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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B8CCEA it is the complementary color #473315. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B8CCEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B8CCEA: #BDCCE5, #CEDEF8, #DFF0FF, #F0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B8CCEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B8CCEA: #B8CCEA, #A7BAD7, #96A8C4, #8596B1 and #74849E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Complementary color

CMYK 0 / 28 / 70 / 72

HEX #473315

RGB 71 51 21

HSL 36, 0.54%, 0.18%

LAB 22.87, 5.19, 22.15

 

CMYK 17 / 11 / 0 / 10

HEX #BDCCE5

RGB 189 204 229

HSL 217.5, 0.43%, 0.82%

LAB 81.65, 0.04, -14.08

 

CMYK 17 / 10 / 0 / 3

HEX #CEDEF8

RGB 206 222 248

HSL 217.14, 0.75%, 0.89%

LAB 88.04, -0.11, -14.46

 

CMYK 13 / 6 / 0 / 0

HEX #DFF0FF

RGB 223 240 255

HSL 208.13, 1%, 0.94%

LAB 93.98, -2.68, -9.13

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone® 2708 C

CMYK 22 / 13 / 0 / 16

HEX #A7BAD7

RGB 167 186 215

HSL 216.25, 0.38%, 0.75%

LAB 74.98, -0.25, -16.73

 

CMYK 23 / 14 / 0 / 23

HEX #96A8C4

RGB 150 168 196

HSL 216.52, 0.28%, 0.68%

LAB 68.37, -0.08, -16.41

 

CMYK 25 / 15 / 0 / 31

HEX #8596B1

RGB 133 150 177

HSL 216.82, 0.22%, 0.61%

LAB 61.63, 0.1, -16.09

 

CMYK 27 / 16 / 0 / 38

HEX #74849E

RGB 116 132 158

HSL 217.14, 0.18%, 0.54%

LAB 54.75, 0.3, -15.79

 

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone® 2708 C

CMYK 21 / 16 / 0 / 9

HEX #B8C3E9

RGB 184 195 233

HSL 226.53, 0.53%, 0.82%

LAB 79.1, 4.17, -20.1

 

CMYK 21 / 20 / 0 / 9

HEX #B8BBE9

RGB 184 187 233

HSL 236.33, 0.53%, 0.82%

LAB 77.05, 8.51, -23.22

 

CMYK 19 / 21 / 0 / 9

HEX #BDB8E9

RGB 189 184 233

HSL 246.12, 0.53%, 0.82%

LAB 76.67, 11.68, -23.76

 

CMYK 15 / 21 / 0 / 9

HEX #C5B8E9

RGB 197 184 233

HSL 255.92, 0.53%, 0.82%

LAB 77.3, 14.18, -22.74

 

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone® 2708 C

CMYK 20 / 13 / 0 / 88

HEX #181A1E

RGB 24 26 30

HSL 220, 0.11%, 0.11%

LAB 9.21, 0.17, -3.1

 

CMYK 21 / 12 / 0 / 68

HEX #404751

RGB 64 71 81

HSL 215.29, 0.12%, 0.28%

LAB 29.89, -0.35, -6.93

 

CMYK 21 / 13 / 0 / 48

HEX #687384

RGB 104 115 132

HSL 216.43, 0.12%, 0.46%

LAB 48.1, -0.17, -10.71

 

CMYK 21 / 13 / 0 / 28

HEX #90A0B7

RGB 144 160 183

HSL 215.38, 0.21%, 0.64%

LAB 65.35, -0.58, -13.77

 

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone® 2708 C

CMYK 4 / 21 / 0 / 9

HEX #DFB8E9

RGB 223 184 233

HSL 287.76, 0.53%, 0.82%

LAB 79.53, 22.52, -19.15

 

CMYK 4 / 0 / 21 / 9

HEX #DFE9B8

RGB 223 233 184

HSL 72.24, 0.53%, 0.82%

LAB 90.52, -11.45, 22.75

 

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone® 2708 C

CMYK 0 / 21 / 12 / 9

HEX #E9B8CC

RGB 233 184 204

HSL 335.51, 0.53%, 0.82%

LAB 79.59, 20.76, -3.31

 

CMYK 12 / 0 / 21 / 9

HEX #CCE9B8

RGB 204 233 184

HSL 95.51, 0.53%, 0.82%

LAB 89.19, -18.18, 20.71

 

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone® 2708 C

CMYK 4 / 21 / 0 / 9

HEX #DFB8E9

RGB 223 184 233

HSL 287.76, 0.53%, 0.82%

LAB 79.53, 22.52, -19.15

 

CMYK 0 / 8 / 21 / 9

HEX #E9D6B8

RGB 233 214 184

HSL 36.73, 0.53%, 0.82%

LAB 86.44, 1.87, 17.2

 

CMYK 17 / 0 / 21 / 9

HEX #C2E9B8

RGB 194 233 184

HSL 107.76, 0.53%, 0.82%

LAB 88.55, -21.62, 19.71

 

CMYK 21 / 13 / 0 / 8

HEX #B8CCEA

RGB 184 204 234

HSL 216, 0.54%, 0.82%

LAB 81.47, -0.42, -17.07

Pantone® 2708 C

CMYK 0 / 21 / 2 / 9

HEX #E9B8E4

RGB 233 184 228

HSL 306.12, 0.53%, 0.82%

LAB 80.3, 24.88, -15.21

 

CMYK 0 / 8 / 21 / 9

HEX #E9D6B8

RGB 233 214 184

HSL 36.73, 0.53%, 0.82%

LAB 86.44, 1.87, 17.2

 

CMYK 21 / 0 / 19 / 9

HEX #B8E9BD

RGB 184 233 189

HSL 126.12, 0.53%, 0.82%

LAB 88.04, -24.11, 16.32

 

Description

Color code: HEX #B8CCEA | qconv.com Color code: HEX #B8CCEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 204 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 204 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 13 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 13% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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