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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 31 / 0 / 32 / 60 it is the complementary color CMYK 1 / 18 / 0 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 31 / 0 / 32 / 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 31 / 0 / 32 / 60: CMYK 26 / 0 / 37 / 60, CMYK 23 / 0 / 31 / 53, CMYK 21 / 0 / 26 / 46, CMYK 19 / 0 / 22 / 39 and CMYK 18 / 0 / 20 / 32

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 31 / 0 / 32 / 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 31 / 0 / 32 / 60: CMYK 31 / 0 / 32 / 60, CMYK 37 / 0 / 40 / 67, CMYK 45 / 0 / 53 / 74, CMYK 60 / 0 / 75 / 81 and CMYK 93 / 0 / 100 / 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 32 / 60

HEX #466645

RGB 70 102 69

HSL 118.18, 0.19%, 0.34%

LAB 39.97, -18.98, 15.04

 

Complementary color

CMYK 1 / 18 / 0 / 27

HEX #B999BA

RGB 185 153 186

HSL 298.18, 0.19%, 0.66%

LAB 67.01, 17.72, -12.62

 

CMYK 26 / 0 / 37 / 60

HEX #4B6640

RGB 75 102 64

HSL 102.63, 0.23%, 0.33%

LAB 40.19, -17.94, 18.35

 

CMYK 23 / 0 / 31 / 53

HEX #5C7853

RGB 92 120 83

HSL 105.41, 0.18%, 0.4%

LAB 47.41, -17.75, 17.13

 

CMYK 21 / 0 / 26 / 46

HEX #6D8A66

RGB 109 138 102

HSL 108.33, 0.15%, 0.47%

LAB 54.44, -17.57, 16

 

CMYK 19 / 0 / 22 / 39

HEX #7E9C79

RGB 126 156 121

HSL 111.43, 0.15%, 0.54%

LAB 61.3, -17.41, 14.97

 

CMYK 18 / 0 / 20 / 32

HEX #8FAE8C

RGB 143 174 140

HSL 114.71, 0.17%, 0.62%

LAB 68.02, -17.27, 14.01

 

CMYK 31 / 0 / 32 / 60

HEX #466645

RGB 70 102 69

HSL 118.18, 0.19%, 0.34%

LAB 39.97, -18.98, 15.04

 

CMYK 37 / 0 / 40 / 67

HEX #355432

RGB 53 84 50

HSL 114.71, 0.25%, 0.26%

LAB 32.54, -19.25, 16.35

 

CMYK 45 / 0 / 53 / 74

HEX #24421F

RGB 36 66 31

HSL 111.43, 0.36%, 0.19%

LAB 24.86, -19.47, 17.8

 

CMYK 60 / 0 / 75 / 81

HEX #13300C

RGB 19 48 12

HSL 108.33, 0.6%, 0.12%

LAB 16.89, -19.43, 18.9

 

CMYK 93 / 0 / 100 / 88

HEX #021E00

RGB 2 30 0

HSL 116, 1%, 0.06%

LAB 8.49, -16.57, 12.41

 

CMYK 31 / 0 / 32 / 60

HEX #466645

RGB 70 102 69

HSL 118.18, 0.19%, 0.34%

LAB 39.97, -18.98, 15.04

 

CMYK 32 / 0 / 28 / 60

HEX #46674A

RGB 70 103 74

HSL 127.27, 0.19%, 0.34%

LAB 40.41, -18.55, 12.64

 

CMYK 32 / 0 / 22 / 60

HEX #466750

RGB 70 103 80

HSL 138.18, 0.19%, 0.34%

LAB 40.54, -17.32, 9.22

 

CMYK 32 / 0 / 17 / 60

HEX #466755

RGB 70 103 85

HSL 147.27, 0.19%, 0.34%

LAB 40.67, -16.23, 6.37

 

CMYK 32 / 0 / 12 / 60

HEX #46675B

RGB 70 103 91

HSL 158.18, 0.19%, 0.34%

LAB 40.83, -14.84, 2.95

 

CMYK 31 / 0 / 32 / 60

HEX #466645

RGB 70 102 69

HSL 118.18, 0.19%, 0.34%

LAB 39.97, -18.98, 15.04

 

CMYK 31 / 0 / 32 / 40

HEX #699968

RGB 105 153 104

HSL 118.78, 0.19%, 0.5%

LAB 58.77, -26.33, 20.75

 

CMYK 31 / 0 / 32 / 20

HEX #8CCC8A

RGB 140 204 138

HSL 118.18, 0.39%, 0.67%

LAB 76.43, -33.35, 26.59

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 31 / 0 / 31 / 80

HEX #233323

RGB 35 51 35

HSL 120, 0.19%, 0.17%

LAB 19.42, -10.59, 8.08

 

CMYK 31 / 0 / 32 / 60

HEX #466645

RGB 70 102 69

HSL 118.18, 0.19%, 0.34%

LAB 39.97, -18.98, 15.04

 

CMYK 32 / 6 / 0 / 60

HEX #466167

RGB 70 97 103

HSL 190.91, 0.19%, 0.34%

LAB 39.29, -8.36, -6.65

 

CMYK 0 / 32 / 18 / 60

HEX #674654

RGB 103 70 84

HSL 334.55, 0.19%, 0.34%

LAB 33.78, 16.51, -2.62

 

CMYK 31 / 0 / 32 / 60

HEX #466645

RGB 70 102 69

HSL 118.18, 0.19%, 0.34%

LAB 39.97, -18.98, 15.04

 

CMYK 32 / 31 / 0 / 60

HEX #464767

RGB 70 71 103

HSL 238.18, 0.19%, 0.34%

LAB 31.32, 7.87, -18.78

 

CMYK 0 / 32 / 31 / 60

HEX #674647

RGB 103 70 71

HSL 358.18, 0.19%, 0.34%

LAB 33.39, 14.34, 5.11

 

CMYK 31 / 0 / 32 / 60

HEX #466645

RGB 70 102 69

HSL 118.18, 0.19%, 0.34%

LAB 39.97, -18.98, 15.04

 

CMYK 32 / 6 / 0 / 60

HEX #466167

RGB 70 97 103

HSL 190.91, 0.19%, 0.34%

LAB 39.29, -8.36, -6.65

 

CMYK 1 / 32 / 0 / 60

HEX #664667

RGB 102 70 103

HSL 298.18, 0.19%, 0.34%

LAB 34.36, 19.88, -13.82

 

CMYK 0 / 27 / 32 / 60

HEX #674B46

RGB 103 75 70

HSL 9.09, 0.19%, 0.34%

LAB 34.72, 11.09, 7.62

 

CMYK 31 / 0 / 32 / 60

HEX #466645

RGB 70 102 69

HSL 118.18, 0.19%, 0.34%

LAB 39.97, -18.98, 15.04

 

CMYK 32 / 16 / 0 / 60

HEX #465767

RGB 70 87 103

HSL 209.09, 0.19%, 0.34%

LAB 36.17, -2.32, -11.34

 

CMYK 1 / 32 / 0 / 60

HEX #664667

RGB 102 70 103

HSL 298.18, 0.19%, 0.34%

LAB 34.36, 19.88, -13.82

 

CMYK 0 / 17 / 32 / 60

HEX #675546

RGB 103 85 70

HSL 27.27, 0.19%, 0.34%

LAB 37.52, 4.93, 11.53

 

Description

Color code: CMYK 31 / 0 / 32 / 60 | qconv.com Color code: CMYK 31 / 0 / 32 / 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 102 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 102 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 32 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 32% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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