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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 206 129 it is the complementary color RGB 154 49 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 206 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 101 206 129: RGB 106 206 124, RGB 123 224 143, RGB 140 242 162, RGB 157 255 181 and RGB 174 255 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 206 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 101 206 129: RGB 101 206 129, RGB 84 188 110, RGB 67 170 91, RGB 50 152 72 and RGB 33 134 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 37 / 19

HEX #65CE81

RGB 101 206 129

HSL 136, 0.52%, 0.6%

LAB 75.14, -47.18, 29.23

 

Complementary color

CMYK 0 / 68 / 18 / 40

HEX #9A317E

RGB 154 49 126

HSL 316, 0.52%, 0.4%

LAB 38.85, 51.71, -20.65

 

CMYK 49 / 0 / 40 / 19

HEX #6ACE7C

RGB 106 206 124

HSL 130.8, 0.51%, 0.61%

LAB 75.24, -46.7, 31.98

 

CMYK 45 / 0 / 36 / 12

HEX #7BE08F

RGB 123 224 143

HSL 131.88, 0.62%, 0.68%

LAB 81.57, -46.54, 30.73

 

CMYK 42 / 0 / 33 / 5

HEX #8CF2A2

RGB 140 242 162

HSL 132.94, 0.8%, 0.75%

LAB 87.82, -46.33, 29.55

 

CMYK 38 / 0 / 29 / 0

HEX #9DFFB5

RGB 157 255 181

HSL 134.69, 1%, 0.81%

LAB 92.59, -43.93, 26.51

 

CMYK 32 / 0 / 22 / 0

HEX #AEFFC8

RGB 174 255 200

HSL 139.26, 1%, 0.84%

LAB 93.75, -35.63, 18.57

 

CMYK 51 / 0 / 37 / 19

HEX #65CE81

RGB 101 206 129

HSL 136, 0.52%, 0.6%

LAB 75.14, -47.18, 29.23

 

CMYK 55 / 0 / 41 / 26

HEX #54BC6E

RGB 84 188 110

HSL 135, 0.44%, 0.53%

LAB 68.73, -47.23, 30.57

 

CMYK 61 / 0 / 46 / 33

HEX #43AA5B

RGB 67 170 91

HSL 133.98, 0.43%, 0.46%

LAB 62.25, -47.12, 31.98

 

CMYK 67 / 0 / 53 / 40

HEX #329848

RGB 50 152 72

HSL 132.94, 0.5%, 0.4%

LAB 55.69, -46.75, 33.47

 

CMYK 75 / 0 / 60 / 47

HEX #218635

RGB 33 134 53

HSL 131.88, 0.6%, 0.33%

LAB 49.04, -45.95, 34.98

 

CMYK 51 / 0 / 37 / 19

HEX #65CE81

RGB 101 206 129

HSL 136, 0.52%, 0.6%

LAB 75.14, -47.18, 29.23

 

CMYK 52 / 0 / 30 / 19

HEX #63CE91

RGB 99 206 145

HSL 145.79, 0.52%, 0.6%

LAB 75.35, -44.74, 21.14

 

CMYK 52 / 0 / 21 / 19

HEX #63CEA3

RGB 99 206 163

HSL 155.89, 0.52%, 0.6%

LAB 75.72, -41.03, 12.08

 

CMYK 52 / 0 / 12 / 19

HEX #63CEB5

RGB 99 206 181

HSL 165.98, 0.52%, 0.6%

LAB 76.15, -36.92, 3.03

 

CMYK 52 / 0 / 4 / 19

HEX #63CEC6

RGB 99 206 198

HSL 175.51, 0.52%, 0.6%

LAB 76.6, -32.72, -5.46

 

CMYK 51 / 0 / 37 / 19

HEX #65CE81

RGB 101 206 129

HSL 136, 0.52%, 0.6%

LAB 75.14, -47.18, 29.23

 

CMYK 50 / 0 / 50 / 99

HEX #010201

RGB 1 2 1

HSL 120, 0.33%, 0.01%

LAB 0.47, -0.4, 0.29

 

CMYK 51 / 0 / 38 / 79

HEX #1A3521

RGB 26 53 33

HSL 135.56, 0.34%, 0.15%

LAB 19.54, -15.76, 9.49

 

CMYK 51 / 0 / 38 / 59

HEX #336841

RGB 51 104 65

HSL 135.85, 0.34%, 0.3%

LAB 39.56, -27.23, 16.68

 

CMYK 51 / 0 / 37 / 39

HEX #4C9B61

RGB 76 155 97

HSL 135.95, 0.34%, 0.45%

LAB 57.89, -37.54, 23.17

 

CMYK 51 / 0 / 37 / 19

HEX #65CE81

RGB 101 206 129

HSL 136, 0.52%, 0.6%

LAB 75.14, -47.18, 29.23

 

CMYK 52 / 24 / 0 / 19

HEX #639CCE

RGB 99 156 206

HSL 208.04, 0.52%, 0.6%

LAB 62.41, -4.6, -31.35

 

CMYK 0 / 52 / 45 / 19

HEX #CE6372

RGB 206 99 114

HSL 351.59, 0.52%, 0.6%

LAB 55.34, 43.76, 11.88

 

CMYK 51 / 0 / 37 / 19

HEX #65CE81

RGB 101 206 129

HSL 136, 0.52%, 0.6%

LAB 75.14, -47.18, 29.23

 

CMYK 38 / 52 / 0 / 19

HEX #8063CE

RGB 128 99 206

HSL 256.26, 0.52%, 0.6%

LAB 49.46, 36.08, -51.63

 

CMYK 0 / 38 / 52 / 19

HEX #CE8063

RGB 206 128 99

HSL 16.26, 0.52%, 0.6%

LAB 61.19, 27.13, 28.37

 

CMYK 51 / 0 / 37 / 19

HEX #65CE81

RGB 101 206 129

HSL 136, 0.52%, 0.6%

LAB 75.14, -47.18, 29.23

 

CMYK 52 / 24 / 0 / 19

HEX #639CCE

RGB 99 156 206

HSL 208.04, 0.52%, 0.6%

LAB 62.41, -4.6, -31.35

 

CMYK 0 / 52 / 14 / 19

HEX #CE63B1

RGB 206 99 177

HSL 316.26, 0.52%, 0.6%

LAB 57.29, 51.96, -22.03

 

CMYK 0 / 28 / 52 / 19

HEX #CE9563

RGB 206 149 99

HSL 28.04, 0.52%, 0.6%

LAB 66.15, 15.71, 34.72

 

CMYK 51 / 0 / 37 / 19

HEX #65CE81

RGB 101 206 129

HSL 136, 0.52%, 0.6%

LAB 75.14, -47.18, 29.23

 

CMYK 52 / 40 / 0 / 19

HEX #637CCE

RGB 99 124 206

HSL 225.98, 0.52%, 0.6%

LAB 53.52, 14.14, -45.29

 

CMYK 0 / 52 / 14 / 19

HEX #CE63B1

RGB 206 99 177

HSL 316.26, 0.52%, 0.6%

LAB 57.29, 51.96, -22.03

 

CMYK 0 / 12 / 52 / 19

HEX #CEB563

RGB 206 181 99

HSL 45.98, 0.52%, 0.6%

LAB 74.23, -1.48, 44.69

 

Description

Color code: RGB 101 206 129 | qconv.com Color code: RGB 101 206 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 206 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 206 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 37 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 37% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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