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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 195 147 it is the complementary color RGB 155 60 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 195 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 100 195 147: RGB 105 195 142, RGB 122 213 161, RGB 139 231 180, RGB 156 249 199 and RGB 173 255 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 195 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 100 195 147: RGB 100 195 147, RGB 83 177 128, RGB 66 159 109, RGB 49 141 90 and RGB 32 123 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 25 / 24

HEX #64C393

RGB 100 195 147

HSL 149.68, 0.44%, 0.58%

LAB 72.13, -39.28, 15.61

 

Complementary color

CMYK 0 / 61 / 30 / 39

HEX #9B3C6C

RGB 155 60 108

HSL 329.68, 0.44%, 0.42%

LAB 40.05, 44.67, -7.62

 

CMYK 46 / 0 / 27 / 24

HEX #69C38E

RGB 105 195 142

HSL 144.67, 0.43%, 0.59%

LAB 72.22, -38.98, 18.46

 

CMYK 43 / 0 / 24 / 16

HEX #7AD5A1

RGB 122 213 161

HSL 145.71, 0.52%, 0.66%

LAB 78.64, -38.75, 17.37

 

CMYK 40 / 0 / 22 / 9

HEX #8BE7B4

RGB 139 231 180

HSL 146.74, 0.66%, 0.73%

LAB 84.96, -38.51, 16.35

 

CMYK 37 / 0 / 20 / 2

HEX #9CF9C7

RGB 156 249 199

HSL 147.74, 0.89%, 0.79%

LAB 91.21, -38.26, 15.39

 

CMYK 32 / 0 / 15 / 0

HEX #ADFFDA

RGB 173 255 218

HSL 152.93, 1%, 0.84%

LAB 94.08, -32.52, 9.81

 

CMYK 49 / 0 / 25 / 24

HEX #64C393

RGB 100 195 147

HSL 149.68, 0.44%, 0.58%

LAB 72.13, -39.28, 15.61

 

CMYK 53 / 0 / 28 / 31

HEX #53B180

RGB 83 177 128

HSL 148.72, 0.38%, 0.51%

LAB 65.63, -39.42, 16.77

 

CMYK 58 / 0 / 31 / 38

HEX #429F6D

RGB 66 159 109

HSL 147.74, 0.41%, 0.44%

LAB 59.03, -39.47, 18.04

 

CMYK 65 / 0 / 36 / 45

HEX #318D5A

RGB 49 141 90

HSL 146.74, 0.48%, 0.37%

LAB 52.33, -39.34, 19.45

 

CMYK 74 / 0 / 42 / 52

HEX #207B47

RGB 32 123 71

HSL 145.71, 0.59%, 0.3%

LAB 45.54, -38.91, 21.03

 

CMYK 49 / 0 / 25 / 24

HEX #64C393

RGB 100 195 147

HSL 149.68, 0.44%, 0.58%

LAB 72.13, -39.28, 15.61

 

CMYK 49 / 0 / 17 / 24

HEX #64C3A2

RGB 100 195 162

HSL 159.16, 0.44%, 0.58%

LAB 72.46, -36.04, 7.99

 

CMYK 49 / 0 / 9 / 24

HEX #64C3B1

RGB 100 195 177

HSL 168.63, 0.44%, 0.58%

LAB 72.84, -32.53, 0.38

 

CMYK 49 / 0 / 1 / 24

HEX #64C3C1

RGB 100 195 193

HSL 178.74, 0.44%, 0.58%

LAB 73.28, -28.51, -7.67

 

CMYK 49 / 8 / 0 / 24

HEX #64B4C3

RGB 100 180 195

HSL 189.47, 0.44%, 0.58%

LAB 68.96, -20.47, -15.23

 

CMYK 49 / 0 / 25 / 24

HEX #64C393

RGB 100 195 147

HSL 149.68, 0.44%, 0.58%

LAB 72.13, -39.28, 15.61

 

CMYK 49 / 0 / 25 / 4

HEX #7EF6B9

RGB 126 246 185

HSL 149.5, 0.87%, 0.73%

LAB 88.85, -47.47, 19.12

 

CMYK 48 / 0 / 24 / 84

HEX #162A20

RGB 22 42 32

HSL 150, 0.31%, 0.13%

LAB 15.12, -11, 4.02

 

CMYK 48 / 0 / 25 / 64

HEX #305D46

RGB 48 93 70

HSL 149.33, 0.32%, 0.28%

LAB 35.79, -21.54, 8.48

 

CMYK 49 / 0 / 24 / 44

HEX #4A906D

RGB 74 144 109

HSL 150, 0.32%, 0.43%

LAB 54.56, -30.63, 11.91

 

CMYK 49 / 0 / 25 / 24

HEX #64C393

RGB 100 195 147

HSL 149.68, 0.44%, 0.58%

LAB 72.13, -39.28, 15.61

 

CMYK 49 / 33 / 0 / 24

HEX #6482C3

RGB 100 130 195

HSL 221.05, 0.44%, 0.58%

LAB 54.67, 7.35, -37.22

 

CMYK 0 / 45 / 49 / 24

HEX #C36C64

RGB 195 108 100

HSL 5.05, 0.44%, 0.58%

LAB 55.33, 33.63, 19.79

 

CMYK 49 / 0 / 25 / 24

HEX #64C393

RGB 100 195 147

HSL 149.68, 0.44%, 0.58%

LAB 72.13, -39.28, 15.61

 

CMYK 25 / 49 / 0 / 24

HEX #9264C3

RGB 146 100 195

HSL 269.05, 0.44%, 0.58%

LAB 50.88, 37.38, -42.95

 

CMYK 0 / 25 / 49 / 24

HEX #C39264

RGB 195 146 100

HSL 29.05, 0.44%, 0.58%

LAB 64.23, 12.87, 31.49

 

CMYK 49 / 0 / 25 / 24

HEX #64C393

RGB 100 195 147

HSL 149.68, 0.44%, 0.58%

LAB 72.13, -39.28, 15.61

 

CMYK 49 / 33 / 0 / 24

HEX #6482C3

RGB 100 130 195

HSL 221.05, 0.44%, 0.58%

LAB 54.67, 7.35, -37.22

 

CMYK 0 / 49 / 24 / 24

HEX #C36495

RGB 195 100 149

HSL 329.05, 0.44%, 0.58%

LAB 54.96, 43.75, -9.43

 

CMYK 0 / 15 / 49 / 24

HEX #C3A564

RGB 195 165 100

HSL 41.05, 0.44%, 0.58%

LAB 69.06, 2.53, 37.61

 

CMYK 49 / 0 / 25 / 24

HEX #64C393

RGB 100 195 147

HSL 149.68, 0.44%, 0.58%

LAB 72.13, -39.28, 15.61

 

CMYK 49 / 48 / 0 / 24

HEX #6466C3

RGB 100 102 195

HSL 238.74, 0.44%, 0.58%

LAB 47.17, 24.39, -49.1

 

CMYK 0 / 49 / 24 / 24

HEX #C36495

RGB 195 100 149

HSL 329.05, 0.44%, 0.58%

LAB 54.96, 43.75, -9.43

 

CMYK 0 / 1 / 49 / 24

HEX #C3C164

RGB 195 193 100

HSL 58.74, 0.44%, 0.58%

LAB 76.47, -12.17, 46.66

 

Description

Color code: RGB 100 195 147 | qconv.com Color code: RGB 100 195 147 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 195 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 195 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 25 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 25% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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