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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 126 244 it is the complementary color RGB 255 129 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 126 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 0 126 244: RGB 5 126 239, RGB 22 144 255, RGB 39 162 255, RGB 56 180 255 and RGB 73 198 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 126 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 0 126 244: RGB 0 126 244, RGB 0 108 225, RGB 0 90 206, RGB 0 72 187 and RGB 0 54 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 48 / 0 / 4

HEX #007EF4

RGB 0 126 244

HSL 209.02, 1%, 0.48%

LAB 53.44, 15.79, -66.9

 

Complementary color

CMYK 0 / 49 / 96 / 0

HEX #FF810B

RGB 255 129 11

HSL 29.02, 1%, 0.52%

LAB 67.27, 42.43, 72.59

 

CMYK 98 / 47 / 0 / 6

HEX #057EEF

RGB 5 126 239

HSL 208.97, 0.96%, 0.48%

LAB 53.15, 13.97, -64.59

 

CMYK 91 / 44 / 0 / 0

HEX #1690FF

RGB 22 144 255

HSL 208.58, 1%, 0.54%

LAB 59.29, 9.58, -63.56

 

CMYK 85 / 36 / 0 / 0

HEX #27A2FF

RGB 39 162 255

HSL 205.83, 1%, 0.58%

LAB 64.56, -0.09, -55.12

 

CMYK 78 / 29 / 0 / 0

HEX #38B4FF

RGB 56 180 255

HSL 202.61, 1%, 0.61%

LAB 69.97, -8.78, -46.55

 

CMYK 71 / 22 / 0 / 0

HEX #49C6FF

RGB 73 198 255

HSL 198.79, 1%, 0.64%

LAB 75.47, -16.49, -37.93

 

CMYK 100 / 48 / 0 / 4

HEX #007EF4

RGB 0 126 244

HSL 209.02, 1%, 0.48%

LAB 53.44, 15.79, -66.9

 

CMYK 100 / 52 / 0 / 12

HEX #006CE1

RGB 0 108 225

HSL 211.2, 1%, 0.44%

LAB 47.19, 19.76, -66.39

 

CMYK 100 / 56 / 0 / 19

HEX #005ACE

RGB 0 90 206

HSL 213.79, 1%, 0.4%

LAB 40.85, 23.95, -65.85

 

CMYK 100 / 61 / 0 / 27

HEX #0048BB

RGB 0 72 187

HSL 216.9, 1%, 0.37%

LAB 34.44, 28.34, -65.25

 

CMYK 100 / 68 / 0 / 34

HEX #0036A8

RGB 0 54 168

HSL 220.71, 1%, 0.33%

LAB 28.02, 32.85, -64.49

 

CMYK 100 / 48 / 0 / 4

HEX #007EF4

RGB 0 126 244

HSL 209.02, 1%, 0.48%

LAB 53.44, 15.79, -66.9

 

CMYK 100 / 65 / 0 / 4

HEX #0055F4

RGB 0 85 244

HSL 219.1, 1%, 0.48%

LAB 42.81, 41.81, -84.25

 

CMYK 100 / 82 / 0 / 4

HEX #002CF4

RGB 0 44 244

HSL 229.18, 1%, 0.48%

LAB 34.67, 64.58, -97.72

 

CMYK 100 / 98 / 0 / 4

HEX #0004F4

RGB 0 4 244

HSL 239.02, 1%, 0.48%

LAB 30.92, 75.95, -103.98

 

CMYK 85 / 100 / 0 / 4

HEX #2400F4

RGB 36 0 244

HSL 248.85, 1%, 0.48%

LAB 31.59, 76.88, -102.83

 

CMYK 100 / 48 / 0 / 4

HEX #007EF4

RGB 0 126 244

HSL 209.02, 1%, 0.48%

LAB 53.44, 15.79, -66.9

 

CMYK 100 / 48 / 0 / 84

HEX #001528

RGB 0 21 40

HSL 208.5, 1%, 0.08%

LAB 6.23, -0.17, -15.36

 

CMYK 100 / 48 / 0 / 64

HEX #002F5B

RGB 0 47 91

HSL 209.01, 1%, 0.18%

LAB 19.18, 4.71, -30.43

 

CMYK 100 / 49 / 0 / 44

HEX #00498E

RGB 0 73 142

HSL 209.15, 1%, 0.28%

LAB 31.16, 8.94, -43.57

 

CMYK 100 / 48 / 0 / 24

HEX #0064C1

RGB 0 100 193

HSL 208.91, 1%, 0.38%

LAB 42.71, 12.14, -55.31

 

CMYK 100 / 48 / 0 / 4

HEX #007EF4

RGB 0 126 244

HSL 209.02, 1%, 0.48%

LAB 53.44, 15.79, -66.9

 

CMYK 32 / 100 / 0 / 4

HEX #A700F4

RGB 167 0 244

HSL 281.07, 1%, 0.48%

LAB 45.29, 84.63, -79.73

 

CMYK 8 / 0 / 100 / 4

HEX #E0F400

RGB 224 244 0

HSL 64.92, 1%, 0.48%

LAB 91.93, -29.06, 89.61

 

CMYK 100 / 48 / 0 / 4

HEX #007EF4

RGB 0 126 244

HSL 209.02, 1%, 0.48%

LAB 53.44, 15.79, -66.9

 

CMYK 0 / 100 / 48 / 4

HEX #F4007E

RGB 244 0 126

HSL 329.02, 1%, 0.48%

LAB 52.66, 82.06, 1.78

 

CMYK 48 / 0 / 100 / 4

HEX #7EF400

RGB 126 244 0

HSL 89.02, 1%, 0.48%

LAB 86.57, -64.47, 83.18

 

CMYK 100 / 48 / 0 / 4

HEX #007EF4

RGB 0 126 244

HSL 209.02, 1%, 0.48%

LAB 53.44, 15.79, -66.9

 

CMYK 32 / 100 / 0 / 4

HEX #A700F4

RGB 167 0 244

HSL 281.07, 1%, 0.48%

LAB 45.29, 84.63, -79.73

 

CMYK 0 / 52 / 100 / 4

HEX #F47600

RGB 244 118 0

HSL 29.02, 1%, 0.48%

LAB 63.5, 43.49, 71.11

 

CMYK 68 / 0 / 100 / 4

HEX #4DF400

RGB 77 244 0

HSL 101.07, 1%, 0.48%

LAB 85.14, -76.16, 81.44

 

CMYK 100 / 48 / 0 / 4

HEX #007EF4

RGB 0 126 244

HSL 209.02, 1%, 0.48%

LAB 53.44, 15.79, -66.9

 

CMYK 2 / 100 / 0 / 4

HEX #F000F4

RGB 240 0 244

HSL 299.02, 1%, 0.48%

LAB 57.13, 94.41, -59.98

 

CMYK 0 / 52 / 100 / 4

HEX #F47600

RGB 244 118 0

HSL 29.02, 1%, 0.48%

LAB 63.5, 43.49, 71.11

 

CMYK 98 / 0 / 100 / 4

HEX #04F400

RGB 4 244 0

HSL 119.02, 1%, 0.48%

LAB 84.34, -83.23, 80.47

 

Description

Color code: RGB 0 126 244 | qconv.com Color code: RGB 0 126 244 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 126 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 126 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 48 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 48% 0% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

37% - Kippster for Kippt
Link: http://kippster.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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