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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 35 168 it is the complementary color RGB 151 220 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 35 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 104 35 168: RGB 109 35 163, RGB 126 53 182, RGB 143 71 201, RGB 160 89 220 and RGB 177 107 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 35 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 104 35 168: RGB 104 35 168, RGB 87 17 149, RGB 70 0 130, RGB 53 0 111 and RGB 36 0 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 79 / 0 / 34

HEX #6823A8

RGB 104 35 168

HSL 271.13, 0.66%, 0.4%

LAB 31.74, 54.3, -58.11

 

Complementary color

CMYK 31 / 0 / 60 / 14

HEX #97DC57

RGB 151 220 87

HSL 91.13, 0.66%, 0.6%

LAB 80.99, -43.13, 57.08

 

CMYK 33 / 79 / 0 / 36

HEX #6D23A3

RGB 109 35 163

HSL 274.69, 0.65%, 0.39%

LAB 32.03, 53.98, -54.6

 

CMYK 31 / 71 / 0 / 29

HEX #7E35B6

RGB 126 53 182

HSL 273.95, 0.55%, 0.46%

LAB 38.48, 54, -55.36

 

CMYK 29 / 65 / 0 / 21

HEX #8F47C9

RGB 143 71 201

HSL 273.23, 0.55%, 0.53%

LAB 45.03, 53.51, -55.77

 

CMYK 27 / 60 / 0 / 14

HEX #A059DC

RGB 160 89 220

HSL 272.52, 0.65%, 0.61%

LAB 51.59, 52.78, -55.99

 

CMYK 26 / 55 / 0 / 6

HEX #B16BEF

RGB 177 107 239

HSL 271.82, 0.8%, 0.68%

LAB 58.13, 51.94, -56.09

 

CMYK 38 / 79 / 0 / 34

HEX #6823A8

RGB 104 35 168

HSL 271.13, 0.66%, 0.4%

LAB 31.74, 54.3, -58.11

 

CMYK 42 / 89 / 0 / 42

HEX #571195

RGB 87 17 149

HSL 271.82, 0.8%, 0.33%

LAB 25.55, 53.38, -56.76

 

CMYK 46 / 100 / 0 / 49

HEX #460082

RGB 70 0 130

HSL 272.31, 1%, 0.25%

LAB 19.7, 51.19, -54.62

 

CMYK 52 / 100 / 0 / 56

HEX #35006F

RGB 53 0 111

HSL 268.65, 1%, 0.22%

LAB 14.98, 45.15, -50.29

 

CMYK 61 / 100 / 0 / 64

HEX #24005C

RGB 36 0 92

HSL 263.48, 1%, 0.18%

LAB 10.17, 39.01, -45.74

 

CMYK 38 / 79 / 0 / 34

HEX #6823A8

RGB 104 35 168

HSL 271.13, 0.66%, 0.4%

LAB 31.74, 54.3, -58.11

 

CMYK 25 / 80 / 0 / 34

HEX #7E22A9

RGB 126 34 169

HSL 280.89, 0.67%, 0.4%

LAB 34.89, 58.65, -53.44

 

CMYK 12 / 80 / 0 / 34

HEX #9522A9

RGB 149 34 169

HSL 291.11, 0.67%, 0.4%

LAB 38.55, 62.91, -47.36

 

CMYK 0 / 80 / 1 / 34

HEX #A922A7

RGB 169 34 167

HSL 300.89, 0.67%, 0.4%

LAB 41.8, 66.51, -40.77

 

CMYK 0 / 80 / 15 / 34

HEX #A92290

RGB 169 34 144

HSL 311.11, 0.67%, 0.4%

LAB 40.56, 63.05, -28.85

 

CMYK 38 / 79 / 0 / 34

HEX #6823A8

RGB 104 35 168

HSL 271.13, 0.66%, 0.4%

LAB 31.74, 54.3, -58.11

 

CMYK 38 / 79 / 0 / 14

HEX #882EDB

RGB 136 46 219

HSL 271.21, 0.71%, 0.52%

LAB 41.69, 66.98, -71.59

 

CMYK 40 / 80 / 0 / 94

HEX #09030F

RGB 9 3 15

HSL 270, 0.67%, 0.04%

LAB 1.42, 3.34, -4.27

 

CMYK 38 / 79 / 0 / 74

HEX #290E42

RGB 41 14 66

HSL 271.15, 0.65%, 0.16%

LAB 10.4, 25.49, -27.38

 

CMYK 38 / 79 / 0 / 54

HEX #481875

RGB 72 24 117

HSL 270.97, 0.66%, 0.28%

LAB 21.26, 40.76, -43.74

 

CMYK 38 / 79 / 0 / 34

HEX #6823A8

RGB 104 35 168

HSL 271.13, 0.66%, 0.4%

LAB 31.74, 54.3, -58.11

 

CMYK 0 / 80 / 57 / 34

HEX #A92248

RGB 169 34 72

HSL 343.11, 0.67%, 0.4%

LAB 37.93, 55.24, 12.42

 

CMYK 80 / 0 / 70 / 34

HEX #22A932

RGB 34 169 50

HSL 127.11, 0.67%, 0.4%

LAB 60.73, -58.03, 49.27

 

CMYK 38 / 79 / 0 / 34

HEX #6823A8

RGB 104 35 168

HSL 271.13, 0.66%, 0.4%

LAB 31.74, 54.3, -58.11

 

CMYK 0 / 38 / 80 / 34

HEX #A96822

RGB 169 104 34

HSL 31.11, 0.67%, 0.4%

LAB 50.04, 20.48, 47.73

 

CMYK 80 / 0 / 38 / 34

HEX #22A968

RGB 34 169 104

HSL 151.11, 0.67%, 0.4%

LAB 61.41, -50.04, 23.86

 

CMYK 38 / 79 / 0 / 34

HEX #6823A8

RGB 104 35 168

HSL 271.13, 0.66%, 0.4%

LAB 31.74, 54.3, -58.11

 

CMYK 0 / 80 / 57 / 34

HEX #A92248

RGB 169 34 72

HSL 343.11, 0.67%, 0.4%

LAB 37.93, 55.24, 12.42

 

CMYK 41 / 0 / 80 / 34

HEX #63A922

RGB 99 169 34

HSL 91.11, 0.67%, 0.4%

LAB 62.63, -43.41, 57.44

 

CMYK 80 / 0 / 22 / 34

HEX #22A983

RGB 34 169 131

HSL 163.11, 0.67%, 0.4%

LAB 61.96, -43.96, 9.8

 

CMYK 38 / 79 / 0 / 34

HEX #6823A8

RGB 104 35 168

HSL 271.13, 0.66%, 0.4%

LAB 31.74, 54.3, -58.11

 

CMYK 0 / 79 / 80 / 34

HEX #A92422

RGB 169 36 34

HSL 0.89, 0.67%, 0.4%

LAB 37.5, 52.64, 35.43

 

CMYK 41 / 0 / 80 / 34

HEX #63A922

RGB 99 169 34

HSL 91.11, 0.67%, 0.4%

LAB 62.63, -43.41, 57.44

 

CMYK 80 / 1 / 0 / 34

HEX #22A7A9

RGB 34 167 169

HSL 180.89, 0.67%, 0.4%

LAB 62.37, -32.51, -10.86

 

Description

Color code: RGB 104 35 168 | qconv.com Color code: RGB 104 35 168 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 35 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 35 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 79 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 79% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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