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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 125 112 it is the complementary color RGB 151 130 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 125 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 104 125 112: RGB 109 125 107, RGB 126 143 126, RGB 143 161 145, RGB 160 179 164 and RGB 177 197 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 125 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 104 125 112: RGB 104 125 112, RGB 87 107 93, RGB 70 89 74, RGB 53 71 55 and RGB 36 53 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 10 / 51

HEX #687D70

RGB 104 125 112

HSL 142.86, 0.09%, 0.45%

LAB 50.43, -10.44, 4.54

 

Complementary color

CMYK 0 / 14 / 5 / 41

HEX #97828F

RGB 151 130 143

HSL 322.86, 0.09%, 0.55%

LAB 56.61, 10.35, -4.03

 

CMYK 13 / 0 / 14 / 51

HEX #6D7D6B

RGB 109 125 107

HSL 113.33, 0.08%, 0.45%

LAB 50.66, -9.59, 7.85

 

CMYK 12 / 0 / 12 / 44

HEX #7E8F7E

RGB 126 143 126

HSL 120, 0.07%, 0.53%

LAB 57.64, -9.54, 6.99

 

CMYK 11 / 0 / 10 / 37

HEX #8FA191

RGB 143 161 145

HSL 126.67, 0.09%, 0.6%

LAB 64.46, -9.51, 6.18

 

CMYK 11 / 0 / 8 / 30

HEX #A0B3A4

RGB 160 179 164

HSL 132.63, 0.11%, 0.66%

LAB 71.14, -9.49, 5.43

 

CMYK 10 / 0 / 7 / 23

HEX #B1C5B7

RGB 177 197 183

HSL 138, 0.15%, 0.73%

LAB 77.7, -9.48, 4.7

 

CMYK 17 / 0 / 10 / 51

HEX #687D70

RGB 104 125 112

HSL 142.86, 0.09%, 0.45%

LAB 50.43, -10.44, 4.54

 

CMYK 19 / 0 / 13 / 58

HEX #576B5D

RGB 87 107 93

HSL 138, 0.1%, 0.38%

LAB 43.26, -10.56, 5.38

 

CMYK 21 / 0 / 17 / 65

HEX #46594A

RGB 70 89 74

HSL 132.63, 0.12%, 0.31%

LAB 35.87, -10.71, 6.31

 

CMYK 25 / 0 / 23 / 72

HEX #354737

RGB 53 71 55

HSL 126.67, 0.15%, 0.24%

LAB 28.22, -10.92, 7.34

 

CMYK 32 / 0 / 32 / 79

HEX #243524

RGB 36 53 36

HSL 120, 0.19%, 0.17%

LAB 20.24, -11.18, 8.54

 

CMYK 17 / 0 / 10 / 51

HEX #687D70

RGB 104 125 112

HSL 142.86, 0.09%, 0.45%

LAB 50.43, -10.44, 4.54

 

CMYK 17 / 0 / 8 / 51

HEX #687D73

RGB 104 125 115

HSL 151.43, 0.09%, 0.45%

LAB 50.51, -9.81, 2.89

 

CMYK 17 / 0 / 6 / 51

HEX #687D76

RGB 104 125 118

HSL 160, 0.09%, 0.45%

LAB 50.59, -9.17, 1.25

 

CMYK 17 / 0 / 2 / 51

HEX #687D7A

RGB 104 125 122

HSL 171.43, 0.09%, 0.45%

LAB 50.71, -8.29, -0.93

 

CMYK 17 / 1 / 0 / 51

HEX #687C7D

RGB 104 124 125

HSL 182.86, 0.09%, 0.45%

LAB 50.5, -7.04, -3

 

CMYK 17 / 0 / 10 / 51

HEX #687D70

RGB 104 125 112

HSL 142.86, 0.09%, 0.45%

LAB 50.43, -10.44, 4.54

 

CMYK 17 / 0 / 10 / 31

HEX #92B09E

RGB 146 176 158

HSL 144, 0.16%, 0.63%

LAB 69.21, -13.9, 5.81

 

CMYK 17 / 0 / 11 / 11

HEX #BDE3CB

RGB 189 227 203

HSL 142.11, 0.4%, 0.82%

LAB 87.03, -17.01, 7.61

 

CMYK 17 / 0 / 9 / 91

HEX #131715

RGB 19 23 21

HSL 150, 0.1%, 0.08%

LAB 7.27, -2.26, 0.71

 

CMYK 16 / 0 / 11 / 71

HEX #3E4A42

RGB 62 74 66

HSL 140, 0.09%, 0.27%

LAB 30.19, -6.67, 3.17

 

CMYK 17 / 0 / 10 / 51

HEX #687D70

RGB 104 125 112

HSL 142.86, 0.09%, 0.45%

LAB 50.43, -10.44, 4.54

 

CMYK 17 / 10 / 0 / 51

HEX #68717D

RGB 104 113 125

HSL 214.29, 0.09%, 0.45%

LAB 47.28, -0.67, -7.77

 

CMYK 0 / 17 / 16 / 51

HEX #7D6869

RGB 125 104 105

HSL 357.14, 0.09%, 0.45%

LAB 46.02, 8.52, 2.56

 

CMYK 17 / 0 / 10 / 51

HEX #687D70

RGB 104 125 112

HSL 142.86, 0.09%, 0.45%

LAB 50.43, -10.44, 4.54

 

CMYK 11 / 17 / 0 / 51

HEX #6F687D

RGB 111 104 125

HSL 260, 0.09%, 0.45%

LAB 45.3, 7.2, -10.67

 

CMYK 0 / 11 / 17 / 51

HEX #7D6F68

RGB 125 111 104

HSL 20, 0.09%, 0.45%

LAB 47.92, 4.21, 5.89

 

CMYK 17 / 0 / 10 / 51

HEX #687D70

RGB 104 125 112

HSL 142.86, 0.09%, 0.45%

LAB 50.43, -10.44, 4.54

 

CMYK 17 / 10 / 0 / 51

HEX #68717D

RGB 104 113 125

HSL 214.29, 0.09%, 0.45%

LAB 47.28, -0.67, -7.77

 

CMYK 0 / 17 / 6 / 51

HEX #7D6875

RGB 125 104 117

HSL 322.86, 0.09%, 0.45%

LAB 46.37, 10.75, -4.13

 

CMYK 0 / 7 / 17 / 51

HEX #7D7468

RGB 125 116 104

HSL 34.29, 0.09%, 0.45%

LAB 49.31, 1.3, 7.88

 

CMYK 17 / 0 / 10 / 51

HEX #687D70

RGB 104 125 112

HSL 142.86, 0.09%, 0.45%

LAB 50.43, -10.44, 4.54

 

CMYK 17 / 14 / 0 / 51

HEX #686B7D

RGB 104 107 125

HSL 231.43, 0.09%, 0.45%

LAB 45.55, 2.89, -10.36

 

CMYK 0 / 17 / 6 / 51

HEX #7D6875

RGB 125 104 117

HSL 322.86, 0.09%, 0.45%

LAB 46.37, 10.75, -4.13

 

CMYK 0 / 2 / 17 / 51

HEX #7D7A68

RGB 125 122 104

HSL 51.43, 0.09%, 0.45%

LAB 51.01, -2.16, 10.28

 

Description

Color code: RGB 104 125 112 | qconv.com Color code: RGB 104 125 112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 125 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 125 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 10 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 10% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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