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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 122 132 it is the complementary color RGB 155 133 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 122 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 100 122 132: RGB 105 122 127, RGB 122 140 146, RGB 139 158 165, RGB 156 176 184 and RGB 173 194 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 122 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 100 122 132: RGB 100 122 132, RGB 83 104 113, RGB 66 86 94, RGB 49 68 75 and RGB 32 50 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 8 / 0 / 48

HEX #647A84

RGB 100 122 132

HSL 198.75, 0.14%, 0.45%

LAB 49.85, -5.6, -8.11

 

Complementary color

CMYK 0 / 14 / 21 / 39

HEX #9B857B

RGB 155 133 123

HSL 18.75, 0.14%, 0.55%

LAB 57.24, 6.69, 8.47

 

CMYK 17 / 4 / 0 / 50

HEX #697A7F

RGB 105 122 127

HSL 193.64, 0.09%, 0.45%

LAB 50.04, -5.09, -4.84

 

CMYK 16 / 4 / 0 / 43

HEX #7A8C92

RGB 122 140 146

HSL 195, 0.1%, 0.53%

LAB 57.05, -5.12, -5.38

 

CMYK 16 / 4 / 0 / 35

HEX #8B9EA5

RGB 139 158 165

HSL 196.15, 0.13%, 0.6%

LAB 63.88, -5.16, -5.91

 

CMYK 15 / 4 / 0 / 28

HEX #9CB0B8

RGB 156 176 184

HSL 197.14, 0.16%, 0.67%

LAB 70.58, -5.21, -6.43

 

CMYK 15 / 4 / 0 / 20

HEX #ADC2CB

RGB 173 194 203

HSL 198, 0.22%, 0.74%

LAB 77.15, -5.26, -6.93

 

CMYK 24 / 8 / 0 / 48

HEX #647A84

RGB 100 122 132

HSL 198.75, 0.14%, 0.45%

LAB 49.85, -5.6, -8.11

 

CMYK 27 / 8 / 0 / 56

HEX #536871

RGB 83 104 113

HSL 198, 0.15%, 0.38%

LAB 42.66, -5.56, -7.63

 

CMYK 30 / 9 / 0 / 63

HEX #42565E

RGB 66 86 94

HSL 197.14, 0.18%, 0.31%

LAB 35.25, -5.53, -7.14

 

CMYK 35 / 9 / 0 / 71

HEX #31444B

RGB 49 68 75

HSL 196.15, 0.21%, 0.24%

LAB 27.56, -5.5, -6.65

 

CMYK 43 / 11 / 0 / 78

HEX #203238

RGB 32 50 56

HSL 195, 0.27%, 0.17%

LAB 19.53, -5.45, -6.14

 

CMYK 24 / 8 / 0 / 48

HEX #647A84

RGB 100 122 132

HSL 198.75, 0.14%, 0.45%

LAB 49.85, -5.6, -8.11

 

CMYK 25 / 12 / 0 / 49

HEX #627382

RGB 98 115 130

HSL 208.13, 0.14%, 0.45%

LAB 47.58, -2.69, -10.33

 

CMYK 25 / 15 / 0 / 49

HEX #626E82

RGB 98 110 130

HSL 217.5, 0.14%, 0.45%

LAB 46.12, 0.26, -12.54

 

CMYK 25 / 19 / 0 / 49

HEX #626982

RGB 98 105 130

HSL 226.88, 0.14%, 0.45%

LAB 44.68, 3.26, -14.73

 

CMYK 25 / 24 / 0 / 49

HEX #626382

RGB 98 99 130

HSL 238.13, 0.14%, 0.45%

LAB 42.96, 6.91, -17.35

 

CMYK 24 / 8 / 0 / 48

HEX #647A84

RGB 100 122 132

HSL 198.75, 0.14%, 0.45%

LAB 49.85, -5.6, -8.11

 

CMYK 24 / 8 / 0 / 28

HEX #8BA9B7

RGB 139 169 183

HSL 199.09, 0.23%, 0.63%

LAB 67.49, -7.09, -10.6

 

CMYK 24 / 8 / 0 / 8

HEX #B1D8EA

RGB 177 216 234

HSL 198.95, 0.58%, 0.81%

LAB 84.17, -8.81, -13.05

 

CMYK 23 / 7 / 0 / 88

HEX #171C1E

RGB 23 28 30

HSL 197.14, 0.13%, 0.1%

LAB 9.85, -1.75, -2.17

 

CMYK 25 / 7 / 0 / 68

HEX #3D4B51

RGB 61 75 81

HSL 198, 0.14%, 0.28%

LAB 30.92, -3.99, -5.41

 

CMYK 24 / 8 / 0 / 48

HEX #647A84

RGB 100 122 132

HSL 198.75, 0.14%, 0.45%

LAB 49.85, -5.6, -8.11

 

CMYK 12 / 25 / 0 / 49

HEX #726282

RGB 114 98 130

HSL 270, 0.14%, 0.45%

LAB 44.12, 13.05, -15.45

 

CMYK 0 / 2 / 25 / 49

HEX #827F62

RGB 130 127 98

HSL 54.38, 0.14%, 0.45%

LAB 52.74, -3.93, 16.22

 

CMYK 24 / 8 / 0 / 48

HEX #647A84

RGB 100 122 132

HSL 198.75, 0.14%, 0.45%

LAB 49.85, -5.6, -8.11

 

CMYK 0 / 25 / 7 / 49

HEX #826279

RGB 130 98 121

HSL 316.88, 0.14%, 0.45%

LAB 45.44, 17, -7.87

 

CMYK 7 / 0 / 25 / 49

HEX #798262

RGB 121 130 98

HSL 76.88, 0.14%, 0.45%

LAB 52.85, -9.26, 16.25

 

CMYK 24 / 8 / 0 / 48

HEX #647A84

RGB 100 122 132

HSL 198.75, 0.14%, 0.45%

LAB 49.85, -5.6, -8.11

 

CMYK 12 / 25 / 0 / 49

HEX #726282

RGB 114 98 130

HSL 270, 0.14%, 0.45%

LAB 44.12, 13.05, -15.45

 

CMYK 0 / 17 / 25 / 49

HEX #826C62

RGB 130 108 98

HSL 18.75, 0.14%, 0.45%

LAB 47.43, 7.03, 8.84

 

CMYK 12 / 0 / 25 / 49

HEX #728262

RGB 114 130 98

HSL 90, 0.14%, 0.45%

LAB 52.31, -12.05, 15.43

 

CMYK 24 / 8 / 0 / 48

HEX #647A84

RGB 100 122 132

HSL 198.75, 0.14%, 0.45%

LAB 49.85, -5.6, -8.11

 

CMYK 5 / 25 / 0 / 49

HEX #7C6282

RGB 124 98 130

HSL 288.75, 0.14%, 0.45%

LAB 45.13, 16.62, -13.83

 

CMYK 0 / 17 / 25 / 49

HEX #826C62

RGB 130 108 98

HSL 18.75, 0.14%, 0.45%

LAB 47.43, 7.03, 8.84

 

CMYK 19 / 0 / 25 / 49

HEX #698262

RGB 105 130 98

HSL 106.88, 0.14%, 0.45%

LAB 51.67, -15.52, 14.43

 

Description

Color code: RGB 100 122 132 | qconv.com Color code: RGB 100 122 132 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 122 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 122 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 8 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 8% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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