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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 107 89 it is the complementary color RGB 151 148 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 107 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 104 107 89: RGB 109 107 84, RGB 126 125 103, RGB 143 143 122, RGB 160 161 141 and RGB 177 179 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 107 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 104 107 89: RGB 104 107 89, RGB 87 89 70, RGB 70 71 51, RGB 53 53 32 and RGB 36 35 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 17 / 58

HEX #686B59

RGB 104 107 89

HSL 70, 0.09%, 0.38%

LAB 44.49, -4.65, 9.71

 

Complementary color

CMYK 9 / 11 / 0 / 35

HEX #9794A6

RGB 151 148 166

HSL 250, 0.09%, 0.62%

LAB 62.09, 4.71, -9.04

 

CMYK 0 / 2 / 23 / 57

HEX #6D6B54

RGB 109 107 84

HSL 55.2, 0.13%, 0.38%

LAB 44.81, -3.42, 13.21

 

CMYK 0 / 1 / 18 / 51

HEX #7E7D67

RGB 126 125 103

HSL 57.39, 0.1%, 0.45%

LAB 51.93, -3.63, 12.16

 

CMYK 0 / 0 / 15 / 44

HEX #8F8F7A

RGB 143 143 122

HSL 60, 0.09%, 0.52%

LAB 58.87, -3.81, 11.19

 

CMYK 1 / 0 / 12 / 37

HEX #A0A18D

RGB 160 161 141

HSL 63, 0.1%, 0.59%

LAB 65.66, -3.97, 10.3

 

CMYK 1 / 0 / 11 / 30

HEX #B1B3A0

RGB 177 179 160

HSL 66.32, 0.11%, 0.66%

LAB 72.31, -4.11, 9.46

 

CMYK 3 / 0 / 17 / 58

HEX #686B59

RGB 104 107 89

HSL 70, 0.09%, 0.38%

LAB 44.49, -4.65, 9.71

 

CMYK 2 / 0 / 21 / 65

HEX #575946

RGB 87 89 70

HSL 66.32, 0.12%, 0.31%

LAB 37.14, -4.51, 10.76

 

CMYK 1 / 0 / 28 / 72

HEX #464733

RGB 70 71 51

HSL 63, 0.16%, 0.24%

LAB 29.53, -4.32, 11.93

 

CMYK 0 / 0 / 40 / 79

HEX #353520

RGB 53 53 32

HSL 60, 0.25%, 0.17%

LAB 21.61, -4.05, 13.28

 

CMYK 0 / 3 / 64 / 86

HEX #24230D

RGB 36 35 13

HSL 57.39, 0.47%, 0.1%

LAB 13.27, -3.55, 14.05

 

CMYK 3 / 0 / 17 / 58

HEX #686B59

RGB 104 107 89

HSL 70, 0.09%, 0.38%

LAB 44.49, -4.65, 9.71

 

CMYK 6 / 0 / 16 / 59

HEX #636958

RGB 99 105 88

HSL 81.18, 0.09%, 0.38%

LAB 43.45, -5.7, 8.79

 

CMYK 9 / 0 / 16 / 59

HEX #606958

RGB 96 105 88

HSL 91.76, 0.09%, 0.38%

LAB 43.2, -6.91, 8.41

 

CMYK 11 / 0 / 16 / 59

HEX #5D6958

RGB 93 105 88

HSL 102.35, 0.09%, 0.38%

LAB 42.97, -8.11, 8.04

 

CMYK 13 / 0 / 16 / 59

HEX #5B6958

RGB 91 105 88

HSL 109.41, 0.09%, 0.38%

LAB 42.81, -8.9, 7.8

 

CMYK 3 / 0 / 17 / 58

HEX #686B59

RGB 104 107 89

HSL 70, 0.09%, 0.38%

LAB 44.49, -4.65, 9.71

 

CMYK 3 / 0 / 17 / 38

HEX #9A9E83

RGB 154 158 131

HSL 68.89, 0.12%, 0.57%

LAB 64.13, -6.29, 13.64

 

CMYK 3 / 0 / 17 / 18

HEX #CBD1AE

RGB 203 209 174

HSL 70.29, 0.28%, 0.75%

LAB 82.57, -8.03, 16.7

 

CMYK 0 / 0 / 20 / 98

HEX #050504

RGB 5 5 4

HSL 60, 0.11%, 0.02%

LAB 1.35, -0.14, 0.38

 

CMYK 4 / 0 / 16 / 78

HEX #36382F

RGB 54 56 47

HSL 73.33, 0.09%, 0.2%

LAB 23.06, -2.83, 5.34

 

CMYK 3 / 0 / 17 / 58

HEX #686B59

RGB 104 107 89

HSL 70, 0.09%, 0.38%

LAB 44.49, -4.65, 9.71

 

CMYK 16 / 0 / 10 / 59

HEX #58695E

RGB 88 105 94

HSL 141.18, 0.09%, 0.38%

LAB 42.74, -8.83, 4.05

 

CMYK 4 / 16 / 0 / 59

HEX #655869

RGB 101 88 105

HSL 285.88, 0.09%, 0.38%

LAB 39.18, 8.77, -7.78

 

CMYK 3 / 0 / 17 / 58

HEX #686B59

RGB 104 107 89

HSL 70, 0.09%, 0.38%

LAB 44.49, -4.65, 9.71

 

CMYK 16 / 3 / 0 / 59

HEX #586669

RGB 88 102 105

HSL 190.59, 0.09%, 0.38%

LAB 42.15, -4.6, -3.49

 

CMYK 0 / 16 / 3 / 59

HEX #695866

RGB 105 88 102

HSL 310.59, 0.09%, 0.38%

LAB 39.48, 9.67, -5.44

 

CMYK 3 / 0 / 17 / 58

HEX #686B59

RGB 104 107 89

HSL 70, 0.09%, 0.38%

LAB 44.49, -4.65, 9.71

 

CMYK 16 / 0 / 10 / 59

HEX #58695E

RGB 88 105 94

HSL 141.18, 0.09%, 0.38%

LAB 42.74, -8.83, 4.05

 

CMYK 13 / 16 / 0 / 59

HEX #5B5869

RGB 91 88 105

HSL 250.59, 0.09%, 0.38%

LAB 38.24, 5, -9.3

 

CMYK 0 / 16 / 6 / 59

HEX #695863

RGB 105 88 99

HSL 321.18, 0.09%, 0.38%

LAB 39.38, 9.06, -3.73

 

CMYK 3 / 0 / 17 / 58

HEX #686B59

RGB 104 107 89

HSL 70, 0.09%, 0.38%

LAB 44.49, -4.65, 9.71

 

CMYK 16 / 0 / 6 / 59

HEX #586963

RGB 88 105 99

HSL 158.82, 0.09%, 0.38%

LAB 42.88, -7.74, 1.22

 

CMYK 13 / 16 / 0 / 59

HEX #5B5869

RGB 91 88 105

HSL 250.59, 0.09%, 0.38%

LAB 38.24, 5, -9.3

 

CMYK 0 / 16 / 11 / 59

HEX #69585D

RGB 105 88 93

HSL 342.35, 0.09%, 0.38%

LAB 39.2, 7.88, -0.3

 

Description

Color code: RGB 104 107 89 | qconv.com Color code: RGB 104 107 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 107 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 107 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 17 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 17% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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