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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8FBC it is the complementary color #C17043. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8FBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8FBC shade: #438FB7, #54A1CA, #65B3DD, #76C5F0 and #87D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8FBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8FBC shade: #3E8FBC, #2D7DA9, #1C6B96, #0B5983 and #004770

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8FBC shade: #3E8FBB, #3E6DBB, #3E4BBB, #533EBB and #753EBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8FBC shade: #3E8FBB, #3E6DBB, #3E4BBB and #3E3EBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8FBC shade matches the following richer shades: #3E8FBB, #2A95D0, #169AE4 and #02A0F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8FBC shade: #3E8FBB, #5389A7, #678393, #7B7D7F and #8F786B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8FBC shade: #3EBBA5, #3EB1BB, #3E90BB, #3E6EBB and #3E4DBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8FBC shade: #2A607E, #34779C, #3E8FBB, #5BA1C8 and #7AB3D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8FBC shade: #3E8FBC, #833EBB and #BBB53E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8FBC shade: #3E8FBC, #BB3E90 and #90BB3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8FBC shade: #3E8FBC, #833EBB, #BB6A3E and #77BB3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8FBC shade: #3E8FBC, #A93EBB, #BB6A3E and #51BB3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 24 / 0 / 26

HEX #3E8FBC

RGB 62 143 188

HSL 201.43, 0.5%, 0.49%

LAB 56.39, -10.29, -30.69

 

Complementary color

CMYK 0 / 42 / 65 / 24

HEX #C17043

RGB 193 112 67

HSL 21.43, 0.5%, 0.51%

LAB 55.41, 28.02, 38.34

 

CMYK 63 / 22 / 0 / 28

HEX #438FB7

RGB 67 143 183

HSL 200.69, 0.46%, 0.49%

LAB 56.34, -11.08, -27.9

 

CMYK 58 / 20 / 0 / 21

HEX #54A1CA

RGB 84 161 202

HSL 200.85, 0.53%, 0.56%

LAB 63.04, -11.77, -28.19

 

CMYK 54 / 19 / 0 / 13

HEX #65B3DD

RGB 101 179 221

HSL 201, 0.64%, 0.63%

LAB 69.63, -12.3, -28.48

 

CMYK 51 / 18 / 0 / 6

HEX #76C5F0

RGB 118 197 240

HSL 201.15, 0.8%, 0.7%

LAB 76.12, -12.72, -28.76

 

CMYK 47 / 16 / 0 / 0

HEX #87D7FF

RGB 135 215 255

HSL 200, 1%, 0.76%

LAB 82.36, -14.15, -27.13

 

CMYK 67 / 24 / 0 / 26

HEX #3E8FBC

RGB 62 143 188

HSL 201.43, 0.5%, 0.49%

LAB 56.39, -10.29, -30.69

 

CMYK 73 / 26 / 0 / 34

HEX #2D7DA9

RGB 45 125 169

HSL 201.29, 0.58%, 0.42%

LAB 49.6, -9.16, -30.37

 

CMYK 81 / 29 / 0 / 41

HEX #1C6B96

RGB 28 107 150

HSL 201.15, 0.69%, 0.35%

LAB 42.71, -7.62, -30.01

 

CMYK 92 / 32 / 0 / 49

HEX #0B5983

RGB 11 89 131

HSL 201, 0.85%, 0.28%

LAB 35.7, -5.51, -29.57

 

CMYK 100 / 37 / 0 / 56

HEX #004770

RGB 0 71 112

HSL 201.96, 1%, 0.22%

LAB 28.58, -2.62, -29.01

 

CMYK 67 / 24 / 0 / 27

HEX #3E8FBB

RGB 62 143 187

HSL 201.12, 0.5%, 0.49%

LAB 56.34, -10.62, -30.18

 

CMYK 67 / 42 / 0 / 27

HEX #3E6DBB

RGB 62 109 187

HSL 217.44, 0.5%, 0.49%

LAB 46.38, 9.63, -45.87

 

CMYK 67 / 60 / 0 / 27

HEX #3E4BBB

RGB 62 75 187

HSL 233.76, 0.5%, 0.49%

LAB 37.2, 31.4, -60.67

 

CMYK 56 / 67 / 0 / 27

HEX #533EBB

RGB 83 62 187

HSL 250.08, 0.5%, 0.49%

LAB 35.74, 42.68, -62.99

 

CMYK 37 / 67 / 0 / 27

HEX #753EBB

RGB 117 62 187

HSL 266.4, 0.5%, 0.49%

LAB 39.27, 49.06, -57.09

 

CMYK 67 / 24 / 0 / 27

HEX #3E8FBB

RGB 62 143 187

HSL 201.12, 0.5%, 0.49%

LAB 56.34, -10.62, -30.18

 

CMYK 67 / 42 / 0 / 27

HEX #3E6DBB

RGB 62 109 187

HSL 217.44, 0.5%, 0.49%

LAB 46.38, 9.63, -45.87

 

CMYK 67 / 60 / 0 / 27

HEX #3E4BBB

RGB 62 75 187

HSL 233.76, 0.5%, 0.49%

LAB 37.2, 31.4, -60.67

 

CMYK 67 / 67 / 0 / 27

HEX #3E3EBB

RGB 62 62 187

HSL 240, 0.5%, 0.49%

LAB 34.1, 39.52, -65.73

 

CMYK 67 / 24 / 0 / 27

HEX #3E8FBB

RGB 62 143 187

HSL 201.12, 0.5%, 0.49%

LAB 56.34, -10.62, -30.18

 

CMYK 80 / 28 / 0 / 18

HEX #2A95D0

RGB 42 149 208

HSL 201.33, 0.66%, 0.49%

LAB 58.55, -9.35, -38.64

 

CMYK 90 / 32 / 0 / 11

HEX #169AE4

RGB 22 154 228

HSL 201.55, 0.82%, 0.49%

LAB 60.68, -6.39, -46.45

 

CMYK 99 / 35 / 0 / 3

HEX #02A0F8

RGB 2 160 248

HSL 201.46, 0.98%, 0.49%

LAB 63.29, -3.07, -53.34

 

CMYK 67 / 24 / 0 / 27

HEX #3E8FBB

RGB 62 143 187

HSL 201.12, 0.5%, 0.49%

LAB 56.34, -10.62, -30.18

 

CMYK 50 / 18 / 0 / 35

HEX #5389A7

RGB 83 137 167

HSL 201.43, 0.34%, 0.49%

LAB 54.57, -9.37, -21.41

 

CMYK 30 / 11 / 0 / 42

HEX #678393

RGB 103 131 147

HSL 201.82, 0.18%, 0.49%

LAB 53.19, -6.01, -11.85

 

CMYK 3 / 2 / 0 / 50

HEX #7B7D7F

RGB 123 125 127

HSL 210, 0.02%, 0.49%

LAB 52.3, -0.34, -1.35

 

CMYK 0 / 16 / 25 / 44

HEX #8F786B

RGB 143 120 107

HSL 21.67, 0.14%, 0.49%

LAB 52.21, 6.79, 10.46

 

CMYK 67 / 0 / 12 / 27

HEX #3EBBA5

RGB 62 187 165

HSL 169.44, 0.5%, 0.49%

LAB 68.95, -39.34, 1.14

 

CMYK 67 / 5 / 0 / 27

HEX #3EB1BB

RGB 62 177 187

HSL 184.8, 0.5%, 0.49%

LAB 66.56, -28.5, -14.55

 

CMYK 67 / 23 / 0 / 27

HEX #3E90BB

RGB 62 144 187

HSL 200.64, 0.5%, 0.49%

LAB 56.64, -11.18, -29.72

 

CMYK 67 / 41 / 0 / 27

HEX #3E6EBB

RGB 62 110 187

HSL 216.96, 0.5%, 0.49%

LAB 46.66, 9.01, -45.42

 

CMYK 67 / 59 / 0 / 27

HEX #3E4DBB

RGB 62 77 187

HSL 232.8, 0.5%, 0.49%

LAB 37.7, 30.13, -59.85

 

CMYK 67 / 24 / 0 / 51

HEX #2A607E

RGB 42 96 126

HSL 201.43, 0.5%, 0.33%

LAB 38.49, -7.78, -22.1

 

CMYK 67 / 24 / 0 / 39

HEX #34779C

RGB 52 119 156

HSL 201.35, 0.5%, 0.41%

LAB 47.4, -9.12, -26.2

 

CMYK 67 / 24 / 0 / 27

HEX #3E8FBB

RGB 62 143 187

HSL 201.12, 0.5%, 0.49%

LAB 56.34, -10.62, -30.18

 

CMYK 55 / 20 / 0 / 22

HEX #5BA1C8

RGB 91 161 200

HSL 201.47, 0.5%, 0.57%

LAB 63.25, -10.94, -26.74

 

CMYK 42 / 15 / 0 / 17

HEX #7AB3D3

RGB 122 179 211

HSL 201.57, 0.5%, 0.65%

LAB 70.23, -10.25, -22

 

CMYK 67 / 24 / 0 / 26

HEX #3E8FBC

RGB 62 143 188

HSL 201.43, 0.5%, 0.49%

LAB 56.39, -10.29, -30.69

 

CMYK 30 / 67 / 0 / 27

HEX #833EBB

RGB 131 62 187

HSL 273.12, 0.5%, 0.49%

LAB 40.99, 52.01, -54.22

 

CMYK 0 / 3 / 67 / 27

HEX #BBB53E

RGB 187 181 62

HSL 57.12, 0.5%, 0.49%

LAB 72.2, -12.2, 58.8

 

CMYK 67 / 24 / 0 / 26

HEX #3E8FBC

RGB 62 143 188

HSL 201.43, 0.5%, 0.49%

LAB 56.39, -10.29, -30.69

 

CMYK 0 / 67 / 23 / 27

HEX #BB3E90

RGB 187 62 144

HSL 320.64, 0.5%, 0.49%

LAB 47.01, 58.12, -18.62

 

CMYK 23 / 0 / 67 / 27

HEX #90BB3E

RGB 144 187 62

HSL 80.64, 0.5%, 0.49%

LAB 70.75, -32.93, 56.3

 

CMYK 67 / 24 / 0 / 26

HEX #3E8FBC

RGB 62 143 188

HSL 201.43, 0.5%, 0.49%

LAB 56.39, -10.29, -30.69

 

CMYK 30 / 67 / 0 / 27

HEX #833EBB

RGB 131 62 187

HSL 273.12, 0.5%, 0.49%

LAB 40.99, 52.01, -54.22

 

CMYK 0 / 43 / 67 / 27

HEX #BB6A3E

RGB 187 106 62

HSL 21.12, 0.5%, 0.49%

LAB 53.19, 28.48, 38.21

 

CMYK 36 / 0 / 67 / 27

HEX #77BB3E

RGB 119 187 62

HSL 92.64, 0.5%, 0.49%

LAB 69.33, -42.22, 54.38

 

CMYK 67 / 24 / 0 / 26

HEX #3E8FBC

RGB 62 143 188

HSL 201.43, 0.5%, 0.49%

LAB 56.39, -10.29, -30.69

 

CMYK 10 / 67 / 0 / 27

HEX #A93EBB

RGB 169 62 187

HSL 291.36, 0.5%, 0.49%

LAB 46.27, 60.5, -45.46

 

CMYK 0 / 43 / 67 / 27

HEX #BB6A3E

RGB 187 106 62

HSL 21.12, 0.5%, 0.49%

LAB 53.19, 28.48, 38.21

 

CMYK 57 / 0 / 67 / 27

HEX #51BB3E

RGB 81 187 62

HSL 110.88, 0.5%, 0.49%

LAB 67.75, -53.85, 52.22

 

Description

Color code: HEX #3E8FBC | qconv.com Color code: HEX #3E8FBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 143 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 143 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 24 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 24% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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