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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 230 124 it is the complementary color RGB 153 25 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 230 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 102 230 124: RGB 107 230 119, RGB 124 248 138, RGB 141 255 157, RGB 158 255 176 and RGB 175 255 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 230 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 102 230 124: RGB 102 230 124, RGB 85 212 105, RGB 68 194 86, RGB 51 176 67 and RGB 34 158 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 46 / 10

HEX #66E67C

RGB 102 230 124

HSL 130.31, 0.72%, 0.65%

LAB 82.31, -57.31, 41.05

 

Complementary color

CMYK 0 / 84 / 14 / 40

HEX #991983

RGB 153 25 131

HSL 310.31, 0.72%, 0.35%

LAB 36.19, 59.94, -27.92

 

CMYK 53 / 0 / 48 / 10

HEX #6BE677

RGB 107 230 119

HSL 125.85, 0.71%, 0.66%

LAB 82.41, -56.83, 43.63

 

CMYK 50 / 0 / 44 / 3

HEX #7CF88A

RGB 124 248 138

HSL 126.77, 0.9%, 0.73%

LAB 88.57, -56.84, 42.34

 

CMYK 45 / 0 / 38 / 0

HEX #8DFF9D

RGB 141 255 157

HSL 128.42, 1%, 0.78%

LAB 91.51, -52.31, 36.97

 

CMYK 38 / 0 / 31 / 0

HEX #9EFFB0

RGB 158 255 176

HSL 131.13, 1%, 0.81%

LAB 92.54, -44.49, 28.98

 

CMYK 31 / 0 / 24 / 0

HEX #AFFFC3

RGB 175 255 195

HSL 135, 1%, 0.84%

LAB 93.7, -36.22, 21.06

 

CMYK 56 / 0 / 46 / 10

HEX #66E67C

RGB 102 230 124

HSL 130.31, 0.72%, 0.65%

LAB 82.31, -57.31, 41.05

 

CMYK 60 / 0 / 50 / 17

HEX #55D469

RGB 85 212 105

HSL 129.45, 0.6%, 0.58%

LAB 76.09, -57.13, 42.41

 

CMYK 65 / 0 / 56 / 24

HEX #44C256

RGB 68 194 86

HSL 128.57, 0.51%, 0.51%

LAB 69.81, -56.71, 43.78

 

CMYK 71 / 0 / 62 / 31

HEX #33B043

RGB 51 176 67

HSL 127.68, 0.55%, 0.45%

LAB 63.47, -55.94, 45.1

 

CMYK 78 / 0 / 70 / 38

HEX #229E30

RGB 34 158 48

HSL 126.77, 0.65%, 0.38%

LAB 57.08, -54.65, 46.21

 

CMYK 56 / 0 / 46 / 10

HEX #66E67C

RGB 102 230 124

HSL 130.31, 0.72%, 0.65%

LAB 82.31, -57.31, 41.05

 

CMYK 56 / 0 / 37 / 10

HEX #65E690

RGB 101 230 144

HSL 140, 0.72%, 0.65%

LAB 82.58, -54.33, 31.42

 

CMYK 56 / 0 / 28 / 10

HEX #65E6A5

RGB 101 230 165

HSL 149.77, 0.72%, 0.65%

LAB 82.95, -50.42, 21.14

 

CMYK 56 / 0 / 19 / 10

HEX #65E6BB

RGB 101 230 187

HSL 160, 0.72%, 0.65%

LAB 83.42, -45.77, 10.29

 

CMYK 56 / 0 / 10 / 10

HEX #65E6D0

RGB 101 230 208

HSL 169.77, 0.72%, 0.65%

LAB 83.92, -40.86, -0.04

 

CMYK 56 / 0 / 46 / 10

HEX #66E67C

RGB 102 230 124

HSL 130.31, 0.72%, 0.65%

LAB 82.31, -57.31, 41.05

 

CMYK 54 / 0 / 46 / 90

HEX #0C1A0E

RGB 12 26 14

HSL 128.57, 0.37%, 0.07%

LAB 7.67, -8.45, 5.38

 

CMYK 56 / 0 / 45 / 70

HEX #224D2A

RGB 34 77 42

HSL 131.16, 0.39%, 0.22%

LAB 28.94, -23.77, 16.31

 

CMYK 55 / 0 / 46 / 50

HEX #398045

RGB 57 128 69

HSL 130.14, 0.38%, 0.36%

LAB 47.93, -35.79, 25.39

 

CMYK 56 / 0 / 46 / 30

HEX #4FB361

RGB 79 179 97

HSL 130.8, 0.4%, 0.51%

LAB 65.57, -46.91, 33.18

 

CMYK 56 / 0 / 46 / 10

HEX #66E67C

RGB 102 230 124

HSL 130.31, 0.72%, 0.65%

LAB 82.31, -57.31, 41.05

 

CMYK 56 / 21 / 0 / 10

HEX #65B6E6

RGB 101 182 230

HSL 202.33, 0.72%, 0.65%

LAB 70.83, -11.23, -31.55

 

CMYK 0 / 56 / 43 / 10

HEX #E66583

RGB 230 101 131

HSL 346.05, 0.72%, 0.65%

LAB 59.68, 52.76, 8.59

 

CMYK 56 / 0 / 46 / 10

HEX #66E67C

RGB 102 230 124

HSL 130.31, 0.72%, 0.65%

LAB 82.31, -57.31, 41.05

 

CMYK 47 / 56 / 0 / 10

HEX #7A65E6

RGB 122 101 230

HSL 249.77, 0.72%, 0.65%

LAB 50.87, 40.29, -63

 

CMYK 0 / 47 / 56 / 10

HEX #E67A65

RGB 230 122 101

HSL 9.77, 0.72%, 0.65%

LAB 63.08, 39.8, 30.33

 

CMYK 56 / 0 / 46 / 10

HEX #66E67C

RGB 102 230 124

HSL 130.31, 0.72%, 0.65%

LAB 82.31, -57.31, 41.05

 

CMYK 56 / 21 / 0 / 10

HEX #65B6E6

RGB 101 182 230

HSL 202.33, 0.72%, 0.65%

LAB 70.83, -11.23, -31.55

 

CMYK 0 / 56 / 10 / 10

HEX #E665D0

RGB 230 101 208

HSL 310.23, 0.72%, 0.65%

LAB 62.24, 62.78, -31.79

 

CMYK 0 / 36 / 56 / 10

HEX #E69465

RGB 230 148 101

HSL 21.86, 0.72%, 0.65%

LAB 68.71, 26.21, 37.46

 

CMYK 56 / 0 / 46 / 10

HEX #66E67C

RGB 102 230 124

HSL 130.31, 0.72%, 0.65%

LAB 82.31, -57.31, 41.05

 

CMYK 56 / 37 / 0 / 10

HEX #6590E6

RGB 101 144 230

HSL 220, 0.72%, 0.65%

LAB 60.27, 10.24, -48.05

 

CMYK 0 / 56 / 10 / 10

HEX #E665D0

RGB 230 101 208

HSL 310.23, 0.72%, 0.65%

LAB 62.24, 62.78, -31.79

 

CMYK 0 / 19 / 56 / 10

HEX #E6BB65

RGB 230 187 101

HSL 40, 0.72%, 0.65%

LAB 78.05, 5.5, 48.81

 

Description

Color code: RGB 102 230 124 | qconv.com Color code: RGB 102 230 124 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 230 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 230 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 46 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 46% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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