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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 99 14 it is the complementary color RGB 152 156 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 99 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 103 99 14: RGB 108 99 9, RGB 125 117 28, RGB 142 135 47, RGB 159 153 66 and RGB 176 171 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 99 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 103 99 14: RGB 103 99 14, RGB 86 81 0, RGB 69 63 0, RGB 52 45 0 and RGB 35 27 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 86 / 60

HEX #67630E

RGB 103 99 14

HSL 57.3, 0.76%, 0.23%

LAB 40.96, -8.42, 44.01

 

Complementary color

CMYK 37 / 35 / 0 / 5

HEX #989CF1

RGB 152 156 241

HSL 237.3, 0.76%, 0.77%

LAB 67.13, 18.6, -43.09

 

CMYK 0 / 8 / 92 / 58

HEX #6C6309

RGB 108 99 9

HSL 54.55, 0.85%, 0.23%

LAB 41.42, -6.13, 45.92

 

CMYK 0 / 6 / 78 / 51

HEX #7D751C

RGB 125 117 28

HSL 55.05, 0.63%, 0.3%

LAB 48.47, -7.51, 46.84

 

CMYK 0 / 5 / 67 / 44

HEX #8E872F

RGB 142 135 47

HSL 55.58, 0.5%, 0.37%

LAB 55.36, -8.57, 46.46

 

CMYK 0 / 4 / 58 / 38

HEX #9F9942

RGB 159 153 66

HSL 56.13, 0.41%, 0.44%

LAB 62.12, -9.39, 45.54

 

CMYK 0 / 3 / 52 / 31

HEX #B0AB55

RGB 176 171 85

HSL 56.7, 0.37%, 0.51%

LAB 68.76, -10.04, 44.41

 

CMYK 0 / 4 / 86 / 60

HEX #67630E

RGB 103 99 14

HSL 57.3, 0.76%, 0.23%

LAB 40.96, -8.42, 44.01

 

CMYK 0 / 6 / 100 / 66

HEX #565100

RGB 86 81 0

HSL 56.51, 1%, 0.17%

LAB 33.7, -6.84, 41.67

 

CMYK 0 / 9 / 100 / 73

HEX #453F00

RGB 69 63 0

HSL 54.78, 1%, 0.14%

LAB 26.22, -4.75, 35.08

 

CMYK 0 / 13 / 100 / 80

HEX #342D00

RGB 52 45 0

HSL 51.92, 1%, 0.1%

LAB 18.4, -2.5, 26.29

 

CMYK 0 / 23 / 100 / 86

HEX #231B00

RGB 35 27 0

HSL 46.29, 1%, 0.07%

LAB 10.12, 0.01, 15.11

 

CMYK 0 / 4 / 86 / 60

HEX #67630E

RGB 103 99 14

HSL 57.3, 0.76%, 0.23%

LAB 40.96, -8.42, 44.01

 

CMYK 11 / 0 / 86 / 60

HEX #5C670E

RGB 92 103 14

HSL 67.42, 0.76%, 0.23%

LAB 41.23, -15.92, 43.86

 

CMYK 25 / 0 / 86 / 60

HEX #4D670E

RGB 77 103 14

HSL 77.53, 0.76%, 0.23%

LAB 40.1, -22.77, 42.43

 

CMYK 39 / 0 / 86 / 60

HEX #3F670E

RGB 63 103 14

HSL 86.97, 0.76%, 0.23%

LAB 39.22, -28.65, 41.32

 

CMYK 53 / 0 / 86 / 60

HEX #30670E

RGB 48 103 14

HSL 97.08, 0.76%, 0.23%

LAB 38.48, -34.12, 40.37

 

CMYK 0 / 4 / 86 / 60

HEX #67630E

RGB 103 99 14

HSL 57.3, 0.76%, 0.23%

LAB 40.96, -8.42, 44.01

 

CMYK 0 / 4 / 86 / 40

HEX #9A9415

RGB 154 148 21

HSL 57.29, 0.76%, 0.34%

LAB 59.98, -11.25, 60.03

 

CMYK 0 / 4 / 86 / 20

HEX #CDC51C

RGB 205 197 28

HSL 57.29, 0.76%, 0.46%

LAB 77.87, -13.91, 74.93

 

CMYK 0 / 0 / 100 / 100

HEX #010100

RGB 1 1 0

HSL 60, 1%, 0%

LAB 0.25, -0.14, 0.38

 

CMYK 0 / 4 / 87 / 80

HEX #343207

RGB 52 50 7

HSL 57.33, 0.76%, 0.12%

LAB 20.15, -5.26, 25.47

 

CMYK 0 / 4 / 86 / 60

HEX #67630E

RGB 103 99 14

HSL 57.3, 0.76%, 0.23%

LAB 40.96, -8.42, 44.01

 

CMYK 86 / 0 / 74 / 60

HEX #0E671B

RGB 14 103 27

HSL 128.76, 0.76%, 0.23%

LAB 37.61, -40.93, 34.35

 

CMYK 39 / 86 / 0 / 60

HEX #3F0E67

RGB 63 14 103

HSL 273.03, 0.76%, 0.23%

LAB 17.23, 39.72, -41.3

 

CMYK 0 / 4 / 86 / 60

HEX #67630E

RGB 103 99 14

HSL 57.3, 0.76%, 0.23%

LAB 40.96, -8.42, 44.01

 

CMYK 86 / 0 / 5 / 60

HEX #0E6762

RGB 14 103 98

HSL 176.63, 0.76%, 0.23%

LAB 39.03, -25.28, -4.19

 

CMYK 5 / 86 / 0 / 60

HEX #620E67

RGB 98 14 103

HSL 296.63, 0.76%, 0.23%

LAB 23.3, 46.39, -31.17

 

CMYK 0 / 4 / 86 / 60

HEX #67630E

RGB 103 99 14

HSL 57.3, 0.76%, 0.23%

LAB 40.96, -8.42, 44.01

 

CMYK 86 / 0 / 74 / 60

HEX #0E671B

RGB 14 103 27

HSL 128.76, 0.76%, 0.23%

LAB 37.61, -40.93, 34.35

 

CMYK 86 / 83 / 0 / 60

HEX #0E1267

RGB 14 18 103

HSL 237.3, 0.76%, 0.23%

LAB 12.64, 31.8, -49.03

 

CMYK 0 / 86 / 14 / 60

HEX #670E59

RGB 103 14 89

HSL 309.44, 0.76%, 0.23%

LAB 23.4, 45.14, -21.72

 

CMYK 0 / 4 / 86 / 60

HEX #67630E

RGB 103 99 14

HSL 57.3, 0.76%, 0.23%

LAB 40.96, -8.42, 44.01

 

CMYK 86 / 0 / 48 / 60

HEX #0E6736

RGB 14 103 54

HSL 146.97, 0.76%, 0.23%

LAB 37.95, -36.87, 20.78

 

CMYK 86 / 83 / 0 / 60

HEX #0E1267

RGB 14 18 103

HSL 237.3, 0.76%, 0.23%

LAB 12.64, 31.8, -49.03

 

CMYK 0 / 86 / 39 / 60

HEX #670E3F

RGB 103 14 63

HSL 326.97, 0.76%, 0.23%

LAB 22.15, 41.58, -6.03

 

Description

Color code: RGB 103 99 14 | qconv.com Color code: RGB 103 99 14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 99 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 99 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 86 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 86% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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