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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 114 191 it is the complementary color RGB 153 141 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 114 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 102 114 191: RGB 107 114 186, RGB 124 132 205, RGB 141 150 224, RGB 158 168 243 and RGB 175 186 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 114 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 102 114 191: RGB 102 114 191, RGB 85 96 172, RGB 68 78 153, RGB 51 60 134 and RGB 34 42 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 40 / 0 / 25

HEX #6672BF

RGB 102 114 191

HSL 231.91, 0.41%, 0.57%

LAB 50.24, 16.27, -41.9

 

Complementary color

CMYK 0 / 8 / 58 / 40

HEX #998D40

RGB 153 141 64

HSL 51.91, 0.41%, 0.43%

LAB 58.22, -5.7, 41.94

 

CMYK 42 / 39 / 0 / 27

HEX #6B72BA

RGB 107 114 186

HSL 234.68, 0.36%, 0.57%

LAB 50.34, 16.05, -38.84

 

CMYK 40 / 36 / 0 / 20

HEX #7C84CD

RGB 124 132 205

HSL 234.07, 0.45%, 0.65%

LAB 57.27, 15.23, -38.71

 

CMYK 37 / 33 / 0 / 12

HEX #8D96E0

RGB 141 150 224

HSL 233.49, 0.57%, 0.72%

LAB 64.05, 14.54, -38.62

 

CMYK 35 / 31 / 0 / 5

HEX #9EA8F3

RGB 158 168 243

HSL 232.94, 0.78%, 0.79%

LAB 70.7, 13.93, -38.58

 

CMYK 31 / 27 / 0 / 0

HEX #AFBAFF

RGB 175 186 255

HSL 231.75, 1%, 0.84%

LAB 76.95, 11.63, -35.26

 

CMYK 47 / 40 / 0 / 25

HEX #6672BF

RGB 102 114 191

HSL 231.91, 0.41%, 0.57%

LAB 50.24, 16.27, -41.9

 

CMYK 51 / 44 / 0 / 33

HEX #5560AC

RGB 85 96 172

HSL 232.41, 0.34%, 0.5%

LAB 43.18, 17.37, -42.14

 

CMYK 56 / 49 / 0 / 40

HEX #444E99

RGB 68 78 153

HSL 232.94, 0.38%, 0.43%

LAB 35.94, 18.73, -42.44

 

CMYK 62 / 55 / 0 / 47

HEX #333C86

RGB 51 60 134

HSL 233.49, 0.45%, 0.36%

LAB 28.53, 20.44, -42.79

 

CMYK 70 / 63 / 0 / 55

HEX #222A73

RGB 34 42 115

HSL 234.07, 0.54%, 0.29%

LAB 20.96, 22.68, -43.13

 

CMYK 47 / 40 / 0 / 25

HEX #6672BF

RGB 102 114 191

HSL 231.91, 0.41%, 0.57%

LAB 50.24, 16.27, -41.9

 

CMYK 47 / 47 / 0 / 25

HEX #6564BE

RGB 101 100 190

HSL 240.67, 0.41%, 0.57%

LAB 46.44, 24.32, -47.37

 

CMYK 39 / 47 / 0 / 25

HEX #7464BE

RGB 116 100 190

HSL 250.67, 0.41%, 0.57%

LAB 47.68, 28.04, -45.32

 

CMYK 31 / 47 / 0 / 25

HEX #8364BE

RGB 131 100 190

HSL 260.67, 0.41%, 0.57%

LAB 49.08, 32.02, -43.02

 

CMYK 23 / 47 / 0 / 25

HEX #9264BE

RGB 146 100 190

HSL 270.67, 0.41%, 0.57%

LAB 50.62, 36.19, -40.48

 

CMYK 47 / 40 / 0 / 25

HEX #6672BF

RGB 102 114 191

HSL 231.91, 0.41%, 0.57%

LAB 50.24, 16.27, -41.9

 

CMYK 47 / 40 / 0 / 5

HEX #8190F2

RGB 129 144 242

HSL 232.04, 0.81%, 0.73%

LAB 62.53, 20.08, -51.01

 

CMYK 47 / 39 / 0 / 85

HEX #141726

RGB 20 23 38

HSL 230, 0.31%, 0.11%

LAB 8.14, 3.44, -10.77

 

CMYK 46 / 40 / 0 / 65

HEX #303559

RGB 48 53 89

HSL 232.68, 0.3%, 0.27%

LAB 23.32, 8.59, -22.37

 

CMYK 46 / 40 / 0 / 45

HEX #4B548C

RGB 75 84 140

HSL 231.69, 0.3%, 0.42%

LAB 37.35, 12.25, -32.28

 

CMYK 47 / 40 / 0 / 25

HEX #6672BF

RGB 102 114 191

HSL 231.91, 0.41%, 0.57%

LAB 50.24, 16.27, -41.9

 

CMYK 0 / 47 / 3 / 25

HEX #BE64B9

RGB 190 100 185

HSL 303.33, 0.41%, 0.57%

LAB 55.65, 48.01, -29.34

 

CMYK 22 / 0 / 47 / 25

HEX #95BE64

RGB 149 190 100

HSL 87.33, 0.41%, 0.57%

LAB 72.32, -28.88, 40.85

 

CMYK 47 / 40 / 0 / 25

HEX #6672BF

RGB 102 114 191

HSL 231.91, 0.41%, 0.57%

LAB 50.24, 16.27, -41.9

 

CMYK 0 / 47 / 41 / 25

HEX #BE6471

RGB 190 100 113

HSL 351.33, 0.41%, 0.57%

LAB 53.23, 37.34, 9.17

 

CMYK 41 / 0 / 47 / 25

HEX #71BE64

RGB 113 190 100

HSL 111.33, 0.41%, 0.57%

LAB 70.36, -41.43, 37.98

 

CMYK 47 / 40 / 0 / 25

HEX #6672BF

RGB 102 114 191

HSL 231.91, 0.41%, 0.57%

LAB 50.24, 16.27, -41.9

 

CMYK 0 / 47 / 3 / 25

HEX #BE64B9

RGB 190 100 185

HSL 303.33, 0.41%, 0.57%

LAB 55.65, 48.01, -29.34

 

CMYK 0 / 7 / 47 / 25

HEX #BEB064

RGB 190 176 100

HSL 50.67, 0.41%, 0.57%

LAB 71.5, -5.41, 40.52

 

CMYK 47 / 0 / 45 / 25

HEX #64BE68

RGB 100 190 104

HSL 122.67, 0.41%, 0.57%

LAB 69.85, -44.77, 35.2

 

CMYK 47 / 40 / 0 / 25

HEX #6672BF

RGB 102 114 191

HSL 231.91, 0.41%, 0.57%

LAB 50.24, 16.27, -41.9

 

CMYK 0 / 47 / 17 / 25

HEX #BE649E

RGB 190 100 158

HSL 321.33, 0.41%, 0.57%

LAB 54.59, 43.46, -15.32

 

CMYK 0 / 7 / 47 / 25

HEX #BEB064

RGB 190 176 100

HSL 50.67, 0.41%, 0.57%

LAB 71.5, -5.41, 40.52

 

CMYK 47 / 0 / 31 / 25

HEX #64BE83

RGB 100 190 131

HSL 140.67, 0.41%, 0.57%

LAB 70.3, -40.21, 21.67

 

Description

Color code: RGB 102 114 191 | qconv.com Color code: RGB 102 114 191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 114 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 114 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 40 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 40% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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