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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 170 197 it is the complementary color RGB 154 85 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 170 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 101 170 197: RGB 106 170 192, RGB 123 188 211, RGB 140 206 230, RGB 157 224 249 and RGB 174 242 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 170 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 101 170 197: RGB 101 170 197, RGB 84 152 178, RGB 67 134 159, RGB 50 116 140 and RGB 33 98 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 14 / 0 / 23

HEX #65AAC5

RGB 101 170 197

HSL 196.88, 0.45%, 0.58%

LAB 66.17, -14.44, -20.55

 

Complementary color

CMYK 0 / 45 / 62 / 40

HEX #9A553A

RGB 154 85 58

HSL 16.88, 0.45%, 0.42%

LAB 43.76, 25.99, 28.09

 

CMYK 45 / 11 / 0 / 25

HEX #6AAAC0

RGB 106 170 192

HSL 195.35, 0.41%, 0.58%

LAB 66.23, -14.63, -17.67

 

CMYK 42 / 11 / 0 / 17

HEX #7BBCD3

RGB 123 188 211

HSL 195.68, 0.5%, 0.65%

LAB 72.81, -14.77, -18.07

 

CMYK 39 / 10 / 0 / 10

HEX #8CCEE6

RGB 140 206 230

HSL 196, 0.64%, 0.73%

LAB 79.29, -14.87, -18.46

 

CMYK 37 / 10 / 0 / 2

HEX #9DE0F9

RGB 157 224 249

HSL 196.3, 0.88%, 0.8%

LAB 85.66, -14.94, -18.85

 

CMYK 32 / 5 / 0 / 0

HEX #AEF2FF

RGB 174 242 255

HSL 189.63, 1%, 0.84%

LAB 91.56, -18.06, -13.05

 

CMYK 49 / 14 / 0 / 23

HEX #65AAC5

RGB 101 170 197

HSL 196.88, 0.45%, 0.58%

LAB 66.17, -14.44, -20.55

 

CMYK 53 / 15 / 0 / 30

HEX #5498B2

RGB 84 152 178

HSL 196.6, 0.38%, 0.51%

LAB 59.49, -14.15, -20.17

 

CMYK 58 / 16 / 0 / 38

HEX #43869F

RGB 67 134 159

HSL 196.3, 0.41%, 0.44%

LAB 52.67, -13.74, -19.78

 

CMYK 64 / 17 / 0 / 45

HEX #32748C

RGB 50 116 140

HSL 196, 0.47%, 0.37%

LAB 45.72, -13.16, -19.35

 

CMYK 73 / 19 / 0 / 53

HEX #216279

RGB 33 98 121

HSL 195.68, 0.57%, 0.3%

LAB 38.62, -12.31, -18.87

 

CMYK 49 / 14 / 0 / 23

HEX #65AAC5

RGB 101 170 197

HSL 196.88, 0.45%, 0.58%

LAB 66.17, -14.44, -20.55

 

CMYK 49 / 21 / 0 / 23

HEX #639AC4

RGB 99 154 196

HSL 205.98, 0.45%, 0.58%

LAB 61.44, -6.46, -27.26

 

CMYK 49 / 30 / 0 / 23

HEX #638AC4

RGB 99 138 196

HSL 215.88, 0.45%, 0.58%

LAB 56.89, 2.69, -34.31

 

CMYK 49 / 38 / 0 / 23

HEX #637AC4

RGB 99 122 196

HSL 225.77, 0.45%, 0.58%

LAB 52.46, 12.22, -41.27

 

CMYK 49 / 46 / 0 / 23

HEX #636AC4

RGB 99 106 196

HSL 235.67, 0.45%, 0.58%

LAB 48.19, 22, -48.05

 

CMYK 49 / 14 / 0 / 23

HEX #65AAC5

RGB 101 170 197

HSL 196.88, 0.45%, 0.58%

LAB 66.17, -14.44, -20.55

 

CMYK 49 / 14 / 0 / 3

HEX #7FD6F8

RGB 127 214 248

HSL 196.86, 0.9%, 0.74%

LAB 81.5, -17.33, -24.76

 

CMYK 48 / 14 / 0 / 83

HEX #17262C

RGB 23 38 44

HSL 197.14, 0.31%, 0.13%

LAB 14.12, -4.37, -5.97

 

CMYK 48 / 14 / 0 / 63

HEX #31525F

RGB 49 82 95

HSL 196.96, 0.32%, 0.28%

LAB 32.95, -8.11, -11.34

 

CMYK 49 / 14 / 0 / 43

HEX #4B7E92

RGB 75 126 146

HSL 196.9, 0.32%, 0.43%

LAB 50.09, -11.4, -16.12

 

CMYK 49 / 14 / 0 / 23

HEX #65AAC5

RGB 101 170 197

HSL 196.88, 0.45%, 0.58%

LAB 66.17, -14.44, -20.55

 

CMYK 27 / 49 / 0 / 23

HEX #9063C4

RGB 144 99 196

HSL 267.84, 0.45%, 0.58%

LAB 50.5, 37.64, -44.14

 

CMYK 0 / 7 / 49 / 23

HEX #C4B763

RGB 196 183 99

HSL 51.96, 0.45%, 0.58%

LAB 73.87, -6.69, 44.04

 

CMYK 49 / 14 / 0 / 23

HEX #65AAC5

RGB 101 170 197

HSL 196.88, 0.45%, 0.58%

LAB 66.17, -14.44, -20.55

 

CMYK 0 / 49 / 13 / 23

HEX #C463AA

RGB 196 99 170

HSL 316.08, 0.45%, 0.58%

LAB 55.65, 47.79, -20.61

 

CMYK 13 / 0 / 49 / 23

HEX #AAC463

RGB 170 196 99

HSL 76.08, 0.45%, 0.58%

LAB 75.41, -23.82, 45.41

 

CMYK 49 / 14 / 0 / 23

HEX #65AAC5

RGB 101 170 197

HSL 196.88, 0.45%, 0.58%

LAB 66.17, -14.44, -20.55

 

CMYK 27 / 49 / 0 / 23

HEX #9063C4

RGB 144 99 196

HSL 267.84, 0.45%, 0.58%

LAB 50.5, 37.64, -44.14

 

CMYK 0 / 36 / 49 / 23

HEX #C47D63

RGB 196 125 99

HSL 16.08, 0.45%, 0.58%

LAB 59.25, 24.73, 25.61

 

CMYK 23 / 0 / 49 / 23

HEX #97C463

RGB 151 196 99

HSL 87.84, 0.45%, 0.58%

LAB 74.16, -31.1, 43.62

 

CMYK 49 / 14 / 0 / 23

HEX #65AAC5

RGB 101 170 197

HSL 196.88, 0.45%, 0.58%

LAB 66.17, -14.44, -20.55

 

CMYK 12 / 49 / 0 / 23

HEX #AD63C4

RGB 173 99 196

HSL 285.77, 0.45%, 0.58%

LAB 53.81, 45.7, -38.69

 

CMYK 0 / 36 / 49 / 23

HEX #C47D63

RGB 196 125 99

HSL 16.08, 0.45%, 0.58%

LAB 59.25, 24.73, 25.61

 

CMYK 38 / 0 / 49 / 23

HEX #7AC463

RGB 122 196 99

HSL 105.77, 0.45%, 0.58%

LAB 72.57, -41.28, 41.31

 

Description

Color code: RGB 101 170 197 | qconv.com Color code: RGB 101 170 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 170 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 170 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 14 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 14% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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