB 127 124 81, RGB 127 112 81 and RGB 127 99 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 105.1 126.8 81 shade: RGB 105 127 81, RGB 93 127 81, RGB 81 127 82, RGB 81 127 94 and RGB 81 127 106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 105.1 126.8 81 shade matches the following richer shades: RGB 105 127 81, RGB 106 144 64, RGB 107 161 47, RGB 108 178 30 and RGB 109 195 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 105.1 126.8 81 shade: RGB 105 127 81, RGB 104 110 98, RGB 103 93 115, RGB 103 76 132 and RGB 102 59 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 105.1 126.8 81 shade: RGB 127 124 81, RGB 118 127 81, RGB 106 127 81, RGB 93 127 81 and RGB 81 127 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 105.1 126.8 81 shade: RGB 64 77 49, RGB 84 102 65, RGB 105 127 81, RGB 126 152 97 and RGB 147 169 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 105.1 126.8 81 shade: RGB 105.1 126.8 81, RGB 81 127 112 and RGB 127 81 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 105.1 126.8 81 shade: RGB 105.1 126.8 81, RGB 81 106 127 and RGB 127 81 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 105.1 126.8 81 shade: RGB 105.1 126.8 81, RGB 81 127 112, RGB 103 81 127 and RGB 127 81 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 105.1 126.8 81 shade: RGB 105.1 126.8 81, RGB 81 127 126, RGB 103 81 127 and RGB 127 81 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 36 / 50

HEX #697E51

RGB 105.1 126.8 81

HSL 88.43, 0.22%, 0.41%

LAB 50.37, -16.56, 22.38

 

Complementary color

CMYK 14 / 26 / 0 / 32

HEX #9580AE

RGB 149.9 128.2 174

HSL 268.43, 0.22%, 0.59%

LAB 57.1, 17.4, -21.16

 

CMYK 13 / 0 / 40 / 50

HEX #6E7E4C

RGB 110.1 126.8 76

HSL 79.72, 0.25%, 0.4%

LAB 50.65, -15.24, 25.62

 

CMYK 12 / 0 / 34 / 43

HEX #7F905F

RGB 127.1 144.8 95

HSL 81.33, 0.21%, 0.47%

LAB 57.59, -15.29, 24.4

 

CMYK 11 / 0 / 30 / 36

HEX #90A272

RGB 144.1 162.8 114

HSL 82.99, 0.21%, 0.54%

LAB 64.38, -15.31, 23.25

 

CMYK 11 / 0 / 26 / 29

HEX #A1B485

RGB 161.1 180.8 133

HSL 84.73, 0.24%, 0.62%

LAB 71.04, -15.32, 22.17

 

CMYK 10 / 0 / 24 / 22

HEX #B2C698

RGB 178.1 198.8 152

HSL 86.54, 0.29%, 0.69%

LAB 77.58, -15.31, 21.15

 

CMYK 17 / 0 / 36 / 50

HEX #697E51

RGB 105.1 126.8 81

HSL 88.43, 0.22%, 0.41%

LAB 50.37, -16.56, 22.38

 

CMYK 19 / 0 / 43 / 57

HEX #586C3E

RGB 88.1 108.8 62

HSL 86.54, 0.27%, 0.33%

LAB 43.24, -16.59, 23.65

 

CMYK 22 / 0 / 53 / 64

HEX #475A2B

RGB 71.1 90.8 43

HSL 84.73, 0.36%, 0.26%

LAB 35.92, -16.57, 24.97

 

CMYK 26 / 0 / 67 / 71

HEX #364818

RGB 54.1 72.8 24

HSL 82.99, 0.5%, 0.19%

LAB 28.36, -16.4, 26.21

 

CMYK 32 / 0 / 91 / 79

HEX #253605

RGB 37.1 54.8 5

HSL 81.33, 0.83%, 0.12%

LAB 20.52, -15.98, 26.33

 

CMYK 17 / 0 / 36 / 50

HEX #697F51

RGB 105 127 81

HSL 88.7, 0.22%, 0.41%

LAB 50.42, -16.71, 22.45

 

CMYK 7 / 0 / 36 / 50

HEX #767F51

RGB 118 127 81

HSL 71.74, 0.22%, 0.41%

LAB 51.41, -11.38, 23.93

 

CMYK 0 / 2 / 36 / 50

HEX #7F7C51

RGB 127 124 81

HSL 56.09, 0.22%, 0.41%

LAB 51.29, -5.9, 23.92

 

CMYK 0 / 12 / 36 / 50

HEX #7F7051

RGB 127 112 81

HSL 40.43, 0.22%, 0.41%

LAB 47.87, 0.95, 19.41

 

CMYK 0 / 22 / 36 / 50

HEX #7F6351

RGB 127 99 81

HSL 23.48, 0.22%, 0.41%

LAB 44.28, 8.58, 14.54

 

CMYK 17 / 0 / 36 / 50

HEX #697F51

RGB 105 127 81

HSL 88.7, 0.22%, 0.41%

LAB 50.42, -16.71, 22.45

 

CMYK 27 / 0 / 36 / 50

HEX #5D7F51

RGB 93 127 81

HSL 104.35, 0.22%, 0.41%

LAB 49.62, -21.39, 21.24

 

CMYK 36 / 0 / 35 / 50

HEX #517F52

RGB 81 127 82

HSL 121.3, 0.22%, 0.41%

LAB 48.93, -25.56, 19.63

 

CMYK 36 / 0 / 26 / 50

HEX #517F5E

RGB 81 127 94

HSL 136.96, 0.22%, 0.41%

LAB 49.17, -23.29, 13.07

 

CMYK 36 / 0 / 17 / 50

HEX #517F6A

RGB 81 127 106

HSL 152.61, 0.22%, 0.41%

LAB 49.46, -20.73, 6.47

 

CMYK 17 / 0 / 36 / 50

HEX #697F51

RGB 105 127 81

HSL 88.7, 0.22%, 0.41%

LAB 50.42, -16.71, 22.45

 

CMYK 26 / 0 / 56 / 44

HEX #6A9040

RGB 106 144 64

HSL 88.5, 0.38%, 0.41%

LAB 55.46, -27.19, 37.82

 

CMYK 34 / 0 / 71 / 37

HEX #6BA12F

RGB 107 161 47

HSL 88.42, 0.55%, 0.41%

LAB 60.62, -36.28, 51.11

 

CMYK 39 / 0 / 83 / 30

HEX #6CB21E

RGB 108 178 30

HSL 88.38, 0.71%, 0.41%

LAB 65.84, -44.21, 61.64

 

CMYK 44 / 0 / 93 / 24

HEX #6DC30D

RGB 109 195 13

HSL 88.35, 0.88%, 0.41%

LAB 71.08, -51.23, 69.33

 

CMYK 17 / 0 / 36 / 50

HEX #697F51

RGB 105 127 81

HSL 88.7, 0.22%, 0.41%

LAB 50.42, -16.71, 22.45

 

CMYK 5 / 0 / 11 / 57

HEX #686E62

RGB 104 110 98

HSL 90, 0.06%, 0.41%

LAB 45.6, -4.72, 5.91

 

CMYK 10 / 19 / 0 / 55

HEX #675D73

RGB 103 93 115

HSL 267.27, 0.11%, 0.41%

LAB 41.14, 8.68, -10.97

 

CMYK 22 / 42 / 0 / 48

HEX #674C84

RGB 103 76 132

HSL 268.93, 0.27%, 0.41%

LAB 37.33, 23.32, -27.25

 

CMYK 32 / 60 / 0 / 42

HEX #663B95

RGB 102 59 149

HSL 268.67, 0.43%, 0.41%

LAB 34.24, 37.52, -42.57

 

CMYK 0 / 2 / 36 / 50

HEX #7F7C51

RGB 127 124 81

HSL 56.09, 0.22%, 0.41%

LAB 51.29, -5.9, 23.92

 

CMYK 7 / 0 / 36 / 50

HEX #767F51

RGB 118 127 81

HSL 71.74, 0.22%, 0.41%

LAB 51.41, -11.38, 23.93

 

CMYK 17 / 0 / 36 / 50

HEX #6A7F51

RGB 106 127 81

HSL 87.39, 0.22%, 0.41%

LAB 50.5, -16.31, 22.56

 

CMYK 27 / 0 / 36 / 50

HEX #5D7F51

RGB 93 127 81

HSL 104.35, 0.22%, 0.41%

LAB 49.62, -21.39, 21.24

 

CMYK 36 / 0 / 36 / 50

HEX #517F51

RGB 81 127 81

HSL 120, 0.22%, 0.41%

LAB 48.91, -25.74, 20.17

 

CMYK 17 / 0 / 36 / 70

HEX #404D31

RGB 64 77 49

HSL 87.86, 0.22%, 0.25%

LAB 30.92, -10.97, 14.96

 

CMYK 18 / 0 / 36 / 60

HEX #546641

RGB 84 102 65

HSL 89.19, 0.22%, 0.33%

LAB 40.85, -14.12, 18.74

 

CMYK 17 / 0 / 36 / 50

HEX #697F51

RGB 105 127 81

HSL 88.7, 0.22%, 0.41%

LAB 50.42, -16.71, 22.45

 

CMYK 17 / 0 / 36 / 40

HEX #7E9861

RGB 126 152 97

HSL 88.36, 0.22%, 0.49%

LAB 59.67, -19.2, 26.01

 

CMYK 13 / 0 / 28 / 34

HEX #93A979

RGB 147 169 121

HSL 87.5, 0.22%, 0.57%

LAB 66.49, -16.37, 22.31

 

CMYK 17 / 0 / 36 / 50

HEX #697E51

RGB 105.1 126.8 81

HSL 88.43, 0.22%, 0.41%

LAB 50.37, -16.56, 22.38

 

CMYK 36 / 0 / 12 / 50

HEX #517F70

RGB 81 127 112

HSL 160.43, 0.22%, 0.41%

LAB 49.61, -19.35, 3.18

 

CMYK 0 / 36 / 2 / 50

HEX #7F517C

RGB 127 81 124

HSL 303.91, 0.22%, 0.41%

LAB 40.98, 26.58, -16.48

 

CMYK 17 / 0 / 36 / 50

HEX #697E51

RGB 105.1 126.8 81

HSL 88.43, 0.22%, 0.41%

LAB 50.37, -16.56, 22.38

 

CMYK 36 / 17 / 0 / 50

HEX #516A7F

RGB 81 106 127

HSL 207.39, 0.22%, 0.41%

LAB 43.64, -3.62, -14.62

 

CMYK 0 / 36 / 17 / 50

HEX #7F516A

RGB 127 81 106

HSL 327.39, 0.22%, 0.41%

LAB 40.31, 23.2, -6.42

 

CMYK 17 / 0 / 36 / 50

HEX #697E51

RGB 105.1 126.8 81

HSL 88.43, 0.22%, 0.41%

LAB 50.37, -16.56, 22.38

 

CMYK 36 / 0 / 12 / 50

HEX #517F70

RGB 81 127 112

HSL 160.43, 0.22%, 0.41%

LAB 49.61, -19.35, 3.18

 

CMYK 19 / 36 / 0 / 50

HEX #67517F

RGB 103 81 127

HSL 268.7, 0.22%, 0.41%

LAB 38.38, 18.98, -22.56

 

CMYK 0 / 36 / 24 / 50

HEX #7F5160

RGB 127 81 96

HSL 340.43, 0.22%, 0.41%

LAB 39.98, 21.52, -0.7

 

CMYK 17 / 0 / 36 / 50

HEX #697E51

RGB 105.1 126.8 81

HSL 88.43, 0.22%, 0.41%

LAB 50.37, -16.56, 22.38

 

CMYK 36 / 0 / 1 / 50

HEX #517F7E

RGB 81 127 126

HSL 178.7, 0.22%, 0.41%

LAB 50.02, -15.88, -4.45

 

CMYK 19 / 36 / 0 / 50

HEX #67517F

RGB 103 81 127

HSL 268.7, 0.22%, 0.41%

LAB 38.38, 18.98, -22.56

 

CMYK 0 / 36 / 35 / 50

HEX #7F5153

RGB 127 81 83

HSL 357.39, 0.22%, 0.41%

LAB 39.62, 19.57, 6.84

 

Description

Color code: RGB 105.1 126.8 81 | qconv.com Color code: RGB 105.1 126.8 81 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105.1 red, 126.8 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105.1 126.8 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 36 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 36% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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