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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 37 91 it is the complementary color RGB 155 218 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 37 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 100 37 91: RGB 105 37 86, RGB 122 55 105, RGB 139 73 124, RGB 156 91 143 and RGB 173 109 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 37 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 100 37 91: RGB 100 37 91, RGB 83 19 72, RGB 66 1 53, RGB 49 0 34 and RGB 32 0 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 9 / 61

HEX #64255B

RGB 100 37 91

HSL 308.57, 0.46%, 0.27%

LAB 26.12, 35.77, -18.83

 

Complementary color

CMYK 29 / 0 / 25 / 15

HEX #9BDAA4

RGB 155 218 164

HSL 128.57, 0.46%, 0.73%

LAB 81.72, -30.7, 20.32

 

CMYK 0 / 65 / 18 / 59

HEX #692556

RGB 105 37 86

HSL 316.76, 0.48%, 0.28%

LAB 26.73, 36.46, -14.53

 

CMYK 0 / 55 / 14 / 52

HEX #7A3769

RGB 122 55 105

HSL 315.22, 0.38%, 0.35%

LAB 33.75, 35.98, -15.78

 

CMYK 0 / 47 / 11 / 45

HEX #8B497C

RGB 139 73 124

HSL 313.64, 0.31%, 0.42%

LAB 40.75, 35.25, -16.69

 

CMYK 0 / 42 / 8 / 39

HEX #9C5B8F

RGB 156 91 143

HSL 312, 0.26%, 0.48%

LAB 47.67, 34.46, -17.41

 

CMYK 0 / 37 / 6 / 32

HEX #AD6DA2

RGB 173 109 162

HSL 310.31, 0.28%, 0.55%

LAB 54.48, 33.68, -18.01

 

CMYK 0 / 63 / 9 / 61

HEX #64255B

RGB 100 37 91

HSL 308.57, 0.46%, 0.27%

LAB 26.12, 35.77, -18.83

 

CMYK 0 / 77 / 13 / 67

HEX #531348

RGB 83 19 72

HSL 310.31, 0.63%, 0.2%

LAB 19.11, 35.64, -17.25

 

CMYK 0 / 98 / 20 / 74

HEX #420135

RGB 66 1 53

HSL 312, 0.97%, 0.13%

LAB 12.2, 34.68, -14.92

 

CMYK 0 / 100 / 31 / 81

HEX #310022

RGB 49 0 34

HSL 318.37, 1%, 0.1%

LAB 6.94, 28.06, -9.23

 

CMYK 0 / 100 / 53 / 87

HEX #20000F

RGB 32 0 15

HSL 331.88, 1%, 0.06%

LAB 3.09, 14.63, -1.57

 

CMYK 0 / 63 / 9 / 61

HEX #64255B

RGB 100 37 91

HSL 308.57, 0.46%, 0.27%

LAB 26.12, 35.77, -18.83

 

CMYK 0 / 63 / 19 / 61

HEX #642551

RGB 100 37 81

HSL 318.1, 0.46%, 0.27%

LAB 25.64, 34.03, -12.96

 

CMYK 0 / 63 / 30 / 61

HEX #642546

RGB 100 37 70

HSL 328.57, 0.46%, 0.27%

LAB 25.18, 32.3, -6.3

 

CMYK 0 / 63 / 40 / 61

HEX #64253C

RGB 100 37 60

HSL 338.1, 0.46%, 0.27%

LAB 24.82, 30.92, -0.08

 

CMYK 0 / 63 / 51 / 61

HEX #642531

RGB 100 37 49

HSL 348.57, 0.46%, 0.27%

LAB 24.49, 29.62, 6.93

 

CMYK 0 / 63 / 9 / 61

HEX #64255B

RGB 100 37 91

HSL 308.57, 0.46%, 0.27%

LAB 26.12, 35.77, -18.83

 

CMYK 0 / 63 / 9 / 41

HEX #973889

RGB 151 56 137

HSL 308.84, 0.46%, 0.41%

LAB 39.94, 49.65, -25.77

 

CMYK 0 / 63 / 9 / 21

HEX #CA4BB8

RGB 202 75 184

HSL 308.5, 0.55%, 0.54%

LAB 53, 62.74, -32.75

 

CMYK 0 / 63 / 9 / 1

HEX #FD5EE6

RGB 253 94 230

HSL 308.68, 0.98%, 0.68%

LAB 65.44, 75, -38.88

 

CMYK 0 / 63 / 8 / 81

HEX #31122D

RGB 49 18 45

HSL 307.74, 0.46%, 0.13%

LAB 11.1, 20.22, -11.06

 

CMYK 0 / 63 / 9 / 61

HEX #64255B

RGB 100 37 91

HSL 308.57, 0.46%, 0.27%

LAB 26.12, 35.77, -18.83

 

CMYK 0 / 42 / 63 / 61

HEX #643A25

RGB 100 58 37

HSL 20, 0.46%, 0.27%

LAB 29.08, 16.29, 20.81

 

CMYK 63 / 0 / 17 / 61

HEX #256453

RGB 37 100 83

HSL 163.81, 0.46%, 0.27%

LAB 38.08, -24.7, 3.68

 

CMYK 0 / 63 / 9 / 61

HEX #64255B

RGB 100 37 91

HSL 308.57, 0.46%, 0.27%

LAB 26.12, 35.77, -18.83

 

CMYK 8 / 0 / 63 / 61

HEX #5C6425

RGB 92 100 37

HSL 67.62, 0.46%, 0.27%

LAB 40.45, -12.87, 33.83

 

CMYK 63 / 8 / 0 / 61

HEX #255C64

RGB 37 92 100

HSL 187.62, 0.46%, 0.27%

LAB 35.92, -15.32, -10.02

 

CMYK 0 / 63 / 9 / 61

HEX #64255B

RGB 100 37 91

HSL 308.57, 0.46%, 0.27%

LAB 26.12, 35.77, -18.83

 

CMYK 0 / 42 / 63 / 61

HEX #643A25

RGB 100 58 37

HSL 20, 0.46%, 0.27%

LAB 29.08, 16.29, 20.81

 

CMYK 63 / 0 / 55 / 61

HEX #25642D

RGB 37 100 45

HSL 127.62, 0.46%, 0.27%

LAB 37.29, -32.93, 25.13

 

CMYK 63 / 21 / 0 / 61

HEX #254F64

RGB 37 79 100

HSL 200, 0.46%, 0.27%

LAB 31.59, -7.62, -16.63

 

CMYK 0 / 63 / 9 / 61

HEX #64255B

RGB 100 37 91

HSL 308.57, 0.46%, 0.27%

LAB 26.12, 35.77, -18.83

 

CMYK 0 / 23 / 63 / 61

HEX #644D25

RGB 100 77 37

HSL 38.1, 0.46%, 0.27%

LAB 34.29, 4.53, 27.06

 

CMYK 63 / 0 / 55 / 61

HEX #25642D

RGB 37 100 45

HSL 127.62, 0.46%, 0.27%

LAB 37.29, -32.93, 25.13

 

CMYK 63 / 40 / 0 / 61

HEX #253C64

RGB 37 60 100

HSL 218.1, 0.46%, 0.27%

LAB 25.4, 4.81, -26.31

 

Description

Color code: RGB 100 37 91 | qconv.com Color code: RGB 100 37 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 37 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 37 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 9 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 9% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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