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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RAL 5008 it is the complementary color RAL 7044. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RAL 5008. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RAL 5008: , , , and

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RAL 5008. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RAL 5008: , ,

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 15 / 0 / 73

HEX #2B3A44

RGB 43 58 68

HSL 204, 0.23%, 0.22%

LAB 23.53, -3.21, -8.15

RAL 5008

Complementary color

CMYK 0 / 3 / 13 / 21

HEX #CAC4B0

RGB 202 196 176

HSL 46.15, 0.2%, 0.74%

LAB 79.14, -1.32, 10.78

RAL 7044

CMYK 19 / 3 / 0 / 75

HEX #343E40

RGB 52 62 64

HSL 190, 0.1%, 0.23%

LAB 25.4, -3.6, -2.62

RAL 6012

CMYK 10 / 0 / 3 / 66

HEX #4E5754

RGB 78 87 84

HSL 160, 0.05%, 0.32%

LAB 36.13, -4.21, 0.53

RAL 7012

CMYK 16 / 19 / 0 / 49

HEX #6C6881

RGB 108 104 129

HSL 249.6, 0.11%, 0.46%

LAB 45.18, 7.06, -13.28

RAL 4012

CMYK 9 / 1 / 0 / 41

HEX #8A9597

RGB 138 149 151

HSL 189.23, 0.06%, 0.57%

LAB 60.9, -3.53, -2.42

RAL 7001

CMYK 8 / 5 / 0 / 33

HEX #9DA1AA

RGB 157 161 170

HSL 221.54, 0.07%, 0.64%

LAB 66.18, 0.37, -5.16

RAL 7040

CMYK 19 / 3 / 0 / 75

HEX #343E40

RGB 52 62 64

HSL 190, 0.1%, 0.23%

LAB 25.4, -3.6, -2.62

RAL 6012

CMYK 0 / 0 / 0 / 89

HEX #1C1C1C

RGB 28 28 28

HSL 0, 0%, 0.11%

LAB 10.27, 0, -0

RAL 9011

CMYK 0 / 0 / 0 / 96

HEX #0A0A0A

RGB 10 10 10

HSL 0, 0%, 0.04%

LAB 2.74, 0, -0

RAL 9005

CMYK 19 / 3 / 0 / 75

HEX #343E40

RGB 52 62 64

HSL 190, 0.1%, 0.23%

LAB 25.4, -3.6, -2.62

RAL 6012

CMYK 44 / 39 / 0 / 71

HEX #2A2E4B

RGB 42 46 75

HSL 232.73, 0.28%, 0.23%

LAB 19.86, 6.91, -18.51

RAL 5000

CMYK 44 / 39 / 0 / 71

HEX #2A2E4B

RGB 42 46 75

HSL 232.73, 0.28%, 0.23%

LAB 19.86, 6.91, -18.51

RAL 5000

CMYK 44 / 39 / 0 / 71

HEX #2A2E4B

RGB 42 46 75

HSL 232.73, 0.28%, 0.23%

LAB 19.86, 6.91, -18.51

RAL 5000

CMYK 44 / 39 / 0 / 71

HEX #2A2E4B

RGB 42 46 75

HSL 232.73, 0.28%, 0.23%

LAB 19.86, 6.91, -18.51

RAL 5000

CMYK 19 / 3 / 0 / 75

HEX #343E40

RGB 52 62 64

HSL 190, 0.1%, 0.23%

LAB 25.4, -3.6, -2.62

RAL 6012

CMYK 48 / 27 / 0 / 45

HEX #49678D

RGB 73 103 141

HSL 213.53, 0.32%, 0.42%

LAB 42.82, 0.08, -24.33

RAL 5023

CMYK 40 / 0 / 0 / 39

HEX #5D9B9B

RGB 93 155 155

HSL 180, 0.25%, 0.49%

LAB 60.01, -19.94, -6.31

RAL 5024

CMYK 32 / 0 / 3 / 24

HEX #84C3BE

RGB 132 195 190

HSL 175.24, 0.34%, 0.64%

LAB 74.61, -21.15, -3.92

RAL 6027

CMYK 0 / 0 / 0 / 96

HEX #0A0A0A

RGB 10 10 10

HSL 0, 0%, 0.04%

LAB 2.74, 0, -0

RAL 9005

CMYK 19 / 3 / 0 / 75

HEX #343E40

RGB 52 62 64

HSL 190, 0.1%, 0.23%

LAB 25.4, -3.6, -2.62

RAL 6012

CMYK 44 / 39 / 0 / 71

HEX #2A2E4B

RGB 42 46 75

HSL 232.73, 0.28%, 0.23%

LAB 19.86, 6.91, -18.51

RAL 5000

CMYK 0 / 1 / 30 / 73

HEX #464531

RGB 70 69 49

HSL 57.14, 0.18%, 0.23%

LAB 28.85, -3.41, 12.28

RAL 7013

CMYK 19 / 3 / 0 / 75

HEX #343E40

RGB 52 62 64

HSL 190, 0.1%, 0.23%

LAB 25.4, -3.6, -2.62

RAL 6012

CMYK 0 / 28 / 33 / 73

HEX #45322E

RGB 69 50 46

HSL 10.43, 0.2%, 0.23%

LAB 22.81, 7.92, 5.89

RAL 8017

CMYK 6 / 0 / 29 / 73

HEX #424632

RGB 66 70 50

HSL 72, 0.17%, 0.24%

LAB 28.82, -5.69, 11.54

RAL 6003

CMYK 19 / 3 / 0 / 75

HEX #343E40

RGB 52 62 64

HSL 190, 0.1%, 0.23%

LAB 25.4, -3.6, -2.62

RAL 6012

CMYK 44 / 39 / 0 / 71

HEX #2A2E4B

RGB 42 46 75

HSL 232.73, 0.28%, 0.23%

LAB 19.86, 6.91, -18.51

RAL 5000

CMYK 0 / 28 / 33 / 73

HEX #45322E

RGB 69 50 46

HSL 10.43, 0.2%, 0.23%

LAB 22.81, 7.92, 5.89

RAL 8017

CMYK 12 / 0 / 31 / 77

HEX #343B29

RGB 52 59 41

HSL 83.33, 0.18%, 0.2%

LAB 23.73, -6.83, 10.21

RAL 6007

CMYK 19 / 3 / 0 / 75

HEX #343E40

RGB 52 62 64

HSL 190, 0.1%, 0.23%

LAB 25.4, -3.6, -2.62

RAL 6012

CMYK 0 / 9 / 9 / 75

HEX #403A3A

RGB 64 58 58

HSL 0, 0.05%, 0.24%

LAB 25.02, 2.61, 0.94

RAL 8019

CMYK 0 / 28 / 33 / 73

HEX #45322E

RGB 69 50 46

HSL 10.43, 0.2%, 0.23%

LAB 22.81, 7.92, 5.89

RAL 8017

CMYK 32 / 0 / 19 / 73

HEX #2F4538

RGB 47 69 56

HSL 144.55, 0.19%, 0.23%

LAB 27.15, -11.85, 5.13

RAL 6005

Description

Color code: RAL 5008 - Grey blue | qconv.com Color code: RAL 5008 - Grey blue | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 58 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 58 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 15 magenta, none yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 15% 0% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to CMYK

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PANTONE® to HEX

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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