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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Pantone 290 C it is the complementary color Pantone 4625 C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Pantone 290 C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the Pantone 290 C shade: Pantone 544 C, Pantone 656 C and Pantone 656 C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Pantone 290 C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the Pantone 290 C shade: Pantone 290 C, Pantone 551 C, Pantone 535 C, Pantone 5425 C and Pantone 5415 C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the Pantone 290 C shade: Pantone 290 C, Pantone 2708 C, Pantone 2708 C, Pantone 2635 C and Pantone 530 C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the Pantone 290 C shade: Pantone 290 C, Pantone 2708 C, Pantone 2708 C and Pantone 270 C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The Pantone 290 C shade matches the following richer shades: Pantone 290 C, Pantone 290 C and Pantone 635 C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the Pantone 290 C shade: Pantone 290 C, Pantone 544 C, Pantone 538 C, Pantone 427 C and Pantone Cool Gray 2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the Pantone 290 C shade: Pantone 317 C, Pantone 317 C, Pantone 290 C, Pantone 2708 C and Pantone 2708 C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the Pantone 290 C shade: Pantone 542 C, Pantone 543 C, Pantone 290 C, Pantone 656 C and Pantone 7436 C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the Pantone 290 C shade: Pantone 290 C, Pantone 530 C and Pantone 7499 C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the Pantone 290 C shade: Pantone 290 C, Pantone 671 C and Pantone 7485 C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the Pantone 290 C shade: Pantone 290 C, Pantone 530 C, Pantone 489 C and Pantone 7485 C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the Pantone 290 C shade: Pantone 290 C, Pantone 250 C, Pantone 489 C and Pantone 7485 C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

Complementary color

CMYK 0 / 44 / 63 / 69

HEX #4F2C1D

RGB 79 44 29

HSL 18, 0.46%, 0.21%

LAB 22.13, 14.44, 16.57

Pantone 4625 C

CMYK 18 / 7 / 0 / 10

HEX #BDD6E6

RGB 189 214 230

HSL 203.41, 0.45%, 0.82%

LAB 84.29, -5, -10.67

Pantone 544 C

CMYK 7 / 3 / 0 / 7

HEX #DDE5ED

RGB 221 229 237

HSL 210, 0.31%, 0.9%

LAB 90.56, -1.17, -4.82

Pantone 656 C

CMYK 7 / 3 / 0 / 7

HEX #DDE5ED

RGB 221 229 237

HSL 210, 0.31%, 0.9%

LAB 90.56, -1.17, -4.82

Pantone 656 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 22 / 5 / 0 / 18

HEX #A3C7D2

RGB 163 199 210

HSL 194.04, 0.34%, 0.73%

LAB 78.04, -9.52, -9.45

Pantone 551 C

CMYK 24 / 15 / 0 / 26

HEX #8E9FBC

RGB 142 159 188

HSL 217.83, 0.26%, 0.65%

LAB 65.1, 0.52, -16.95

Pantone 535 C

CMYK 29 / 11 / 0 / 33

HEX #7A99AC

RGB 122 153 172

HSL 202.8, 0.23%, 0.58%

LAB 61.57, -6.21, -13.44

Pantone 5425 C

CMYK 39 / 15 / 0 / 42

HEX #5B7F95

RGB 91 127 149

HSL 202.76, 0.24%, 0.47%

LAB 51.35, -6.79, -15.87

Pantone 5415 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone 2708 C

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone 2708 C

CMYK 13 / 21 / 0 / 11

HEX #C5B4E3

RGB 197 180 227

HSL 261.7, 0.46%, 0.8%

LAB 76.11, 15.09, -21.31

Pantone 2635 C

CMYK 6 / 19 / 0 / 11

HEX #D7B9E4

RGB 215 185 228

HSL 281.86, 0.44%, 0.81%

LAB 78.89, 18.4, -17.49

Pantone 530 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone 2708 C

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone 2708 C

CMYK 19 / 19 / 0 / 13

HEX #B4B5DF

RGB 180 181 223

HSL 238.6, 0.4%, 0.79%

LAB 74.87, 8.3, -21.14

Pantone 270 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 29 / 6 / 0 / 9

HEX #A4DBE8

RGB 164 219 232

HSL 191.47, 0.6%, 0.78%

LAB 84.16, -14.56, -12.08

Pantone 635 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 18 / 7 / 0 / 10

HEX #BDD6E6

RGB 189 214 230

HSL 203.41, 0.45%, 0.82%

LAB 84.29, -5, -10.67

Pantone 544 C

CMYK 10 / 5 / 0 / 15

HEX #C5CFDA

RGB 197 207 218

HSL 211.43, 0.22%, 0.81%

LAB 82.68, -1.25, -6.62

Pantone 538 C

CMYK 2 / 0 / 0 / 17

HEX #D0D3D4

RGB 208 211 212

HSL 195, 0.04%, 0.82%

LAB 84.36, -0.83, -0.86

Pantone 427 C

CMYK 22 / 0 / 0 / 11

HEX #B1E4E3

RGB 177 228 227

HSL 178.82, 0.49%, 0.79%

LAB 87.18, -16.46, -4.88

Pantone 317 C

CMYK 22 / 0 / 0 / 11

HEX #B1E4E3

RGB 177 228 227

HSL 178.82, 0.49%, 0.79%

LAB 87.18, -16.46, -4.88

Pantone 317 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone 2708 C

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone 2708 C

CMYK 42 / 17 / 0 / 17

HEX #7BAFD4

RGB 123 175 212

HSL 204.94, 0.51%, 0.66%

LAB 69.2, -7.56, -24.11

Pantone 542 C

CMYK 27 / 11 / 0 / 12

HEX #A4C8E1

RGB 164 200 225

HSL 204.59, 0.5%, 0.76%

LAB 78.83, -6.33, -16.34

Pantone 543 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 7 / 3 / 0 / 7

HEX #DDE5ED

RGB 221 229 237

HSL 210, 0.31%, 0.9%

LAB 90.56, -1.17, -4.82

Pantone 656 C

CMYK 0 / 8 / 2 / 7

HEX #EEDAEA

RGB 238 218 234

HSL 312, 0.37%, 0.89%

LAB 89.05, 9.63, -5.33

Pantone 7436 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 6 / 19 / 0 / 11

HEX #D7B9E4

RGB 215 185 228

HSL 281.86, 0.44%, 0.81%

LAB 78.89, 18.4, -17.49

Pantone 530 C

CMYK 0 / 5 / 26 / 5

HEX #F1E6B2

RGB 241 230 178

HSL 49.52, 0.69%, 0.82%

LAB 91.01, -4.18, 26.74

Pantone 7499 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 0 / 18 / 6 / 10

HEX #E6BCD8

RGB 230 188 216

HSL 320, 0.46%, 0.82%

LAB 80.6, 19.61, -8.33

Pantone 671 C

CMYK 6 / 0 / 16 / 13

HEX #D0DEBB

RGB 208 222 187

HSL 84, 0.35%, 0.8%

LAB 86.62, -10.81, 15.6

Pantone 7485 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 6 / 19 / 0 / 11

HEX #D7B9E4

RGB 215 185 228

HSL 281.86, 0.44%, 0.81%

LAB 78.89, 18.4, -17.49

Pantone 530 C

CMYK 0 / 17 / 25 / 7

HEX #ECC3B2

RGB 236 195 178

HSL 17.59, 0.6%, 0.81%

LAB 81.88, 12.07, 14.01

Pantone 489 C

CMYK 6 / 0 / 16 / 13

HEX #D0DEBB

RGB 208 222 187

HSL 84, 0.35%, 0.8%

LAB 86.62, -10.81, 15.6

Pantone 7485 C

CMYK 21 / 8 / 0 / 8

HEX #B9D9EB

RGB 185 217 235

HSL 201.6, 0.56%, 0.82%

LAB 84.96, -6.71, -12.34

Pantone 290 C

CMYK 0 / 19 / 1 / 9

HEX #E7BAE4

RGB 231 186 228

HSL 304, 0.48%, 0.82%

LAB 80.58, 23.15, -14.81

Pantone 250 C

CMYK 0 / 17 / 25 / 7

HEX #ECC3B2

RGB 236 195 178

HSL 17.59, 0.6%, 0.81%

LAB 81.88, 12.07, 14.01

Pantone 489 C

CMYK 6 / 0 / 16 / 13

HEX #D0DEBB

RGB 208 222 187

HSL 84, 0.35%, 0.8%

LAB 86.62, -10.81, 15.6

Pantone 7485 C

Description

Color code: Pantone 290 C | qconv.com Color code: Pantone 290 C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 217 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 217 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 8 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 8% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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