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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 10 147 it is the complementary color RGB 151 245 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 10 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 104 10 147: RGB 109 10 142, RGB 126 28 161, RGB 143 46 180, RGB 160 64 199 and RGB 177 82 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 10 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 104 10 147: RGB 104 10 147, RGB 87 0 128, RGB 70 0 109, RGB 53 0 90 and RGB 36 0 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 93 / 0 / 42

HEX #680A93

RGB 104 10 147

HSL 281.17, 0.87%, 0.31%

LAB 27.48, 56.86, -52.27

 

Complementary color

CMYK 38 / 0 / 56 / 4

HEX #97F56C

RGB 151 245 108

HSL 101.17, 0.87%, 0.69%

LAB 88.43, -51.63, 56.4

 

CMYK 23 / 93 / 0 / 44

HEX #6D0A8E

RGB 109 10 142

HSL 285, 0.87%, 0.3%

LAB 27.9, 56.6, -48.45

 

CMYK 22 / 83 / 0 / 37

HEX #7E1CA1

RGB 126 28 161

HSL 284.21, 0.7%, 0.37%

LAB 33.65, 58.9, -50.64

 

CMYK 21 / 74 / 0 / 29

HEX #8F2EB4

RGB 143 46 180

HSL 283.43, 0.59%, 0.44%

LAB 39.73, 59.85, -52.04

 

CMYK 20 / 68 / 0 / 22

HEX #A040C7

RGB 160 64 199

HSL 282.67, 0.55%, 0.52%

LAB 45.99, 60, -52.95

 

CMYK 19 / 62 / 0 / 15

HEX #B152DA

RGB 177 82 218

HSL 281.91, 0.65%, 0.59%

LAB 52.34, 59.7, -53.55

 

CMYK 29 / 93 / 0 / 42

HEX #680A93

RGB 104 10 147

HSL 281.17, 0.87%, 0.31%

LAB 27.48, 56.86, -52.27

 

CMYK 32 / 100 / 0 / 50

HEX #570080

RGB 87 0 128

HSL 280.78, 1%, 0.25%

LAB 22.25, 52.67, -49.06

 

CMYK 36 / 100 / 0 / 57

HEX #46006D

RGB 70 0 109

HSL 278.53, 1%, 0.21%

LAB 17.49, 46.51, -44.75

 

CMYK 41 / 100 / 0 / 65

HEX #35005A

RGB 53 0 90

HSL 275.33, 1%, 0.18%

LAB 12.58, 40.16, -40.32

 

CMYK 49 / 100 / 0 / 72

HEX #240047

RGB 36 0 71

HSL 270.42, 1%, 0.14%

LAB 7.5, 33.58, -35.69

 

CMYK 29 / 93 / 0 / 42

HEX #680A93

RGB 104 10 147

HSL 281.17, 0.87%, 0.31%

LAB 27.48, 56.86, -52.27

 

CMYK 14 / 93 / 0 / 42

HEX #7F0A93

RGB 127 10 147

HSL 291.24, 0.87%, 0.31%

LAB 31.43, 60.42, -45.68

 

CMYK 0 / 93 / 1 / 42

HEX #930A91

RGB 147 10 145

HSL 300.88, 0.87%, 0.31%

LAB 34.93, 63.56, -38.63

 

CMYK 0 / 93 / 17 / 42

HEX #930A7A

RGB 147 10 122

HSL 310.95, 0.87%, 0.31%

LAB 33.62, 60.21, -26.41

 

CMYK 0 / 93 / 33 / 42

HEX #930A63

RGB 147 10 99

HSL 321.02, 0.87%, 0.31%

LAB 32.53, 57.34, -13.43

 

CMYK 29 / 93 / 0 / 42

HEX #680A93

RGB 104 10 147

HSL 281.17, 0.87%, 0.31%

LAB 27.48, 56.86, -52.27

 

CMYK 29 / 93 / 0 / 22

HEX #8C0DC6

RGB 140 13 198

HSL 281.19, 0.88%, 0.41%

LAB 37.74, 71.38, -65.89

 

CMYK 29 / 93 / 0 / 2

HEX #B011F9

RGB 176 17 249

HSL 281.12, 0.95%, 0.52%

LAB 47.59, 85, -78.72

 

CMYK 29 / 93 / 0 / 82

HEX #20032D

RGB 32 3 45

HSL 281.43, 0.88%, 0.09%

LAB 5.07, 22.33, -20.76

 

CMYK 29 / 93 / 0 / 62

HEX #440760

RGB 68 7 96

HSL 281.12, 0.86%, 0.2%

LAB 16.63, 41.19, -37.61

 

CMYK 29 / 93 / 0 / 42

HEX #680A93

RGB 104 10 147

HSL 281.17, 0.87%, 0.31%

LAB 27.48, 56.86, -52.27

 

CMYK 0 / 93 / 82 / 42

HEX #930A1A

RGB 147 10 26

HSL 352.99, 0.87%, 0.31%

LAB 30.63, 52.11, 31.6

 

CMYK 93 / 0 / 67 / 42

HEX #0A9331

RGB 10 147 49

HSL 137.08, 0.87%, 0.31%

LAB 53.12, -53.42, 41.39

 

CMYK 29 / 93 / 0 / 42

HEX #680A93

RGB 104 10 147

HSL 281.17, 0.87%, 0.31%

LAB 27.48, 56.86, -52.27

 

CMYK 0 / 29 / 93 / 42

HEX #93680A

RGB 147 104 10

HSL 41.17, 0.87%, 0.31%

LAB 47.14, 9.77, 52

 

CMYK 93 / 0 / 29 / 42

HEX #0A9368

RGB 10 147 104

HSL 161.17, 0.87%, 0.31%

LAB 53.95, -43.53, 13.68

 

CMYK 29 / 93 / 0 / 42

HEX #680A93

RGB 104 10 147

HSL 281.17, 0.87%, 0.31%

LAB 27.48, 56.86, -52.27

 

CMYK 0 / 93 / 82 / 42

HEX #930A1A

RGB 147 10 26

HSL 352.99, 0.87%, 0.31%

LAB 30.63, 52.11, 31.6

 

CMYK 64 / 0 / 93 / 42

HEX #35930A

RGB 53 147 10

HSL 101.17, 0.87%, 0.31%

LAB 53.65, -49.68, 54.53

 

CMYK 93 / 0 / 11 / 42

HEX #0A9383

RGB 10 147 131

HSL 172.99, 0.87%, 0.31%

LAB 54.63, -36.31, -0.79

 

CMYK 29 / 93 / 0 / 42

HEX #680A93

RGB 104 10 147

HSL 281.17, 0.87%, 0.31%

LAB 27.48, 56.86, -52.27

 

CMYK 0 / 76 / 93 / 42

HEX #93230A

RGB 147 35 10

HSL 10.95, 0.87%, 0.31%

LAB 32.76, 45.37, 41.47

 

CMYK 64 / 0 / 93 / 42

HEX #35930A

RGB 53 147 10

HSL 101.17, 0.87%, 0.31%

LAB 53.65, -49.68, 54.53

 

CMYK 93 / 17 / 0 / 42

HEX #0A7A93

RGB 10 122 147

HSL 190.95, 0.87%, 0.31%

LAB 47.09, -18.69, -21.45

 

Description

Color code: RGB 104 10 147 | qconv.com Color code: RGB 104 10 147 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 10 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 10 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 93 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 93% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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