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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 151 103 it is the complementary color RGB 151 104 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 151 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 104 151 103: RGB 109 151 98, RGB 126 169 117, RGB 143 187 136, RGB 160 205 155 and RGB 177 223 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 151 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 104 151 103: RGB 104 151 103, RGB 87 133 84, RGB 70 115 65, RGB 53 97 46 and RGB 36 79 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 32 / 41

HEX #689767

RGB 104 151 103

HSL 118.75, 0.19%, 0.5%

LAB 58.09, -25.86, 20.37

 

Complementary color

CMYK 1 / 32 / 0 / 40

HEX #976898

RGB 151 104 152

HSL 298.75, 0.19%, 0.5%

LAB 50.39, 27.12, -18.63

 

CMYK 28 / 0 / 35 / 41

HEX #6D9762

RGB 109 151 98

HSL 107.55, 0.21%, 0.49%

LAB 58.29, -24.92, 23.45

 

CMYK 25 / 0 / 31 / 34

HEX #7EA975

RGB 126 169 117

HSL 109.62, 0.23%, 0.56%

LAB 65.04, -24.72, 22.29

 

CMYK 24 / 0 / 27 / 27

HEX #8FBB88

RGB 143 187 136

HSL 111.76, 0.27%, 0.63%

LAB 71.66, -24.52, 21.21

 

CMYK 22 / 0 / 24 / 20

HEX #A0CD9B

RGB 160 205 155

HSL 114, 0.33%, 0.71%

LAB 78.17, -24.33, 20.19

 

CMYK 21 / 0 / 22 / 13

HEX #B1DFAE

RGB 177 223 174

HSL 116.33, 0.43%, 0.78%

LAB 84.58, -24.16, 19.23

 

CMYK 31 / 0 / 32 / 41

HEX #689767

RGB 104 151 103

HSL 118.75, 0.19%, 0.5%

LAB 58.09, -25.86, 20.37

 

CMYK 35 / 0 / 37 / 48

HEX #578554

RGB 87 133 84

HSL 116.33, 0.23%, 0.43%

LAB 51.2, -26.11, 21.58

 

CMYK 39 / 0 / 43 / 55

HEX #467341

RGB 70 115 65

HSL 114, 0.28%, 0.35%

LAB 44.15, -26.35, 22.89

 

CMYK 45 / 0 / 53 / 62

HEX #35612E

RGB 53 97 46

HSL 111.76, 0.36%, 0.28%

LAB 36.94, -26.51, 24.29

 

CMYK 54 / 0 / 66 / 69

HEX #244F1B

RGB 36 79 27

HSL 109.62, 0.49%, 0.21%

LAB 29.53, -26.46, 25.66

 

CMYK 31 / 0 / 32 / 41

HEX #689767

RGB 104 151 103

HSL 118.75, 0.19%, 0.5%

LAB 58.09, -25.86, 20.37

 

CMYK 32 / 0 / 28 / 41

HEX #67976D

RGB 103 151 109

HSL 127.5, 0.19%, 0.5%

LAB 58.15, -25.12, 17.1

 

CMYK 32 / 0 / 23 / 41

HEX #679775

RGB 103 151 117

HSL 137.5, 0.19%, 0.5%

LAB 58.32, -23.6, 12.85

 

CMYK 32 / 0 / 17 / 41

HEX #67977D

RGB 103 151 125

HSL 147.5, 0.19%, 0.5%

LAB 58.51, -21.97, 8.59

 

CMYK 32 / 0 / 12 / 41

HEX #679785

RGB 103 151 133

HSL 157.5, 0.19%, 0.5%

LAB 58.71, -20.24, 4.33

 

CMYK 31 / 0 / 32 / 41

HEX #689767

RGB 104 151 103

HSL 118.75, 0.19%, 0.5%

LAB 58.09, -25.86, 20.37

 

CMYK 31 / 0 / 32 / 21

HEX #8BCA8A

RGB 139 202 138

HSL 119.06, 0.38%, 0.67%

LAB 75.8, -32.75, 25.73

 

CMYK 31 / 0 / 32 / 1

HEX #AEFDAD

RGB 174 253 173

HSL 119.25, 0.95%, 0.84%

LAB 92.69, -39.29, 30.82

 

CMYK 31 / 0 / 33 / 81

HEX #223121

RGB 34 49 33

HSL 116.25, 0.2%, 0.16%

LAB 18.57, -10.22, 8.25

 

CMYK 31 / 0 / 32 / 61

HEX #456444

RGB 69 100 68

HSL 118.13, 0.19%, 0.33%

LAB 39.24, -18.47, 14.63

 

CMYK 31 / 0 / 32 / 41

HEX #689767

RGB 104 151 103

HSL 118.75, 0.19%, 0.5%

LAB 58.09, -25.86, 20.37

 

CMYK 32 / 5 / 0 / 41

HEX #678F97

RGB 103 143 151

HSL 190, 0.19%, 0.5%

LAB 56.84, -11.7, -8.68

 

CMYK 0 / 32 / 18 / 41

HEX #97677C

RGB 151 103 124

HSL 333.75, 0.19%, 0.5%

LAB 49.17, 22.55, -3.86

 

CMYK 31 / 0 / 32 / 41

HEX #689767

RGB 104 151 103

HSL 118.75, 0.19%, 0.5%

LAB 58.09, -25.86, 20.37

 

CMYK 32 / 31 / 0 / 41

HEX #676897

RGB 103 104 151

HSL 238.75, 0.19%, 0.5%

LAB 45.66, 11.05, -25.72

 

CMYK 0 / 32 / 31 / 41

HEX #976768

RGB 151 103 104

HSL 358.75, 0.19%, 0.5%

LAB 48.61, 19.45, 7.26

 

CMYK 31 / 0 / 32 / 41

HEX #689767

RGB 104 151 103

HSL 118.75, 0.19%, 0.5%

LAB 58.09, -25.86, 20.37

 

CMYK 32 / 5 / 0 / 41

HEX #678F97

RGB 103 143 151

HSL 190, 0.19%, 0.5%

LAB 56.84, -11.7, -8.68

 

CMYK 1 / 32 / 0 / 41

HEX #966797

RGB 150 103 151

HSL 298.75, 0.19%, 0.5%

LAB 50, 27.16, -18.65

 

CMYK 0 / 26 / 32 / 41

HEX #976F67

RGB 151 111 103

HSL 10, 0.19%, 0.5%

LAB 50.6, 14.69, 10.66

 

CMYK 31 / 0 / 32 / 41

HEX #689767

RGB 104 151 103

HSL 118.75, 0.19%, 0.5%

LAB 58.09, -25.86, 20.37

 

CMYK 32 / 15 / 0 / 41

HEX #678197

RGB 103 129 151

HSL 207.5, 0.19%, 0.5%

LAB 52.75, -3.83, -14.84

 

CMYK 1 / 32 / 0 / 41

HEX #966797

RGB 150 103 151

HSL 298.75, 0.19%, 0.5%

LAB 50, 27.16, -18.65

 

CMYK 0 / 17 / 32 / 41

HEX #977D67

RGB 151 125 103

HSL 27.5, 0.19%, 0.5%

LAB 54.27, 6.64, 15.75

 

Description

Color code: RGB 104 151 103 | qconv.com Color code: RGB 104 151 103 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 151 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 151 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 32 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 32% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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