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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 100 21 it is the complementary color RGB 153 155 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 100 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 102 100 21: RGB 107 100 16, RGB 124 118 35, RGB 141 136 54, RGB 158 154 73 and RGB 175 172 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 100 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 102 100 21: RGB 102 100 21, RGB 85 82 2, RGB 68 64 0, RGB 51 46 0 and RGB 34 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 79 / 60

HEX #666415

RGB 102 100 21

HSL 58.52, 0.66%, 0.24%

LAB 41.21, -9.19, 41.87

 

Complementary color

CMYK 35 / 34 / 0 / 8

HEX #999BEA

RGB 153 155 234

HSL 238.52, 0.66%, 0.76%

LAB 66.64, 17.58, -40.02

 

CMYK 0 / 7 / 85 / 58

HEX #6B6410

RGB 107 100 16

HSL 55.38, 0.74%, 0.24%

LAB 41.65, -6.98, 44.15

 

CMYK 0 / 5 / 72 / 51

HEX #7C7623

RGB 124 118 35

HSL 55.96, 0.56%, 0.31%

LAB 48.71, -8.18, 44.29

 

CMYK 0 / 4 / 62 / 45

HEX #8D8836

RGB 141 136 54

HSL 56.55, 0.45%, 0.38%

LAB 55.62, -9.08, 43.54

 

CMYK 0 / 3 / 54 / 38

HEX #9E9A49

RGB 158 154 73

HSL 57.18, 0.37%, 0.45%

LAB 62.39, -9.78, 42.45

 

CMYK 0 / 2 / 47 / 31

HEX #AFAC5C

RGB 175 172 92

HSL 57.83, 0.34%, 0.52%

LAB 69.03, -10.33, 41.25

 

CMYK 0 / 2 / 79 / 60

HEX #666415

RGB 102 100 21

HSL 58.52, 0.66%, 0.24%

LAB 41.21, -9.19, 41.87

 

CMYK 0 / 4 / 98 / 67

HEX #555202

RGB 85 82 2

HSL 57.83, 0.95%, 0.17%

LAB 33.92, -7.87, 41.09

 

CMYK 0 / 6 / 100 / 73

HEX #444000

RGB 68 64 0

HSL 56.47, 1%, 0.13%

LAB 26.44, -5.9, 35.24

 

CMYK 0 / 10 / 100 / 80

HEX #332E00

RGB 51 46 0

HSL 54.12, 1%, 0.1%

LAB 18.62, -3.71, 26.53

 

CMYK 0 / 18 / 100 / 87

HEX #221C00

RGB 34 28 0

HSL 49.41, 1%, 0.07%

LAB 10.34, -1.3, 15.4

 

CMYK 0 / 2 / 79 / 60

HEX #666415

RGB 102 100 21

HSL 58.52, 0.66%, 0.24%

LAB 41.21, -9.19, 41.87

 

CMYK 11 / 0 / 80 / 60

HEX #5A6514

RGB 90 101 20

HSL 68.15, 0.67%, 0.24%

LAB 40.46, -15.5, 41.17

 

CMYK 24 / 0 / 80 / 60

HEX #4D6514

RGB 77 101 20

HSL 77.78, 0.67%, 0.24%

LAB 39.47, -21.45, 39.88

 

CMYK 38 / 0 / 80 / 60

HEX #3F6514

RGB 63 101 20

HSL 88.15, 0.67%, 0.24%

LAB 38.58, -27.37, 38.71

 

CMYK 50 / 0 / 80 / 60

HEX #326514

RGB 50 101 20

HSL 97.78, 0.67%, 0.24%

LAB 37.91, -32.22, 37.84

 

CMYK 0 / 2 / 79 / 60

HEX #666415

RGB 102 100 21

HSL 58.52, 0.66%, 0.24%

LAB 41.21, -9.19, 41.87

 

CMYK 0 / 2 / 79 / 40

HEX #999620

RGB 153 150 32

HSL 58.51, 0.65%, 0.36%

LAB 60.51, -12.41, 57.43

 

CMYK 0 / 2 / 79 / 20

HEX #CCC82A

RGB 204 200 42

HSL 58.52, 0.66%, 0.48%

LAB 78.64, -15.46, 72.2

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 2 / 78 / 80

HEX #33320B

RGB 51 50 11

HSL 58.5, 0.65%, 0.12%

LAB 20.08, -5.52, 23.72

 

CMYK 0 / 2 / 79 / 60

HEX #666415

RGB 102 100 21

HSL 58.52, 0.66%, 0.24%

LAB 41.21, -9.19, 41.87

 

CMYK 80 / 0 / 66 / 60

HEX #146522

RGB 20 101 34

HSL 130.37, 0.67%, 0.24%

LAB 37.06, -38.53, 30.51

 

CMYK 35 / 80 / 0 / 60

HEX #421465

RGB 66 20 101

HSL 274.07, 0.67%, 0.24%

LAB 18.36, 37.31, -38.12

 

CMYK 0 / 2 / 79 / 60

HEX #666415

RGB 102 100 21

HSL 58.52, 0.66%, 0.24%

LAB 41.21, -9.19, 41.87

 

CMYK 80 / 0 / 3 / 60

HEX #146562

RGB 20 101 98

HSL 177.78, 0.67%, 0.24%

LAB 38.44, -23.63, -5.05

 

CMYK 3 / 80 / 0 / 60

HEX #621465

RGB 98 20 101

HSL 297.78, 0.67%, 0.24%

LAB 23.79, 44.23, -29.08

 

CMYK 0 / 2 / 79 / 60

HEX #666415

RGB 102 100 21

HSL 58.52, 0.66%, 0.24%

LAB 41.21, -9.19, 41.87

 

CMYK 80 / 0 / 66 / 60

HEX #146522

RGB 20 101 34

HSL 130.37, 0.67%, 0.24%

LAB 37.06, -38.53, 30.51

 

CMYK 80 / 77 / 0 / 60

HEX #141765

RGB 20 23 101

HSL 237.78, 0.67%, 0.24%

LAB 13.83, 28.43, -45.73

 

CMYK 0 / 80 / 13 / 60

HEX #651458

RGB 101 20 88

HSL 309.63, 0.67%, 0.24%

LAB 23.58, 42.7, -20.81

 

CMYK 0 / 2 / 79 / 60

HEX #666415

RGB 102 100 21

HSL 58.52, 0.66%, 0.24%

LAB 41.21, -9.19, 41.87

 

CMYK 80 / 0 / 43 / 60

HEX #14653A

RGB 20 101 58

HSL 148.15, 0.67%, 0.24%

LAB 37.41, -34.44, 17.77

 

CMYK 80 / 77 / 0 / 60

HEX #141765

RGB 20 23 101

HSL 237.78, 0.67%, 0.24%

LAB 13.83, 28.43, -45.73

 

CMYK 0 / 80 / 38 / 60

HEX #65143F

RGB 101 20 63

HSL 328.15, 0.67%, 0.24%

LAB 22.39, 39.13, -5.7

 

Description

Color code: RGB 102 100 21 | qconv.com Color code: RGB 102 100 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 100 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 100 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 79 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 79% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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