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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Munsell - Munsell 2.5PB 3-2 it is the complementary color Munsell - Munsell 5R 7-2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Munsell - Munsell 2.5PB 3-2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Munsell - Munsell 2.5PB 3-2: Munsell - Munsell 5PB 3-2, Munsell - Munsell 10B 5-1, Munsell - Munsell 10B 5-2, Munsell - Munsell 2.5PB 5-2 and Munsell - Munsell 7.5B 6-2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Munsell - Munsell 2.5PB 3-2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Munsell - Munsell 2.5PB 3-2: Munsell - Munsell 2.5PB 3-2, Munsell - Munsell 5PB 2-2, Munsell - Munsell 7.5BG 2-2, Munsell - Munsell 10G 2-4 and Munsell - Munsell 5G 2-6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 14 / 0 / 65

HEX #3F4C58

RGB 63 76 88

HSL 208.8, 0.17%, 0.3%

LAB 31.65, -2.01, -8.78

Munsell
Munsell 2.5PB 3-2

Complementary color

CMYK 0 / 11 / 13 / 25

HEX #C0AAA7

RGB 192 170 167

HSL 7.2, 0.17%, 0.7%

LAB 71.38, 7.45, 4.45

Munsell
Munsell 5R 7-2

CMYK 22 / 15 / 0 / 65

HEX #454C59

RGB 69 76 89 1

HSL 219, 0.13%, 0.31%

LAB 32.16, 0.42, -8.6

Munsell
Munsell 5PB 3-2

CMYK 12 / 5 / 0 / 63

HEX #545A5F

RGB 84 90 95 1

HSL 207.27, 0.06%, 0.35%

LAB 37.88, -1.22, -3.69

Munsell
Munsell 10B 5-1

CMYK 17 / 6 / 0 / 50

HEX #6A787F

RGB 106 120 127 1

HSL 200, 0.09%, 0.46%

LAB 49.53, -3.59, -5.59

Munsell
Munsell 10B 5-2

CMYK 15 / 6 / 0 / 45

HEX #77838C

RGB 119 131 140 1

HSL 205.71, 0.08%, 0.51%

LAB 54.08, -2.41, -6.34

Munsell
Munsell 2.5PB 5-2

CMYK 12 / 3 / 0 / 40

HEX #869499

RGB 134 148 153 1

HSL 195.79, 0.09%, 0.56%

LAB 60.38, -3.94, -4.35

Munsell
Munsell 7.5B 6-2

CMYK 28 / 14 / 0 / 65

HEX #3F4C58

RGB 63 76 88 1

HSL 208.8, 0.17%, 0.3%

LAB 31.65, -2.01, -8.78

Munsell
Munsell 2.5PB 3-2

CMYK 28 / 19 / 0 / 75

HEX #2E3440

RGB 46 52 64 1

HSL 220, 0.16%, 0.22%

LAB 21.61, 0.7, -8.35

Munsell
Munsell 5PB 2-2

CMYK 38 / 0 / 2 / 81

HEX #1E302F

RGB 30 48 47 1

HSL 176.67, 0.23%, 0.15%

LAB 18.34, -7.61, -1.72

Munsell
Munsell 7.5BG 2-2

CMYK 75 / 0 / 21 / 81

HEX #0C3026

RGB 12 48 38 1

HSL 163.33, 0.6%, 0.12%

LAB 17.14, -15.83, 2.65

Munsell
Munsell 10G 2-4

CMYK 100 / 0 / 40 / 78

HEX #003721

RGB 0 55 33 1

HSL 156, 1%, 0.11%

LAB 19.4, -23.37, 9.15

Munsell
Munsell 5G 2-6

CMYK 28 / 14 / 0 / 65

HEX #3F4C58

RGB 63 76 88 1

HSL 208.8, 0.17%, 0.3%

LAB 31.65, -2.01, -8.78

Munsell
Munsell 2.5PB 3-2

CMYK 28 / 14 / 0 / 65

HEX #3F4C58

RGB 63 76 88 1

HSL 208.8, 0.17%, 0.3%

LAB 31.65, -2.01, -8.78

Munsell
Munsell 2.5PB 3-2

CMYK 28 / 14 / 0 / 65

HEX #3F4C58

RGB 63 76 88 1

HSL 208.8, 0.17%, 0.3%

LAB 31.65, -2.01, -8.78

Munsell
Munsell 2.5PB 3-2

CMYK 28 / 14 / 0 / 65

HEX #3F4C58

RGB 63 76 88 1

HSL 208.8, 0.17%, 0.3%

LAB 31.65, -2.01, -8.78

Munsell
Munsell 2.5PB 3-2

CMYK 22 / 15 / 0 / 65

HEX #454C59

RGB 69 76 89 1

HSL 219, 0.13%, 0.31%

LAB 32.16, 0.42, -8.6

Munsell
Munsell 5PB 3-2

CMYK 28 / 14 / 0 / 65

HEX #3F4C58

RGB 63 76 88 1

HSL 208.8, 0.17%, 0.3%

LAB 31.65, -2.01, -8.78

Munsell
Munsell 2.5PB 3-2

CMYK 30 / 13 / 0 / 43

HEX #667F92

RGB 102 127 146 1

HSL 205.91, 0.18%, 0.49%

LAB 51.93, -4.29, -13.18

Munsell
Munsell 2.5PB 5-4

CMYK 32 / 17 / 0 / 25

HEX #819EBF

RGB 129 158 191 1

HSL 211.94, 0.33%, 0.63%

LAB 64.07, -2.11, -20.29

Munsell
Munsell 5PB 6-6

CMYK 27 / 10 / 0 / 6

HEX #AFD7EF

RGB 175 215 239 1

HSL 202.5, 0.67%, 0.81%

LAB 83.94, -7.75, -16.06

Munsell
Munsell 2.5PB 8-6

CMYK 51 / 0 / 35 / 78

HEX #1C3925

RGB 28 57 37 1

HSL 138.62, 0.34%, 0.17%

LAB 21.23, -16.37, 9.16

Munsell
Munsell 2.5G 2-4

CMYK 28 / 14 / 0 / 65

HEX #3F4C58

RGB 63 76 88 1

HSL 208.8, 0.17%, 0.3%

LAB 31.65, -2.01, -8.78

Munsell
Munsell 2.5PB 3-2

CMYK 8 / 20 / 0 / 66

HEX #4F4556

RGB 79 69 86 1

HSL 275.29, 0.11%, 0.3%

LAB 30.86, 7.94, -8.56

Munsell
Munsell 5P 3-2

CMYK 18 / 0 / 38 / 60

HEX #54663F

RGB 84 102 63 1

HSL 87.69, 0.24%, 0.32%

LAB 40.81, -14.43, 19.87

Munsell
Munsell 7.5GY 4-4

CMYK 28 / 14 / 0 / 65

HEX #3F4C58

RGB 63 76 88 1

HSL 208.8, 0.17%, 0.3%

LAB 31.65, -2.01, -8.78

Munsell
Munsell 2.5PB 3-2

CMYK 0 / 24 / 15 / 65

HEX #58434B

RGB 88 67 75 1

HSL 337.14, 0.14%, 0.3%

LAB 30.87, 10.52, -1.34

Munsell
Munsell 5RP 3-2

CMYK 0 / 1 / 16 / 71

HEX #4A493E

RGB 74 73 62 1

HSL 55, 0.09%, 0.27%

LAB 30.8, -1.82, 6.74

Munsell
Munsell 10Y 3-1

CMYK 28 / 14 / 0 / 65

HEX #3F4C58

RGB 63 76 88 1

HSL 208.8, 0.17%, 0.3%

LAB 31.65, -2.01, -8.78

Munsell
Munsell 2.5PB 3-2

CMYK 8 / 20 / 0 / 66

HEX #4F4556

RGB 79 69 86 1

HSL 275.29, 0.11%, 0.3%

LAB 30.86, 7.94, -8.56

Munsell
Munsell 5P 3-2

CMYK 0 / 27 / 32 / 64

HEX #5C433F

RGB 92 67 63 1

HSL 8.28, 0.19%, 0.3%

LAB 30.99, 10.15, 6.64

Munsell
Munsell 10R 3-2

CMYK 1 / 0 / 12 / 71

HEX #484940

RGB 72 73 64 1

HSL 66.67, 0.07%, 0.27%

LAB 30.67, -2.3, 5.25

Munsell
Munsell 5GY 3-1

CMYK 28 / 14 / 0 / 65

HEX #3F4C58

RGB 63 76 88 1

HSL 208.8, 0.17%, 0.3%

LAB 31.65, -2.01, -8.78

Munsell
Munsell 2.5PB 3-2

CMYK 0 / 30 / 4 / 65

HEX #5A3F56

RGB 90 63 86 1

HSL 308.89, 0.18%, 0.3%

LAB 30.4, 16.1, -9.12

Munsell
Munsell 10P 3-4

CMYK 0 / 27 / 32 / 64

HEX #5C433F

RGB 92 67 63 1

HSL 8.28, 0.19%, 0.3%

LAB 30.99, 10.15, 6.64

Munsell
Munsell 10R 3-2

CMYK 21 / 0 / 18 / 70

HEX #3D4D3F

RGB 61 77 63 1

HSL 127.5, 0.12%, 0.27%

LAB 31.02, -9.55, 6.25

Munsell
Munsell 2.5G 3-2

Description

Color code: Munsell - Munsell 2.5PB 3-2 | qconv.com Color code: Munsell - Munsell 2.5PB 3-2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 76 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 76 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 14 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 14% 0% 65% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - the Villas a 55+ com...
Link: http://www.tv-apts.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

Let's go

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to Sherwin Williams®

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convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

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NCS® to RGBA

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NCS® to CMYK

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NCS® to HEX

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NCS® to RAL®

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NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)

NCS® to Sherwin Williams®

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