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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RAL 7038 it is the complementary color RAL 7043. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RAL 7038. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RAL 7038: , , ,

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RAL 7038. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RAL 7038: , , , and

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 4 / 31

HEX #B0B0A9

RGB 176 176 169

HSL 60, 0.04%, 0.68%

LAB 71.65, -1.29, 3.57

RAL 7038

Complementary color

CMYK 7 / 0 / 2 / 67

HEX #4E5452

RGB 78 84 82

HSL 160, 0.04%, 0.32%

LAB 35.14, -2.83, 0.34

RAL 7043

CMYK 0 / 1 / 17 / 28

HEX #B8B799

RGB 184 183 153

HSL 58.06, 0.18%, 0.66%

LAB 73.78, -4.77, 15.41

RAL 7032

CMYK 0 / 0 / 0 / 18

HEX #D0D0D0

RGB 208 208 208

HSL 0, 0%, 0.82%

LAB 83.48, 0, -0.01

RAL 7047

CMYK 2 / 0 / 7 / 8

HEX #E7EBDA

RGB 231 235 218

HSL 74.12, 0.3%, 0.89%

LAB 92.34, -4.29, 7.77

RAL 9002

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL 9010

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 5 / 0 / 5 / 42

HEX #8D948D

RGB 141 148 141

HSL 120, 0.03%, 0.57%

LAB 60.57, -3.9, 2.81

RAL 7042

CMYK 0 / 7 / 5 / 50

HEX #7F7679

RGB 127 118 121

HSL 340, 0.04%, 0.48%

LAB 50.51, 4.03, -0.41

RAL 7036

CMYK 0 / 12 / 27 / 58

HEX #6A5D4D

RGB 106 93 77

HSL 33.1, 0.16%, 0.36%

LAB 40.29, 2.47, 11.12

RAL 1035

CMYK 0 / 5 / 19 / 76

HEX #3E3B32

RGB 62 59 50

HSL 45, 0.11%, 0.22%

LAB 24.9, -0.55, 6.05

RAL 6006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 2 / 0 / 7 / 8

HEX #E7EBDA

RGB 231 235 218

HSL 74.12, 0.3%, 0.89%

LAB 92.34, -4.29, 7.77

RAL 9002

CMYK 0 / 0 / 0 / 89

HEX #1C1C1C

RGB 28 28 28

HSL 0, 0%, 0.11%

LAB 10.27, 0, -0

RAL 9011

CMYK 9 / 4 / 0 / 69

HEX #474B4E

RGB 71 75 78

HSL 205.71, 0.05%, 0.29%

LAB 31.63, -0.93, -2.35

RAL 7031

CMYK 2 / 0 / 6 / 50

HEX #7D7F78

RGB 125 127 120

HSL 77.14, 0.03%, 0.48%

LAB 52.83, -2.12, 3.53

RAL 7037

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

CMYK 0 / 0 / 0 / 35

HEX #A5A5A5

RGB 165 165 165

HSL 0, 0%, 0.65%

LAB 67.74, 0, -0.01

RAL 9006

Description

Color code: RAL 7038 - Agate grey | qconv.com Color code: RAL 7038 - Agate grey | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 176 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 176 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 4 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 4% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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HKS® to RGB

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HKS® to RAL®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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HKS® to NCS®

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PANTONE® to RGB

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PANTONE® to CMYK

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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