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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 112 121 it is the complementary color RGB 155 143 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 112 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 112 121 shade: RGB 105 112 116, RGB 122 130 135, RGB 139 148 154, RGB 156 166 173 and RGB 173 184 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 112 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 112 121 shade: RGB 100 112 121, RGB 83 94 102, RGB 66 76 83, RGB 49 58 64 and RGB 32 40 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 112 121 shade: RGB 99 111 121, RGB 99 105 121, RGB 99 99 121, RGB 104 99 121 and RGB 110 99 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 112 121 shade: RGB 99 111 121, RGB 99 105 121 and RGB 99 99 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 112 121 shade matches the following richer shades: RGB 99 111 121, RGB 81 114 138, RGB 63 116 156, RGB 45 119 174 and RGB 28 121 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 112 121 shade: RGB 99 111 121, RGB 116 109 103, RGB 134 106 85, RGB 152 104 67 and RGB 170 101 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 112 121 shade: RGB 99 121 118, RGB 99 117 121, RGB 99 111 121, RGB 99 106 121 and RGB 99 100 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 112 121 shade: RGB 62 69 75, RGB 80 90 98, RGB 99 111 121, RGB 118 132 143 and RGB 140 152 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 112 121 shade: RGB 100 112 121, RGB 112 99 121 and RGB 120 121 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 112 121 shade: RGB 100 112 121, RGB 121 99 111 and RGB 111 121 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 112 121 shade: RGB 100 112 121, RGB 112 99 121, RGB 121 108 99 and RGB 107 121 99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 112 121 shade: RGB 100 112 121, RGB 119 99 121, RGB 121 108 99 and RGB 101 121 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 7 / 0 / 53

HEX #647079

RGB 100 112 121

HSL 205.71, 0.1%, 0.43%

LAB 46.55, -2.44, -6.51

 

Complementary color

CMYK 0 / 8 / 14 / 39

HEX #9B8F86

RGB 155 143 134

HSL 25.71, 0.1%, 0.57%

LAB 60.19, 2.87, 6.39

 

CMYK 9 / 3 / 0 / 55

HEX #697074

RGB 105 112 116

HSL 201.82, 0.05%, 0.43%

LAB 46.78, -1.78, -3.13

 

CMYK 10 / 4 / 0 / 47

HEX #7A8287

RGB 122 130 135

HSL 203.08, 0.05%, 0.5%

LAB 53.87, -1.89, -3.72

 

CMYK 10 / 4 / 0 / 40

HEX #8B949A

RGB 139 148 154

HSL 204, 0.07%, 0.57%

LAB 60.78, -1.99, -4.28

 

CMYK 10 / 4 / 0 / 32

HEX #9CA6AD

RGB 156 166 173

HSL 204.71, 0.09%, 0.65%

LAB 67.54, -2.1, -4.83

 

CMYK 10 / 4 / 0 / 25

HEX #ADB8C0

RGB 173 184 192

HSL 205.26, 0.13%, 0.72%

LAB 74.17, -2.21, -5.36

RGB 173 184 192

CMYK 17 / 7 / 0 / 53

HEX #647079

RGB 100 112 121

HSL 205.71, 0.1%, 0.43%

LAB 46.55, -2.44, -6.51

 

CMYK 19 / 8 / 0 / 60

HEX #535E66

RGB 83 94 102

HSL 205.26, 0.1%, 0.36%

LAB 39.25, -2.34, -6

 

CMYK 20 / 8 / 0 / 67

HEX #424C53

RGB 66 76 83

HSL 204.71, 0.11%, 0.29%

LAB 31.7, -2.25, -5.49

 

CMYK 23 / 9 / 0 / 75

HEX #313A40

RGB 49 58 64

HSL 204, 0.13%, 0.22%

LAB 23.83, -2.16, -4.97

 

CMYK 29 / 11 / 0 / 82

HEX #20282D

RGB 32 40 45

HSL 203.08, 0.17%, 0.15%

LAB 15.56, -2.07, -4.44

 

CMYK 18 / 8 / 0 / 53

HEX #636F79

RGB 99 111 121

HSL 207.27, 0.1%, 0.43%

LAB 46.18, -2.2, -7.07

 

CMYK 18 / 13 / 0 / 53

HEX #636979

RGB 99 105 121

HSL 223.64, 0.1%, 0.43%

LAB 44.43, 1.36, -9.69

 

CMYK 18 / 18 / 0 / 53

HEX #636379

RGB 99 99 121

HSL 240, 0.1%, 0.43%

LAB 42.7, 4.99, -12.3

 

CMYK 14 / 18 / 0 / 53

HEX #686379

RGB 104 99 121

HSL 253.64, 0.1%, 0.43%

LAB 43.13, 6.77, -11.6

 

CMYK 9 / 18 / 0 / 53

HEX #6E6379

RGB 110 99 121

HSL 270, 0.1%, 0.43%

LAB 43.68, 8.95, -10.72

 

CMYK 18 / 8 / 0 / 53

HEX #636F79

RGB 99 111 121

HSL 207.27, 0.1%, 0.43%

LAB 46.18, -2.2, -7.07

 

CMYK 18 / 13 / 0 / 53

HEX #636979

RGB 99 105 121

HSL 223.64, 0.1%, 0.43%

LAB 44.43, 1.36, -9.69

 

CMYK 18 / 18 / 0 / 53

HEX #636379

RGB 99 99 121

HSL 240, 0.1%, 0.43%

LAB 42.7, 4.99, -12.3

 

CMYK 18 / 8 / 0 / 53

HEX #636F79

RGB 99 111 121

HSL 207.27, 0.1%, 0.43%

LAB 46.18, -2.2, -7.07

 

CMYK 41 / 17 / 0 / 46

HEX #51728A

RGB 81 114 138

HSL 205.26, 0.26%, 0.43%

LAB 46.47, -5.22, -16.88

 

CMYK 60 / 26 / 0 / 39

HEX #3F749C

RGB 63 116 156

HSL 205.81, 0.42%, 0.43%

LAB 46.91, -5.24, -26.93

 

CMYK 74 / 32 / 0 / 32

HEX #2D77AE

RGB 45 119 174

HSL 205.58, 0.59%, 0.43%

LAB 48.02, -3.83, -35.77

 

CMYK 85 / 37 / 0 / 25

HEX #1C79C0

RGB 28 121 192

HSL 205.98, 0.75%, 0.43%

LAB 49.16, -0.1, -44.38

 

CMYK 18 / 8 / 0 / 53

HEX #636F79

RGB 99 111 121

HSL 207.27, 0.1%, 0.43%

LAB 46.18, -2.2, -7.07

 

CMYK 0 / 6 / 11 / 55

HEX #746D67

RGB 116 109 103

HSL 27.69, 0.06%, 0.43%

LAB 46.48, 1.59, 4.32

 

CMYK 0 / 21 / 37 / 47

HEX #866A55

RGB 134 106 85

HSL 25.71, 0.22%, 0.43%

LAB 47.02, 8, 16.03

 

CMYK 0 / 32 / 56 / 40

HEX #986843

RGB 152 104 67

HSL 26.12, 0.39%, 0.43%

LAB 48.24, 15.02, 28.44

 

CMYK 0 / 41 / 71 / 33

HEX #AA6532

RGB 170 101 50

HSL 25.5, 0.55%, 0.43%

LAB 49.6, 23.35, 39.81

 

CMYK 18 / 0 / 2 / 53

HEX #637976

RGB 99 121 118

HSL 171.82, 0.1%, 0.43%

LAB 49.05, -8.68, -1.04

 

CMYK 18 / 3 / 0 / 53

HEX #637579

RGB 99 117 121

HSL 190.91, 0.1%, 0.43%

LAB 47.95, -5.7, -4.43

 

CMYK 18 / 8 / 0 / 53

HEX #636F79

RGB 99 111 121

HSL 207.27, 0.1%, 0.43%

LAB 46.18, -2.2, -7.07

 

CMYK 18 / 12 / 0 / 53

HEX #636A79

RGB 99 106 121

HSL 220.91, 0.1%, 0.43%

LAB 44.72, 0.77, -9.25

 

CMYK 18 / 17 / 0 / 53

HEX #636479

RGB 99 100 121

HSL 237.27, 0.1%, 0.43%

LAB 42.98, 4.38, -11.87

 

CMYK 17 / 8 / 0 / 71

HEX #3E454B

RGB 62 69 75

HSL 207.69, 0.09%, 0.27%

LAB 28.87, -1.38, -4.58

 

CMYK 18 / 8 / 0 / 62

HEX #505A62

RGB 80 90 98

HSL 206.67, 0.1%, 0.35%

LAB 37.66, -1.99, -5.92

 

CMYK 18 / 8 / 0 / 53

HEX #636F79

RGB 99 111 121

HSL 207.27, 0.1%, 0.43%

LAB 46.18, -2.2, -7.07

 

CMYK 17 / 8 / 0 / 44

HEX #76848F

RGB 118 132 143

HSL 206.4, 0.1%, 0.51%

LAB 54.38, -2.65, -7.64

 

CMYK 13 / 6 / 0 / 37

HEX #8C98A1

RGB 140 152 161

HSL 205.71, 0.1%, 0.59%

LAB 62.17, -2.38, -6.18

 

CMYK 17 / 7 / 0 / 53

HEX #647079

RGB 100 112 121

HSL 205.71, 0.1%, 0.43%

LAB 46.55, -2.44, -6.51

 

CMYK 7 / 18 / 0 / 53

HEX #706379

RGB 112 99 121

HSL 275.45, 0.1%, 0.43%

LAB 43.87, 9.68, -10.41

 

CMYK 1 / 0 / 18 / 53

HEX #787963

RGB 120 121 99

HSL 62.73, 0.1%, 0.43%

LAB 50.18, -4.45, 11.97

 

CMYK 17 / 7 / 0 / 53

HEX #647079

RGB 100 112 121

HSL 205.71, 0.1%, 0.43%

LAB 46.55, -2.44, -6.51

 

CMYK 0 / 18 / 8 / 53

HEX #79636F

RGB 121 99 111

HSL 327.27, 0.1%, 0.43%

LAB 44.43, 11.03, -3.44

 

CMYK 8 / 0 / 18 / 53

HEX #6F7963

RGB 111 121 99

HSL 87.27, 0.1%, 0.43%

LAB 49.44, -8.06, 10.83

 

CMYK 17 / 7 / 0 / 53

HEX #647079

RGB 100 112 121

HSL 205.71, 0.1%, 0.43%

LAB 46.55, -2.44, -6.51

 

CMYK 7 / 18 / 0 / 53

HEX #706379

RGB 112 99 121

HSL 275.45, 0.1%, 0.43%

LAB 43.87, 9.68, -10.41

 

CMYK 0 / 11 / 18 / 53

HEX #796C63

RGB 121 108 99

HSL 24.55, 0.1%, 0.43%

LAB 46.57, 3.49, 6.89

 

CMYK 12 / 0 / 18 / 53

HEX #6B7963

RGB 107 121 99

HSL 98.18, 0.1%, 0.43%

LAB 49.13, -9.62, 10.35

 

CMYK 17 / 7 / 0 / 53

HEX #647079

RGB 100 112 121

HSL 205.71, 0.1%, 0.43%

LAB 46.55, -2.44, -6.51

 

CMYK 2 / 18 / 0 / 53

HEX #776379

RGB 119 99 121

HSL 294.55, 0.1%, 0.43%

LAB 44.56, 12.28, -9.32

 

CMYK 0 / 11 / 18 / 53

HEX #796C63

RGB 121 108 99

HSL 24.55, 0.1%, 0.43%

LAB 46.57, 3.49, 6.89

 

CMYK 17 / 0 / 18 / 53

HEX #657963

RGB 101 121 99

HSL 114.55, 0.1%, 0.43%

LAB 48.69, -11.93, 9.66

 

Description

Color code: RGB 100 112 121 | qconv.com Color code: RGB 100 112 121 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 112 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 112 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 7 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 7% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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