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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 127 78 it is the complementary color RGB 154 128 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 127 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 101 127 78: RGB 106 127 73, RGB 123 145 92, RGB 140 163 111, RGB 157 181 130 and RGB 174 199 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 127 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 101 127 78: RGB 101 127 78, RGB 84 109 59, RGB 67 91 40, RGB 50 73 21 and RGB 33 55 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 39 / 50

HEX #657F4E

RGB 101 127 78

HSL 91.84, 0.24%, 0.4%

LAB 50.09, -18.75, 23.65

 

Complementary color

CMYK 13 / 28 / 0 / 31

HEX #9A80B1

RGB 154 128 177

HSL 271.84, 0.24%, 0.6%

LAB 57.54, 19.54, -22.16

 

CMYK 17 / 0 / 43 / 50

HEX #6A7F49

RGB 106 127 73

HSL 83.33, 0.27%, 0.39%

LAB 50.36, -17.44, 26.85

 

CMYK 15 / 0 / 37 / 43

HEX #7B915C

RGB 123 145 92

HSL 84.91, 0.22%, 0.46%

LAB 57.3, -17.45, 25.61

 

CMYK 14 / 0 / 32 / 36

HEX #8CA36F

RGB 140 163 111

HSL 86.54, 0.22%, 0.54%

LAB 64.09, -17.44, 24.44

 

CMYK 13 / 0 / 28 / 29

HEX #9DB582

RGB 157 181 130

HSL 88.24, 0.26%, 0.61%

LAB 70.75, -17.41, 23.34

 

CMYK 13 / 0 / 25 / 22

HEX #AEC795

RGB 174 199 149

HSL 90, 0.31%, 0.68%

LAB 77.29, -17.37, 22.3

 

CMYK 20 / 0 / 39 / 50

HEX #657F4E

RGB 101 127 78

HSL 91.84, 0.24%, 0.4%

LAB 50.09, -18.75, 23.65

 

CMYK 23 / 0 / 46 / 57

HEX #546D3B

RGB 84 109 59

HSL 90, 0.3%, 0.33%

LAB 42.97, -18.82, 24.93

 

CMYK 26 / 0 / 56 / 64

HEX #435B28

RGB 67 91 40

HSL 88.24, 0.39%, 0.26%

LAB 35.65, -18.81, 26.25

 

CMYK 32 / 0 / 71 / 71

HEX #324915

RGB 50 73 21

HSL 86.54, 0.55%, 0.18%

LAB 28.11, -18.65, 27.38

 

CMYK 40 / 0 / 96 / 78

HEX #213702

RGB 33 55 2

HSL 84.91, 0.93%, 0.11%

LAB 20.28, -18.25, 27.21

 

CMYK 20 / 0 / 39 / 50

HEX #657F4E

RGB 101 127 78

HSL 91.84, 0.24%, 0.4%

LAB 50.09, -18.75, 23.65

 

CMYK 26 / 0 / 39 / 51

HEX #5D7E4D

RGB 93 126 77

HSL 100.41, 0.24%, 0.4%

LAB 49.23, -21.5, 22.99

 

CMYK 33 / 0 / 39 / 51

HEX #547E4D

RGB 84 126 77

HSL 111.43, 0.24%, 0.4%

LAB 48.69, -24.86, 22.17

 

CMYK 39 / 0 / 38 / 51

HEX #4D7E4E

RGB 77 126 78

HSL 121.22, 0.24%, 0.4%

LAB 48.32, -27.14, 21.05

 

CMYK 39 / 0 / 32 / 51

HEX #4D7E56

RGB 77 126 86

HSL 131.02, 0.24%, 0.4%

LAB 48.48, -25.68, 16.69

 

CMYK 20 / 0 / 39 / 50

HEX #657F4E

RGB 101 127 78

HSL 91.84, 0.24%, 0.4%

LAB 50.09, -18.75, 23.65

 

CMYK 20 / 0 / 39 / 30

HEX #8EB26D

RGB 142 178 109

HSL 91.3, 0.31%, 0.56%

LAB 68.53, -24.54, 31.37

 

CMYK 21 / 0 / 38 / 10

HEX #B6E58D

RGB 182 229 141

HSL 92.05, 0.63%, 0.73%

LAB 85.96, -30.23, 38.06

 

CMYK 20 / 0 / 40 / 90

HEX #14190F

RGB 20 25 15

HSL 90, 0.25%, 0.08%

LAB 7.94, -4.61, 5.34

 

CMYK 21 / 0 / 38 / 70

HEX #3C4C2F

RGB 60 76 47

HSL 93.1, 0.24%, 0.24%

LAB 30.24, -12.46, 15.24

 

CMYK 20 / 0 / 39 / 50

HEX #657F4E

RGB 101 127 78

HSL 91.84, 0.24%, 0.4%

LAB 50.09, -18.75, 23.65

 

CMYK 39 / 0 / 11 / 51

HEX #4D7E70

RGB 77 126 112

HSL 162.86, 0.24%, 0.4%

LAB 49.09, -20.04, 2.4

 

CMYK 0 / 39 / 5 / 51

HEX #7E4D78

RGB 126 77 120

HSL 307.35, 0.24%, 0.4%

LAB 39.75, 27.78, -15.92

 

CMYK 20 / 0 / 39 / 50

HEX #657F4E

RGB 101 127 78

HSL 91.84, 0.24%, 0.4%

LAB 50.09, -18.75, 23.65

 

CMYK 39 / 20 / 0 / 51

HEX #4D657E

RGB 77 101 126

HSL 210.61, 0.24%, 0.4%

LAB 41.83, -2.12, -16.8

 

CMYK 0 / 39 / 20 / 51

HEX #7E4D65

RGB 126 77 101

HSL 330.61, 0.24%, 0.4%

LAB 39.04, 24.32, -5.21

 

CMYK 20 / 0 / 39 / 50

HEX #657F4E

RGB 101 127 78

HSL 91.84, 0.24%, 0.4%

LAB 50.09, -18.75, 23.65

 

CMYK 39 / 0 / 11 / 51

HEX #4D7E70

RGB 77 126 112

HSL 162.86, 0.24%, 0.4%

LAB 49.09, -20.04, 2.4

 

CMYK 19 / 39 / 0 / 51

HEX #664D7E

RGB 102 77 126

HSL 270.61, 0.24%, 0.4%

LAB 37.19, 20.88, -23.8

 

CMYK 0 / 39 / 28 / 51

HEX #7E4D5B

RGB 126 77 91

HSL 342.86, 0.24%, 0.4%

LAB 38.72, 22.7, 0.55

 

CMYK 20 / 0 / 39 / 50

HEX #657F4E

RGB 101 127 78

HSL 91.84, 0.24%, 0.4%

LAB 50.09, -18.75, 23.65

 

CMYK 39 / 1 / 0 / 51

HEX #4D7D7E

RGB 77 125 126

HSL 181.22, 0.24%, 0.4%

LAB 49.19, -15.94, -5.7

 

CMYK 19 / 39 / 0 / 51

HEX #664D7E

RGB 102 77 126

HSL 270.61, 0.24%, 0.4%

LAB 37.19, 20.88, -23.8

 

CMYK 0 / 38 / 39 / 51

HEX #7E4E4D

RGB 126 78 77

HSL 1.22, 0.24%, 0.4%

LAB 38.59, 20.12, 9.09

 

Description

Color code: RGB 101 127 78 | qconv.com Color code: RGB 101 127 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 127 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 127 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 39 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 39% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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