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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 160 77 it is the complementary color RGB 154 95 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 160 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 101 160 77: RGB 106 160 72, RGB 123 178 91, RGB 140 196 110, RGB 157 214 129 and RGB 174 232 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 160 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 101 160 77: RGB 101 160 77, RGB 84 142 58, RGB 67 124 39, RGB 50 106 20 and RGB 33 88 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 52 / 37

HEX #65A04D

RGB 101 160 77

HSL 102.65, 0.35%, 0.46%

LAB 60.29, -35.06, 37

 

Complementary color

CMYK 13 / 47 / 0 / 30

HEX #9A5FB2

RGB 154 95 178

HSL 282.65, 0.35%, 0.54%

LAB 49.82, 38.58, -34.72

 

CMYK 34 / 0 / 55 / 37

HEX #6AA048

RGB 106 160 72

HSL 96.82, 0.38%, 0.45%

LAB 60.49, -33.89, 39.8

 

CMYK 31 / 0 / 49 / 30

HEX #7BB25B

RGB 123 178 91

HSL 97.93, 0.36%, 0.53%

LAB 67.13, -33.85, 38.6

 

CMYK 29 / 0 / 44 / 23

HEX #8CC46E

RGB 140 196 110

HSL 99.07, 0.42%, 0.6%

LAB 73.66, -33.75, 37.4

 

CMYK 27 / 0 / 40 / 16

HEX #9DD681

RGB 157 214 129

HSL 100.24, 0.51%, 0.67%

LAB 80.09, -33.62, 36.22

 

CMYK 25 / 0 / 36 / 9

HEX #AEE894

RGB 174 232 148

HSL 101.43, 0.65%, 0.75%

LAB 86.43, -33.47, 35.07

 

CMYK 37 / 0 / 52 / 37

HEX #65A04D

RGB 101 160 77

HSL 102.65, 0.35%, 0.46%

LAB 60.29, -35.06, 37

 

CMYK 41 / 0 / 59 / 44

HEX #548E3A

RGB 84 142 58

HSL 101.43, 0.42%, 0.39%

LAB 53.53, -35.06, 38.2

 

CMYK 46 / 0 / 69 / 51

HEX #437C27

RGB 67 124 39

HSL 100.24, 0.52%, 0.32%

LAB 46.65, -34.89, 39.18

 

CMYK 53 / 0 / 81 / 58

HEX #326A14

RGB 50 106 20

HSL 99.07, 0.68%, 0.25%

LAB 39.64, -34.37, 39.51

 

CMYK 63 / 0 / 99 / 65

HEX #215801

RGB 33 88 1

HSL 97.93, 0.98%, 0.17%

LAB 32.49, -33.34, 38.83

 

CMYK 37 / 0 / 52 / 37

HEX #65A04D

RGB 101 160 77

HSL 102.65, 0.35%, 0.46%

LAB 60.29, -35.06, 37

 

CMYK 45 / 0 / 52 / 38

HEX #579E4C

RGB 87 158 76

HSL 111.95, 0.35%, 0.46%

LAB 58.98, -38.93, 35.76

 

CMYK 52 / 0 / 51 / 38

HEX #4C9E4E

RGB 76 158 78

HSL 121.46, 0.35%, 0.46%

LAB 58.55, -41.93, 34.11

 

CMYK 52 / 0 / 42 / 38

HEX #4C9E5C

RGB 76 158 92

HSL 131.71, 0.35%, 0.46%

LAB 58.75, -39.74, 27.02

 

CMYK 52 / 0 / 33 / 38

HEX #4C9E6A

RGB 76 158 106

HSL 141.95, 0.35%, 0.46%

LAB 59, -37.18, 19.72

 

CMYK 37 / 0 / 52 / 37

HEX #65A04D

RGB 101 160 77

HSL 102.65, 0.35%, 0.46%

LAB 60.29, -35.06, 37

 

CMYK 37 / 0 / 52 / 17

HEX #85D366

RGB 133 211 102

HSL 102.94, 0.55%, 0.61%

LAB 77.6, -43.82, 46.11

 

CMYK 43 / 0 / 57 / 97

HEX #040703

RGB 4 7 3

HSL 105, 0.4%, 0.02%

LAB 1.67, -1.34, 1.24

 

CMYK 36 / 0 / 52 / 77

HEX #253A1C

RGB 37 58 28

HSL 102, 0.35%, 0.17%

LAB 21.96, -15.19, 16.01

 

CMYK 37 / 0 / 52 / 57

HEX #456D34

RGB 69 109 52

HSL 102.11, 0.35%, 0.32%

LAB 41.92, -25.7, 27.3

 

CMYK 37 / 0 / 52 / 37

HEX #65A04D

RGB 101 160 77

HSL 102.65, 0.35%, 0.46%

LAB 60.29, -35.06, 37

 

CMYK 52 / 0 / 5 / 38

HEX #4C9E96

RGB 76 158 150

HSL 174.15, 0.35%, 0.46%

LAB 60.06, -26.97, -3.48

 

CMYK 0 / 52 / 16 / 38

HEX #9E4C85

RGB 158 76 133

HSL 318.29, 0.35%, 0.46%

LAB 44.42, 41.45, -16.33

 

CMYK 37 / 0 / 52 / 37

HEX #65A04D

RGB 101 160 77

HSL 102.65, 0.35%, 0.46%

LAB 60.29, -35.06, 37

 

CMYK 52 / 37 / 0 / 38

HEX #4C649E

RGB 76 100 158

HSL 222.44, 0.35%, 0.46%

LAB 42.94, 8.15, -34.27

 

CMYK 0 / 52 / 37 / 38

HEX #9E4C64

RGB 158 76 100

HSL 342.44, 0.35%, 0.46%

LAB 43.3, 36.68, 2.18

 

CMYK 37 / 0 / 52 / 37

HEX #65A04D

RGB 101 160 77

HSL 102.65, 0.35%, 0.46%

LAB 60.29, -35.06, 37

 

CMYK 52 / 0 / 5 / 38

HEX #4C9E96

RGB 76 158 150

HSL 174.15, 0.35%, 0.46%

LAB 60.06, -26.97, -3.48

 

CMYK 16 / 52 / 0 / 38

HEX #854C9E

RGB 133 76 158

HSL 281.71, 0.35%, 0.46%

LAB 42.19, 38.57, -35.11

 

CMYK 0 / 52 / 47 / 38

HEX #9E4C54

RGB 158 76 84

HSL 354.15, 0.35%, 0.46%

LAB 42.88, 34.84, 11.44

 

CMYK 37 / 0 / 52 / 37

HEX #65A04D

RGB 101 160 77

HSL 102.65, 0.35%, 0.46%

LAB 60.29, -35.06, 37

 

CMYK 52 / 11 / 0 / 38

HEX #4C8D9E

RGB 76 141 158

HSL 192.44, 0.35%, 0.46%

LAB 55.13, -15.9, -15.42

 

CMYK 16 / 52 / 0 / 38

HEX #854C9E

RGB 133 76 158

HSL 281.71, 0.35%, 0.46%

LAB 42.19, 38.57, -35.11

 

CMYK 0 / 42 / 52 / 38

HEX #9E5C4C

RGB 158 92 76

HSL 11.71, 0.35%, 0.46%

LAB 46.24, 25.27, 20.82

 

Description

Color code: RGB 101 160 77 | qconv.com Color code: RGB 101 160 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 160 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 160 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 52 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 52% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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