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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 22 / 42 / 0 / 48 it is the complementary color CMYK 15 / 0 / 31 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 22 / 42 / 0 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 22 / 42 / 0 / 48: CMYK 16 / 40 / 0 / 50, CMYK 15 / 35 / 0 / 42, CMYK 14 / 32 / 0 / 35, CMYK 14 / 29 / 0 / 27 and CMYK 14 / 27 / 0 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 22 / 42 / 0 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 22 / 42 / 0 / 48: CMYK 23 / 42 / 0 / 48, CMYK 25 / 48 / 0 / 55, CMYK 27 / 57 / 0 / 63, CMYK 32 / 70 / 0 / 70 and CMYK 39 / 91 / 0 / 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 42 / 0 / 48

HEX #674D85

RGB 103 77 133

HSL 267.86, 0.27%, 0.41%

LAB 37.63, 22.96, -27.39

 

Complementary color

CMYK 15 / 0 / 31 / 30

HEX #98B27A

RGB 152 178 122

HSL 87.86, 0.27%, 0.59%

LAB 69.41, -18.95, 25.77

 

CMYK 16 / 40 / 0 / 50

HEX #6C4D80

RGB 108 77 128

HSL 276.47, 0.25%, 0.4%

LAB 37.94, 23.35, -23.81

 

CMYK 15 / 35 / 0 / 42

HEX #7D5F93

RGB 125 95 147

HSL 274.62, 0.21%, 0.47%

LAB 45.15, 22.56, -23.97

 

CMYK 14 / 32 / 0 / 35

HEX #8E71A6

RGB 142 113 166

HSL 272.83, 0.23%, 0.55%

LAB 52.19, 21.86, -24.14

 

CMYK 14 / 29 / 0 / 27

HEX #9F83B9

RGB 159 131 185

HSL 271.11, 0.28%, 0.62%

LAB 59.07, 21.22, -24.34

 

CMYK 14 / 27 / 0 / 20

HEX #B095CC

RGB 176 149 204

HSL 269.45, 0.35%, 0.69%

LAB 65.81, 20.64, -24.55

 

CMYK 23 / 42 / 0 / 48

HEX #674D85

RGB 103 77 133

HSL 267.86, 0.27%, 0.41%

LAB 37.63, 22.96, -27.39

 

CMYK 25 / 48 / 0 / 55

HEX #563B72

RGB 86 59 114

HSL 269.45, 0.32%, 0.34%

LAB 30.21, 23.88, -27.38

 

CMYK 27 / 57 / 0 / 63

HEX #45295F

RGB 69 41 95

HSL 271.11, 0.4%, 0.27%

LAB 22.57, 24.9, -27.36

 

CMYK 32 / 70 / 0 / 70

HEX #34174C

RGB 52 23 76

HSL 272.83, 0.54%, 0.19%

LAB 14.76, 25.9, -27.23

 

CMYK 39 / 91 / 0 / 78

HEX #230539

RGB 35 5 57

HSL 274.62, 0.84%, 0.12%

LAB 6.88, 26.42, -26.71

 

CMYK 23 / 42 / 0 / 48

HEX #674D85

RGB 103 77 133

HSL 267.86, 0.27%, 0.41%

LAB 37.63, 22.96, -27.39

 

CMYK 16 / 42 / 0 / 48

HEX #6F4C84

RGB 111 76 132

HSL 277.5, 0.27%, 0.41%

LAB 38.22, 25.89, -25.79

 

CMYK 9 / 42 / 0 / 48

HEX #784C84

RGB 120 76 132

HSL 287.14, 0.27%, 0.41%

LAB 39.29, 28.82, -24.05

 

CMYK 2 / 42 / 0 / 48

HEX #814C84

RGB 129 76 132

HSL 296.79, 0.27%, 0.41%

LAB 40.41, 31.78, -22.22

 

CMYK 0 / 42 / 5 / 48

HEX #844C7E

RGB 132 76 126

HSL 306.43, 0.27%, 0.41%

LAB 40.54, 31.59, -18.32

 

CMYK 23 / 42 / 0 / 48

HEX #674D85

RGB 103 77 133

HSL 267.86, 0.27%, 0.41%

LAB 37.63, 22.96, -27.39

 

CMYK 23 / 42 / 0 / 28

HEX #8E6BB8

RGB 142 107 184

HSL 267.27, 0.35%, 0.57%

LAB 51.53, 29.57, -35.61

 

CMYK 23 / 42 / 0 / 8

HEX #B688EB

RGB 182 136 235

HSL 267.88, 0.71%, 0.73%

LAB 64.61, 36.67, -43.58

 

CMYK 23 / 42 / 0 / 88

HEX #18121F

RGB 24 18 31

HSL 267.69, 0.27%, 0.1%

LAB 6.56, 6.17, -7.88

 

CMYK 22 / 43 / 0 / 68

HEX #402F52

RGB 64 47 82

HSL 269.14, 0.27%, 0.25%

LAB 22.77, 15.83, -18.5

 

CMYK 23 / 42 / 0 / 48

HEX #674D85

RGB 103 77 133

HSL 267.86, 0.27%, 0.41%

LAB 37.63, 22.96, -27.39

 

CMYK 0 / 42 / 27 / 48

HEX #844C60

RGB 132 76 96

HSL 338.57, 0.27%, 0.41%

LAB 39.44, 26.4, -1.42

 

CMYK 42 / 0 / 40 / 48

HEX #4C844F

RGB 76 132 79

HSL 123.21, 0.27%, 0.41%

LAB 50.22, -30.2, 22.98

 

CMYK 23 / 42 / 0 / 48

HEX #674D85

RGB 103 77 133

HSL 267.86, 0.27%, 0.41%

LAB 37.63, 22.96, -27.39

 

CMYK 0 / 23 / 42 / 48

HEX #84654C

RGB 132 101 76

HSL 26.79, 0.27%, 0.41%

LAB 45.27, 8.93, 18.95

 

CMYK 42 / 0 / 23 / 48

HEX #4C8465

RGB 76 132 101

HSL 146.79, 0.27%, 0.41%

LAB 50.66, -25.94, 11.05

 

CMYK 23 / 42 / 0 / 48

HEX #674D85

RGB 103 77 133

HSL 267.86, 0.27%, 0.41%

LAB 37.63, 22.96, -27.39

 

CMYK 0 / 42 / 27 / 48

HEX #844C60

RGB 132 76 96

HSL 338.57, 0.27%, 0.41%

LAB 39.44, 26.4, -1.42

 

CMYK 19 / 0 / 42 / 48

HEX #6B844C

RGB 107 132 76

HSL 86.79, 0.27%, 0.41%

LAB 52.01, -19.26, 27.31

 

CMYK 42 / 0 / 14 / 48

HEX #4C8471

RGB 76 132 113

HSL 159.64, 0.27%, 0.41%

LAB 50.96, -23.22, 4.5

 

CMYK 23 / 42 / 0 / 48

HEX #674D85

RGB 103 77 133

HSL 267.86, 0.27%, 0.41%

LAB 37.63, 22.96, -27.39

 

CMYK 0 / 42 / 40 / 48

HEX #844C4F

RGB 132 76 79

HSL 356.79, 0.27%, 0.41%

LAB 38.97, 24.03, 8.5

 

CMYK 19 / 0 / 42 / 48

HEX #6B844C

RGB 107 132 76

HSL 86.79, 0.27%, 0.41%

LAB 52.01, -19.26, 27.31

 

CMYK 42 / 0 / 2 / 48

HEX #4C8481

RGB 76 132 129

HSL 176.79, 0.27%, 0.41%

LAB 51.41, -19.2, -4.18

 

Description

Color code: CMYK 22 / 42 / 0 / 48 | qconv.com Color code: CMYK 22 / 42 / 0 / 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 77 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 77 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 42 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 42% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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