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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 97 168 it is the complementary color RGB 154 158 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 97 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 101 97 168: RGB 106 97 163, RGB 123 115 182, RGB 140 133 201, RGB 157 151 220 and RGB 174 169 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 97 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 101 97 168: RGB 101 97 168, RGB 84 79 149, RGB 67 61 130, RGB 50 43 111 and RGB 33 25 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 42 / 0 / 34

HEX #6561A8

RGB 101 97 168

HSL 243.38, 0.29%, 0.52%

LAB 44.44, 19.59, -37.71

 

Complementary color

CMYK 3 / 0 / 45 / 38

HEX #9A9E57

RGB 154 158 87

HSL 63.38, 0.29%, 0.48%

LAB 63.35, -12.25, 36.45

 

CMYK 35 / 40 / 0 / 36

HEX #6A61A3

RGB 106 97 163

HSL 248.18, 0.26%, 0.51%

LAB 44.6, 19.56, -34.47

 

CMYK 32 / 37 / 0 / 29

HEX #7B73B6

RGB 123 115 182

HSL 247.16, 0.31%, 0.58%

LAB 51.67, 18.74, -34.36

 

CMYK 30 / 34 / 0 / 21

HEX #8C85C9

RGB 140 133 201

HSL 246.18, 0.39%, 0.65%

LAB 58.57, 18.04, -34.31

 

CMYK 29 / 31 / 0 / 14

HEX #9D97DC

RGB 157 151 220

HSL 245.22, 0.5%, 0.73%

LAB 65.33, 17.41, -34.31

 

CMYK 27 / 29 / 0 / 6

HEX #AEA9EF

RGB 174 169 239

HSL 244.29, 0.69%, 0.8%

LAB 71.96, 16.86, -34.34

 

CMYK 40 / 42 / 0 / 34

HEX #6561A8

RGB 101 97 168

HSL 243.38, 0.29%, 0.52%

LAB 44.44, 19.59, -37.71

 

CMYK 44 / 47 / 0 / 42

HEX #544F95

RGB 84 79 149

HSL 244.29, 0.31%, 0.45%

LAB 37.2, 20.66, -37.94

 

CMYK 48 / 53 / 0 / 49

HEX #433D82

RGB 67 61 130

HSL 245.22, 0.36%, 0.37%

LAB 29.77, 21.96, -38.24

 

CMYK 55 / 61 / 0 / 56

HEX #322B6F

RGB 50 43 111

HSL 246.18, 0.44%, 0.3%

LAB 22.14, 23.57, -38.58

 

CMYK 64 / 73 / 0 / 64

HEX #21195C

RGB 33 25 92

HSL 247.16, 0.57%, 0.23%

LAB 14.35, 25.53, -38.85

 

CMYK 40 / 42 / 0 / 34

HEX #6561A8

RGB 101 97 168

HSL 243.38, 0.29%, 0.52%

LAB 44.44, 19.59, -37.71

 

CMYK 33 / 42 / 0 / 34

HEX #7061A8

RGB 112 97 168

HSL 252.68, 0.29%, 0.52%

LAB 45.39, 22.66, -36.14

 

CMYK 26 / 42 / 0 / 34

HEX #7C61A8

RGB 124 97 168

HSL 262.82, 0.29%, 0.52%

LAB 46.53, 26.16, -34.27

 

CMYK 19 / 42 / 0 / 34

HEX #8861A8

RGB 136 97 168

HSL 272.96, 0.29%, 0.52%

LAB 47.77, 29.78, -32.24

 

CMYK 13 / 42 / 0 / 34

HEX #9361A8

RGB 147 97 168

HSL 282.25, 0.29%, 0.52%

LAB 48.98, 33.17, -30.25

 

CMYK 40 / 42 / 0 / 34

HEX #6561A8

RGB 101 97 168

HSL 243.38, 0.29%, 0.52%

LAB 44.44, 19.59, -37.71

 

CMYK 40 / 42 / 0 / 14

HEX #847EDB

RGB 132 126 219

HSL 243.87, 0.56%, 0.68%

LAB 57.02, 24.8, -46.94

 

CMYK 40 / 40 / 0 / 94

HEX #09090F

RGB 9 9 15

HSL 240, 0.25%, 0.05%

LAB 2.6, 0.94, -2.55

 

CMYK 39 / 42 / 0 / 74

HEX #282642

RGB 40 38 66

HSL 244.29, 0.27%, 0.2%

LAB 16.65, 8.96, -17.41

 

CMYK 40 / 42 / 0 / 54

HEX #464475

RGB 70 68 117

HSL 242.45, 0.26%, 0.36%

LAB 31.16, 14.03, -27.87

 

CMYK 40 / 42 / 0 / 34

HEX #6561A8

RGB 101 97 168

HSL 243.38, 0.29%, 0.52%

LAB 44.44, 19.59, -37.71

 

CMYK 0 / 42 / 11 / 34

HEX #A86196

RGB 168 97 150

HSL 315.21, 0.29%, 0.52%

LAB 50.78, 36.45, -16.68

 

CMYK 28 / 0 / 42 / 34

HEX #79A861

RGB 121 168 97

HSL 99.72, 0.29%, 0.52%

LAB 64.11, -29.06, 31.71

 

CMYK 40 / 42 / 0 / 34

HEX #6561A8

RGB 101 97 168

HSL 243.38, 0.29%, 0.52%

LAB 44.44, 19.59, -37.71

 

CMYK 0 / 40 / 42 / 34

HEX #A86461

RGB 168 100 97

HSL 2.54, 0.29%, 0.52%

LAB 49.86, 27.08, 13.49

 

CMYK 42 / 0 / 40 / 34

HEX #61A864

RGB 97 168 100

HSL 122.54, 0.29%, 0.52%

LAB 62.9, -36.7, 28.32

 

CMYK 40 / 42 / 0 / 34

HEX #6561A8

RGB 101 97 168

HSL 243.38, 0.29%, 0.52%

LAB 44.44, 19.59, -37.71

 

CMYK 0 / 42 / 11 / 34

HEX #A86196

RGB 168 97 150

HSL 315.21, 0.29%, 0.52%

LAB 50.78, 36.45, -16.68

 

CMYK 2 / 0 / 42 / 34

HEX #A4A861

RGB 164 168 97

HSL 63.38, 0.29%, 0.52%

LAB 67.1, -12.27, 36.12

 

CMYK 42 / 0 / 32 / 34

HEX #61A872

RGB 97 168 114

HSL 134.37, 0.29%, 0.52%

LAB 63.15, -34.29, 21.1

 

CMYK 40 / 42 / 0 / 34

HEX #6561A8

RGB 101 97 168

HSL 243.38, 0.29%, 0.52%

LAB 44.44, 19.59, -37.71

 

CMYK 0 / 42 / 23 / 34

HEX #A86181

RGB 168 97 129

HSL 332.96, 0.29%, 0.52%

LAB 50.05, 33.02, -5.32

 

CMYK 2 / 0 / 42 / 34

HEX #A4A861

RGB 164 168 97

HSL 63.38, 0.29%, 0.52%

LAB 67.1, -12.27, 36.12

 

CMYK 42 / 0 / 19 / 34

HEX #61A888

RGB 97 168 136

HSL 152.96, 0.29%, 0.52%

LAB 63.61, -29.88, 9.62

 

Description

Color code: RGB 101 97 168 | qconv.com Color code: RGB 101 97 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 97 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 97 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 42 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 42% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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