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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 34 31 it is the complementary color RGB 154 221 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 34 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 101 34 31: RGB 106 34 26, RGB 123 52 45, RGB 140 70 64, RGB 157 88 83 and RGB 174 106 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 34 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 101 34 31: RGB 101 34 31, RGB 84 16 12, RGB 67 0 0, RGB 50 0 0 and RGB 33 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 69 / 60

HEX #65221F

RGB 101 34 31

HSL 2.57, 0.53%, 0.26%

LAB 23.7, 29.99, 18.04

 

Complementary color

CMYK 31 / 1 / 0 / 12

HEX #9ADDE0

RGB 154 221 224

HSL 182.57, 0.53%, 0.74%

LAB 83.95, -20.2, -8.22

 

CMYK 0 / 68 / 75 / 58

HEX #6A221A

RGB 106 34 26

HSL 6, 0.61%, 0.26%

LAB 24.59, 31.63, 22.56

 

CMYK 0 / 58 / 63 / 52

HEX #7B342D

RGB 123 52 45

HSL 5.38, 0.46%, 0.33%

LAB 31.48, 30.37, 19.59

 

CMYK 0 / 50 / 54 / 45

HEX #8C4640

RGB 140 70 64

HSL 4.74, 0.37%, 0.4%

LAB 38.42, 29.05, 17.26

 

CMYK 0 / 44 / 47 / 38

HEX #9D5853

RGB 157 88 83

HSL 4.05, 0.31%, 0.47%

LAB 45.32, 27.81, 15.38

 

CMYK 0 / 39 / 41 / 32

HEX #AE6A66

RGB 174 106 102

HSL 3.33, 0.31%, 0.54%

LAB 52.14, 26.7, 13.81

 

CMYK 0 / 66 / 69 / 60

HEX #65221F

RGB 101 34 31

HSL 2.57, 0.53%, 0.26%

LAB 23.7, 29.99, 18.04

 

CMYK 0 / 81 / 86 / 67

HEX #54100C

RGB 84 16 12

HSL 3.33, 0.75%, 0.19%

LAB 16.9, 30.75, 20.81

 

CMYK 0 / 100 / 100 / 74

HEX #430000

RGB 67 0 0

HSL 0, 1%, 0.13%

LAB 10.51, 30.67, 16.57

 

CMYK 0 / 100 / 100 / 80

HEX #320000

RGB 50 0 0

HSL 0, 1%, 0.1%

LAB 6.13, 24.68, 9.68

 

CMYK 0 / 100 / 100 / 87

HEX #210000

RGB 33 0 0

HSL 0, 1%, 0.06%

LAB 2.92, 13.1, 4.62

 

CMYK 0 / 66 / 69 / 60

HEX #65221F

RGB 101 34 31

HSL 2.57, 0.53%, 0.26%

LAB 23.7, 29.99, 18.04

 

CMYK 0 / 55 / 69 / 60

HEX #652D1F

RGB 101 45 31

HSL 12, 0.53%, 0.26%

LAB 25.99, 24.04, 20.83

 

CMYK 0 / 45 / 69 / 60

HEX #65381F

RGB 101 56 31

HSL 21.43, 0.53%, 0.26%

LAB 28.63, 17.51, 23.95

 

CMYK 0 / 33 / 69 / 60

HEX #65441F

RGB 101 68 31

HSL 31.71, 0.53%, 0.26%

LAB 31.81, 10.11, 27.6

 

CMYK 0 / 21 / 69 / 60

HEX #65501F

RGB 101 80 31

HSL 42, 0.53%, 0.26%

LAB 35.21, 2.72, 31.37

 

CMYK 0 / 66 / 69 / 60

HEX #65221F

RGB 101 34 31

HSL 2.57, 0.53%, 0.26%

LAB 23.7, 29.99, 18.04

 

CMYK 0 / 66 / 69 / 40

HEX #98332F

RGB 152 51 47

HSL 2.29, 0.53%, 0.39%

LAB 36.46, 41.95, 25.65

 

CMYK 0 / 67 / 69 / 20

HEX #CB443E

RGB 203 68 62

HSL 2.55, 0.58%, 0.52%

LAB 48.48, 53.01, 33.33

 

CMYK 0 / 66 / 69 / 0

HEX #FE564E

RGB 254 86 78

HSL 2.73, 0.99%, 0.65%

LAB 60.14, 63.17, 40.25

 

CMYK 0 / 66 / 70 / 80

HEX #32110F

RGB 50 17 15

HSL 3.43, 0.54%, 0.13%

LAB 9.9, 16.55, 8.74

 

CMYK 0 / 66 / 69 / 60

HEX #65221F

RGB 101 34 31

HSL 2.57, 0.53%, 0.26%

LAB 23.7, 29.99, 18.04

 

CMYK 16 / 0 / 69 / 60

HEX #55651F

RGB 85 101 31

HSL 73.71, 0.53%, 0.26%

LAB 40.14, -17.12, 36.2

 

CMYK 69 / 45 / 0 / 60

HEX #1F3865

RGB 31 56 101

HSL 218.57, 0.53%, 0.26%

LAB 23.87, 6.71, -29.41

 

CMYK 0 / 66 / 69 / 60

HEX #65221F

RGB 101 34 31

HSL 2.57, 0.53%, 0.26%

LAB 23.7, 29.99, 18.04

 

CMYK 69 / 0 / 67 / 60

HEX #1F6521

RGB 31 101 33

HSL 121.71, 0.53%, 0.26%

LAB 37.31, -36.49, 31.36

 

CMYK 67 / 69 / 0 / 60

HEX #211F65

RGB 33 31 101

HSL 241.71, 0.53%, 0.26%

LAB 16.71, 24.8, -40.96

 

CMYK 0 / 66 / 69 / 60

HEX #65221F

RGB 101 34 31

HSL 2.57, 0.53%, 0.26%

LAB 23.7, 29.99, 18.04

 

CMYK 16 / 0 / 69 / 60

HEX #55651F

RGB 85 101 31

HSL 73.71, 0.53%, 0.26%

LAB 40.14, -17.12, 36.2

 

CMYK 69 / 2 / 0 / 60

HEX #1F6365

RGB 31 99 101

HSL 181.71, 0.53%, 0.26%

LAB 38.12, -20, -7.36

 

CMYK 53 / 69 / 0 / 60

HEX #2F1F65

RGB 47 31 101

HSL 253.71, 0.53%, 0.26%

LAB 18.03, 27.42, -38.76

 

CMYK 0 / 66 / 69 / 60

HEX #65221F

RGB 101 34 31

HSL 2.57, 0.53%, 0.26%

LAB 23.7, 29.99, 18.04

 

CMYK 38 / 0 / 69 / 60

HEX #3F651F

RGB 63 101 31

HSL 92.57, 0.53%, 0.26%

LAB 38.66, -26.52, 34.18

 

CMYK 69 / 2 / 0 / 60

HEX #1F6365

RGB 31 99 101

HSL 181.71, 0.53%, 0.26%

LAB 38.12, -20, -7.36

 

CMYK 33 / 69 / 0 / 60

HEX #441F65

RGB 68 31 101

HSL 271.71, 0.53%, 0.26%

LAB 20.63, 32.21, -34.42

 

Description

Color code: RGB 101 34 31 | qconv.com Color code: RGB 101 34 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 34 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 34 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 69 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 69% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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