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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 80 145 it is the complementary color RGB 144 175 110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 80 145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 111 80 145: RGB 116 80 140, RGB 133 98 159, RGB 150 116 178, RGB 167 134 197 and RGB 184 152 216

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 80 145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 111 80 145: RGB 111 80 145, RGB 94 62 126, RGB 77 44 107, RGB 60 26 88 and RGB 43 8 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 45 / 0 / 43

HEX #6F5091

RGB 111 80 145

HSL 268.62, 0.29%, 0.44%

LAB 39.85, 26.64, -31.16

 

Complementary color

CMYK 18 / 0 / 37 / 31

HEX #90AF6E

RGB 144 175 110

HSL 88.62, 0.29%, 0.56%

LAB 67.81, -22.16, 29.93

 

CMYK 17 / 43 / 0 / 45

HEX #74508C

RGB 116 80 140

HSL 276, 0.27%, 0.43%

LAB 40.15, 26.98, -27.61

 

CMYK 16 / 38 / 0 / 38

HEX #85629F

RGB 133 98 159

HSL 274.43, 0.24%, 0.5%

LAB 47.27, 26.16, -27.74

 

CMYK 16 / 35 / 0 / 30

HEX #9674B2

RGB 150 116 178

HSL 272.9, 0.29%, 0.58%

LAB 54.23, 25.41, -27.88

 

CMYK 15 / 32 / 0 / 23

HEX #A786C5

RGB 167 134 197

HSL 271.43, 0.35%, 0.65%

LAB 61.04, 24.72, -28.03

 

CMYK 15 / 30 / 0 / 15

HEX #B898D8

RGB 184 152 216

HSL 270, 0.45%, 0.72%

LAB 67.73, 24.1, -28.2

 

CMYK 23 / 45 / 0 / 43

HEX #6F5091

RGB 111 80 145

HSL 268.62, 0.29%, 0.44%

LAB 39.85, 26.64, -31.16

Pantone® 7677 C

CMYK 25 / 51 / 0 / 51

HEX #5E3E7E

RGB 94 62 126

HSL 270, 0.34%, 0.37%

LAB 32.55, 27.6, -31.15

 

CMYK 28 / 59 / 0 / 58

HEX #4D2C6B

RGB 77 44 107

HSL 271.43, 0.42%, 0.3%

LAB 25.08, 28.61, -31.12

 

CMYK 32 / 70 / 0 / 65

HEX #3C1A58

RGB 60 26 88

HSL 272.9, 0.54%, 0.22%

LAB 17.48, 29.53, -30.94

 

CMYK 38 / 88 / 0 / 73

HEX #2B0845

RGB 43 8 69

HSL 274.43, 0.79%, 0.15%

LAB 9.93, 29.8, -30.25

 

CMYK 23 / 45 / 0 / 43

HEX #6F5091

RGB 111 80 145

HSL 268.62, 0.29%, 0.44%

LAB 39.85, 26.64, -31.16

Pantone® 7677 C

CMYK 17 / 45 / 0 / 44

HEX #784F90

RGB 120 79 144

HSL 277.85, 0.29%, 0.44%

LAB 40.57, 29.77, -29.35

 

CMYK 9 / 45 / 0 / 44

HEX #834F90

RGB 131 79 144

HSL 288, 0.29%, 0.44%

LAB 41.89, 33.22, -27.18

 

CMYK 1 / 45 / 0 / 44

HEX #8E4F90

RGB 142 79 144

HSL 298.15, 0.29%, 0.44%

LAB 43.3, 36.69, -24.89

 

CMYK 0 / 45 / 6 / 44

HEX #904F88

RGB 144 79 136

HSL 307.38, 0.29%, 0.44%

LAB 43.21, 35.81, -20.17

 

CMYK 23 / 45 / 0 / 43

HEX #6F5091

RGB 111 80 145

HSL 268.62, 0.29%, 0.44%

LAB 39.85, 26.64, -31.16

Pantone® 7677 C

CMYK 23 / 45 / 0 / 23

HEX #966CC4

RGB 150 108 196

HSL 268.64, 0.43%, 0.6%

LAB 53.16, 34.2, -39.89

 

CMYK 23 / 45 / 0 / 3

HEX #BD88F7

RGB 189 136 247

HSL 268.65, 0.87%, 0.75%

LAB 65.86, 41.36, -48.16

 

CMYK 23 / 44 / 0 / 83

HEX #21182B

RGB 33 24 43

HSL 268.42, 0.28%, 0.13%

LAB 10.19, 9.38, -11.19

 

CMYK 23 / 45 / 0 / 63

HEX #48345E

RGB 72 52 94

HSL 268.57, 0.29%, 0.29%

LAB 25.69, 18.51, -21.76

 

CMYK 23 / 45 / 0 / 43

HEX #6F5091

RGB 111 80 145

HSL 268.62, 0.29%, 0.44%

LAB 39.85, 26.64, -31.16

Pantone® 7677 C

CMYK 0 / 45 / 30 / 44

HEX #904F65

RGB 144 79 101

HSL 339.69, 0.29%, 0.44%

LAB 41.94, 30.01, -0.66

 

CMYK 45 / 0 / 42 / 44

HEX #4F9054

RGB 79 144 84

HSL 124.62, 0.29%, 0.44%

LAB 54.29, -33.99, 25.56

 

CMYK 23 / 45 / 0 / 43

HEX #6F5091

RGB 111 80 145

HSL 268.62, 0.29%, 0.44%

LAB 39.85, 26.64, -31.16

Pantone® 7677 C

CMYK 0 / 24 / 45 / 44

HEX #906E4F

RGB 144 110 79

HSL 28.62, 0.29%, 0.44%

LAB 49.06, 9.26, 22.46

 

CMYK 45 / 0 / 24 / 44

HEX #4F906E

RGB 79 144 110

HSL 148.62, 0.29%, 0.44%

LAB 54.8, -29.02, 11.7

 

CMYK 23 / 45 / 0 / 43

HEX #6F5091

RGB 111 80 145

HSL 268.62, 0.29%, 0.44%

LAB 39.85, 26.64, -31.16

Pantone® 7677 C

CMYK 0 / 45 / 30 / 44

HEX #904F65

RGB 144 79 101

HSL 339.69, 0.29%, 0.44%

LAB 41.94, 30.01, -0.66

 

CMYK 21 / 0 / 45 / 44

HEX #72904F

RGB 114 144 79

HSL 87.69, 0.29%, 0.44%

LAB 56.18, -22.26, 31.07

 

CMYK 45 / 0 / 15 / 44

HEX #4F907B

RGB 79 144 123

HSL 160.62, 0.29%, 0.44%

LAB 55.11, -26.07, 4.71

 

CMYK 23 / 45 / 0 / 43

HEX #6F5091

RGB 111 80 145

HSL 268.62, 0.29%, 0.44%

LAB 39.85, 26.64, -31.16

Pantone® 7677 C

CMYK 0 / 45 / 44 / 44

HEX #904F51

RGB 144 79 81

HSL 358.15, 0.29%, 0.44%

LAB 41.4, 27.41, 10.91

 

CMYK 21 / 0 / 45 / 44

HEX #72904F

RGB 114 144 79

HSL 87.69, 0.29%, 0.44%

LAB 56.18, -22.26, 31.07

 

CMYK 45 / 0 / 1 / 44

HEX #4F908E

RGB 79 144 142

HSL 178.15, 0.29%, 0.44%

LAB 55.65, -21.26, -5.43

 

Description

Color code: RGB 111 80 145 | qconv.com Color code: RGB 111 80 145 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 80 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 80 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 45 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 45% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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