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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone PPG - PPG1152-5 - Granite Falls it is the complementary color PPG - PPG1077-5 - Chocolate Moment. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color PPG - PPG1152-5 - Granite Falls. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the PPG - PPG1152-5 - Granite Falls shade: PPG - PPG1152-5 - Granite Falls, PPG - PPG10-11 - Seastone, PPG - PPG1155-5 - Dresden Dream, PPG - PPG1156-3 - Always Blue and PPG - PPG1238-3 - Flemish Blue
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color PPG - PPG1152-5 - Granite Falls. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the PPG - PPG1152-5 - Granite Falls shade: PPG - PPG1152-5 - Granite Falls, PPG - PPG1165-6 - Stained Glass, PPG - PPG1152-6 - Brigade, PPG - PPG1149-7 - Blue Bayberry and PPG - PPG1013-7 - Napoleon
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the PPG - PPG1152-5 - Granite Falls shade: PPG - PPG1152-5 - Granite Falls, PPG - PPG1167-6 - Blueberry Patch, PPG - PPG1170-6 - Wild Wisteria, PPG - PPG1170-6 - Wild Wisteria and PPG - PPG1175-6 - Purple Grapes
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the PPG - PPG1152-5 - Granite Falls shade: PPG - PPG1152-5 - Granite Falls, PPG - PPG1167-6 - Blueberry Patch, PPG - PPG1170-6 - Wild Wisteria and PPG - PPG1170-6 - Wild Wisteria
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The PPG - PPG1152-5 - Granite Falls shade matches the following richer shades: PPG - PPG1152-5 - Granite Falls, PPG - PPG1158-5 - Cosmopolitan, PPG - PPG1239-5 - Quiet Night, PPG - PPG1240-5 - Sorcerer and PPG - PPG1237-6 - Bellflower
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the PPG - PPG1152-5 - Granite Falls shade: PPG - PPG1152-5 - Granite Falls, PPG - PPG0997-6 - Industrial Revolution, PPG - PPG1021-5 - Thunderbird, PPG - PPG16-07 - Southern Wood and PPG - PPG1200-7 - Mincemeat
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the PPG - PPG1152-5 - Granite Falls shade: PPG - PPG1141-5 - Treasure Isle, PPG - PPG1152-5 - Granite Falls, PPG - PPG1152-5 - Granite Falls, PPG - PPG1167-6 - Blueberry Patch and PPG - PPG1170-6 - Wild Wisteria
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the PPG - PPG1152-5 - Granite Falls shade: PPG - PPG10-01 - Oceania, PPG - PPG10-10 - Hatteras Gray, PPG - PPG1152-5 - Granite Falls, PPG - PPG10-11 - Seastone and PPG - PPG1149-4 - Mountain Stream
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the PPG - PPG1152-5 - Granite Falls shade: PPG - PPG1152-5 - Granite Falls, PPG - PPG17-07 - Crowning Glory and PPG - PPG11-14 - Leafy Romaine
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the PPG - PPG1152-5 - Granite Falls shade: PPG - PPG1152-5 - Granite Falls, PPG - PPG1179-6 - Victorian Plum and PPG - PPG1115-6 - Paid In Full
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the PPG - PPG1152-5 - Granite Falls shade: PPG - PPG1152-5 - Granite Falls, PPG - PPG17-07 - Crowning Glory, PPG - PPG1084-6 - Cocoa Pecan and PPG - PPG1121-6 - Moss Point Green
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the PPG - PPG1152-5 - Granite Falls shade: PPG - PPG1152-5 - Granite Falls, PPG - PPG1176-6 - Mirabella, PPG - PPG1084-6 - Cocoa Pecan and PPG - PPG1131-6 - Succulent Leaves
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
Complementary color
HSL 28.75, 0.19%, 0.51%
LAB 55.31, 6.03, 16.07
Lighter colors
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 201.82, 0.15%, 0.58%
LAB 61.62, -4.72, -8.77
HSL 205.12, 0.23%, 0.64%
LAB 67.2, -4.6, -12.13
HSL 204.88, 0.28%, 0.72%
LAB 74.26, -4.51, -11.31
HSL 198.82, 0.45%, 0.78%
LAB 81.5, -8.08, -11.75
Darker colors
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 217.33, 0.21%, 0.42%
LAB 42.83, 0.87, -17.64
HSL 201.64, 0.36%, 0.33%
LAB 37.57, -7.06, -16.73
HSL 195.29, 0.36%, 0.28%
LAB 33.11, -9.48, -11.74
HSL 233.33, 0.07%, 0.27%
LAB 27.71, 1.48, -4.99
Warmer colors
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 224.73, 0.22%, 0.49%
LAB 47.6, 5.22, -23.92
HSL 235.81, 0.17%, 0.49%
LAB 46.4, 8.45, -22.2
HSL 235.81, 0.17%, 0.49%
LAB 46.4, 8.45, -22.2
HSL 254.29, 0.17%, 0.49%
LAB 46.78, 13.22, -21.53
Colder colors
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 224.73, 0.22%, 0.49%
LAB 47.6, 5.22, -23.92
HSL 235.81, 0.17%, 0.49%
LAB 46.4, 8.45, -22.2
HSL 235.81, 0.17%, 0.49%
LAB 46.4, 8.45, -22.2
Richer colors
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 201.57, 0.35%, 0.5%
LAB 55.28, -9.52, -22.64
HSL 201.43, 0.5%, 0.49%
LAB 56.39, -10.29, -30.69
HSL 200.9, 0.61%, 0.5%
LAB 59.54, -10.75, -35.95
HSL 195.64, 0.77%, 0.42%
LAB 56.87, -16.07, -31.13
Paler colors
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 90, 0.01%, 0.48%
LAB 51.87, -0.77, 0.95
HSL 28.13, 0.13%, 0.49%
LAB 52.76, 4, 10.6
HSL 19.41, 0.28%, 0.48%
LAB 50.99, 15.4, 19.5
HSL 22.62, 0.5%, 0.47%
LAB 52.49, 26.27, 38.28
Analogue colors
HSL 168.2, 0.24%, 0.5%
LAB 60.47, -22.64, 0.04
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 224.73, 0.22%, 0.49%
LAB 47.6, 5.22, -23.92
HSL 235.81, 0.17%, 0.49%
LAB 46.4, 8.45, -22.2
Monochromatic colors
HSL 198.86, 0.21%, 0.33%
LAB 36.76, -6.03, -9.23
HSL 204.71, 0.16%, 0.43%
LAB 46.14, -3.94, -10.17
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 201.82, 0.15%, 0.58%
LAB 61.62, -4.72, -8.77
HSL 194.55, 0.19%, 0.65%
LAB 69.87, -6.84, -6.98
Partial complementary colors
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 270, 0.16%, 0.51%
LAB 49.22, 16, -18.86
HSL 67.64, 0.22%, 0.5%
LAB 62.22, -11.6, 28.03
Triadic colors
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 330, 0.18%, 0.47%
LAB 46.77, 21.36, -5.15
HSL 62.93, 0.17%, 0.48%
LAB 57.9, -7.71, 21.66
Rectangular (tetradic) colors
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 270, 0.16%, 0.51%
LAB 49.22, 16, -18.86
HSL 31.58, 0.23%, 0.48%
LAB 53.43, 6.04, 20.34
HSL 80, 0.19%, 0.46%
LAB 56.42, -13.56, 22.27
Square colors
HSL 201.18, 0.2%, 0.49%
LAB 53.34, -7.02, -13.4
HSL 285, 0.18%, 0.49%
LAB 48.31, 21.52, -19.01
HSL 31.58, 0.23%, 0.48%
LAB 53.43, 6.04, 20.34
HSL 118.57, 0.17%, 0.47%
LAB 55.11, -22.91, 17.97
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 132 green and 150 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 12 magenta, none yellow and 41 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
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