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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone Pantone 5483 C it is the complementary color Pantone 5005 C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color Pantone 5483 C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the Pantone 5483 C shade: Pantone 5483 C, Pantone 7696 C, Pantone 7695 C, Pantone 551 C and Pantone 317 C
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color Pantone 5483 C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the Pantone 5483 C shade: Pantone 5483 C, Pantone 7699 C, Pantone 7477 C, Pantone 309 C and Pantone 546 C
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the Pantone 5483 C shade: Pantone 5483 C, Pantone 5405 C, Pantone 5405 C, Pantone 7673 C and Pantone 7670 C
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the Pantone 5483 C shade: Pantone 5483 C, Pantone 5405 C, Pantone 5405 C, Pantone 7673 C and Pantone 7671 C
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The Pantone 5483 C shade matches the following richer shades: Pantone 5483 C, Pantone 7697 C, Pantone 7689 C, Pantone 3125 C and Pantone 3115 C
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the Pantone 5483 C shade: Pantone 5483 C, Pantone 5487 C, Pantone 404 C, Pantone 7615 C and Pantone 7524 C
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the Pantone 5483 C shade: Pantone 625 C, Pantone 5483 C, Pantone 5483 C, Pantone 5405 C and Pantone 5405 C
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the Pantone 5483 C shade: Pantone 7477 C, Pantone 5545 C, Pantone 5483 C, Pantone 7696 C and Pantone 7695 C
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the Pantone 5483 C shade: Pantone 5483 C, Pantone 7678 C and Pantone 874 C
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the Pantone 5483 C shade: Pantone 5483 C, Pantone 258 C and Pantone 5767 C
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the Pantone 5483 C shade: Pantone 5483 C, Pantone 7678 C, Pantone 876 C and Pantone 576 C
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the Pantone 5483 C shade: Pantone 5483 C, Pantone 7677 C, Pantone 876 C and Pantone 7490 C
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
Complementary color
HSL 351.92, 0.25%, 0.59%
LAB 57.35, 21.24, 4.3
Lighter colors
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 196.8, 0.32%, 0.54%
LAB 60.33, -12.2, -16.56
HSL 199.38, 0.33%, 0.61%
LAB 66.12, -9.55, -15.53
HSL 194.04, 0.34%, 0.73%
LAB 78.04, -9.52, -9.45
HSL 178.82, 0.49%, 0.79%
LAB 87.18, -16.46, -4.88
Darker colors
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 200.8, 0.42%, 0.35%
LAB 40.52, -8.38, -19.53
HSL 195.56, 0.43%, 0.25%
LAB 30.11, -9.47, -12.54
HSL 191.51, 1%, 0.14%
LAB 22.33, -11.43, -13.47
HSL 188.57, 0.75%, 0.11%
LAB 15.46, -10.02, -7.55
Warmer colors
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 202, 0.28%, 0.43%
LAB 47.3, -7.25, -16.22
HSL 202, 0.28%, 0.43%
LAB 47.3, -7.25, -16.22
HSL 238.82, 0.24%, 0.43%
LAB 37.66, 12.65, -28.09
HSL 243.64, 0.29%, 0.45%
LAB 38.11, 18.98, -35.87
Colder colors
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 202, 0.28%, 0.43%
LAB 47.3, -7.25, -16.22
HSL 202, 0.28%, 0.43%
LAB 47.3, -7.25, -16.22
HSL 238.82, 0.24%, 0.43%
LAB 37.66, 12.65, -28.09
HSL 249.85, 0.32%, 0.41%
LAB 33.85, 21.95, -35.97
Richer colors
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 198.29, 0.34%, 0.47%
LAB 53.48, -11.54, -19.08
HSL 200, 0.65%, 0.46%
LAB 56.1, -11.04, -34.58
HSL 187.54, 1%, 0.39%
LAB 65.28, -28.08, -23.23
HSL 185.63, 1%, 0.42%
LAB 71.52, -32.76, -21.39
Paler colors
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 171.43, 0.13%, 0.42%
LAB 48.62, -10.98, -1.13
HSL 31.58, 0.09%, 0.43%
LAB 46.97, 1.67, 6.84
HSL 9.73, 0.16%, 0.45%
LAB 46.49, 11.48, 8.16
HSL 6.52, 0.39%, 0.46%
LAB 44.79, 32.84, 21.46
Analogue colors
HSL 160.85, 0.23%, 0.41%
LAB 49.56, -19.66, 3.1
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 202, 0.28%, 0.43%
LAB 47.3, -7.25, -16.22
HSL 202, 0.28%, 0.43%
LAB 47.3, -7.25, -16.22
Monochromatic colors
HSL 195.56, 0.43%, 0.25%
LAB 30.11, -9.47, -12.54
HSL 157.89, 0.22%, 0.34%
LAB 41.3, -16.95, 3.61
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 196.8, 0.32%, 0.54%
LAB 60.33, -12.2, -16.56
HSL 199.38, 0.33%, 0.61%
LAB 66.12, -9.55, -15.53
Partial complementary colors
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 268.29, 0.33%, 0.42%
LAB 36.69, 28.97, -33.76
HSL 32.46, 0.28%, 0.43%
LAB 48.77, 6.38, 22.55
Triadic colors
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 290.49, 0.37%, 0.44%
LAB 41.82, 42.21, -32.64
HSL 62.69, 0.31%, 0.42%
LAB 57.02, -11.33, 35.15
Rectangular (tetradic) colors
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 268.29, 0.33%, 0.42%
LAB 36.69, 28.97, -33.76
HSL 22.5, 0.3%, 0.42%
LAB 45.53, 13.05, 20.02
HSL 86.75, 0.36%, 0.45%
LAB 60.43, -26.98, 38.94
Square colors
HSL 187.62, 0.29%, 0.43%
LAB 52.58, -15.94, -10
HSL 268.62, 0.29%, 0.44%
LAB 39.85, 26.64, -31.16
HSL 22.5, 0.3%, 0.42%
LAB 45.53, 13.05, 20.02
HSL 90, 0.35%, 0.44%
LAB 58.76, -27.85, 37.34
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 134 green and 142 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 6 magenta, none yellow and 44 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Brands
This color is used by at least one manufactures. Here you can see which:
68% - Real-Time Digital Ad...
Link: http://www.criteo.com
77% - Sklep Presto
Link: http://www.criteo.com
60% - Criteo Q1 2017 Perfo...
Link: http://www.criteo.com
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
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NCS® to CMYK
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