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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone MD-Color - MD-Color CM777 it is the complementary color MD-Color - MD-Color CM489. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color MD-Color - MD-Color CM777. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone MD-Color - MD-Color CM777: MD-Color - MD-Color CM777, MD-Color - MD-Color CM685, MD-Color - MD-Color CM663, MD-Color - MD-Color CM651 and MD-Color - MD-Color CM345

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color MD-Color - MD-Color CM777. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone MD-Color - MD-Color CM777: MD-Color - MD-Color CM777, MD-Color - MD-Color CM674, MD-Color - MD-Color CM778, MD-Color - MD-Color CM684 and MD-Color - MD-Color CM668

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 11 / 28

HEX #B8ADA4

RGB 184 173 164

HSL 27, 0.12%, 0.68%

LAB 71.39, 2.37, 6.02

MD-Color
MD-Color CM777

Complementary color

CMYK 19 / 0 / 5 / 67

HEX #455551

RGB 69 85 81

HSL 165, 0.1%, 0.3%

LAB 34.71, -7.15, 0.26

MD-Color
MD-Color CM489

CMYK 0 / 5 / 12 / 13

HEX #DFD3C4

RGB 223 211 196 1

HSL 33.33, 0.3%, 0.82%

LAB 85.13, 1.63, 8.9

MD-Color
MD-Color CM663

CMYK 0 / 6 / 11 / 5

HEX #F1E3D6

RGB 241 227 214 1

HSL 28.89, 0.49%, 0.89%

LAB 91, 2.61, 8.04

MD-Color
MD-Color CM651

CMYK 0 / 2 / 3 / 5

HEX #F2ECEB

RGB 242 236 235 1

HSL 8.57, 0.21%, 0.94%

LAB 93.83, 1.84, 1.19

MD-Color
MD-Color CM345

CMYK 0 / 7 / 14 / 42

HEX #948A7F

RGB 148 138 127 1

HSL 31.43, 0.09%, 0.54%

LAB 58.04, 1.78, 7.23

MD-Color
MD-Color CM778

CMYK 0 / 14 / 17 / 49

HEX #816F6B

RGB 129 111 107 1

HSL 10.91, 0.09%, 0.46%

LAB 48.38, 6.35, 4.82

MD-Color
MD-Color CM684

CMYK 0 / 14 / 20 / 52

HEX #7A6961

RGB 122 105 97 1

HSL 19.2, 0.11%, 0.43%

LAB 45.78, 5.33, 6.97

MD-Color
MD-Color CM668

CMYK 8 / 0 / 11 / 27

HEX #ABBAA6

RGB 171 186 166 1

HSL 105, 0.13%, 0.69%

LAB 73.89, -8.93, 8.38

MD-Color
MD-Color CM502

CMYK 0 / 4 / 11 / 8

HEX #EAE1D0

RGB 234 225 208 1

HSL 39.23, 0.38%, 0.87%

LAB 89.81, 0.22, 9.4

MD-Color
MD-Color CM601

CMYK 0 / 22 / 23 / 68

HEX #52403F

RGB 82 64 63 1

HSL 3.16, 0.13%, 0.28%

LAB 28.95, 7.62, 3.58

MD-Color
MD-Color CM334

CMYK 0 / 4 / 3 / 69

HEX #4F4C4D

RGB 79 76 77 1

HSL 340, 0.02%, 0.3%

LAB 32.63, 1.45, -0.16

MD-Color
MD-Color CM759

CMYK 0 / 4 / 9 / 48

HEX #847F78

RGB 132 127 120 1

HSL 35, 0.05%, 0.49%

LAB 53.43, 0.57, 4.47

MD-Color
MD-Color CM774

CMYK 8 / 0 / 11 / 27

HEX #ABBAA6

RGB 171 186 166 1

HSL 105, 0.13%, 0.69%

LAB 73.89, -8.93, 8.38

MD-Color
MD-Color CM502

CMYK 10 / 12 / 0 / 29

HEX #A29EB4

RGB 162 158 180 1

HSL 250.91, 0.13%, 0.66%

LAB 66.08, 5.82, -10.86

MD-Color
MD-Color CM362

CMYK 8 / 0 / 2 / 31

HEX #A1AFAC

RGB 161 175 172 1

HSL 167.14, 0.08%, 0.66%

LAB 70.33, -5.46, -0.15

MD-Color
MD-Color CM797

CMYK 3 / 12 / 0 / 29

HEX #B0A0B6

RGB 176 160 182 1

HSL 283.64, 0.13%, 0.67%

LAB 67.84, 9.93, -9.23

MD-Color
MD-Color CM332

CMYK 8 / 0 / 11 / 27

HEX #ABBAA6

RGB 171 186 166 1

HSL 105, 0.13%, 0.69%

LAB 73.89, -8.93, 8.38

MD-Color
MD-Color CM502

CMYK 7 / 6 / 0 / 29

HEX #AAABB6

RGB 170 171 182 1

HSL 235, 0.08%, 0.69%

LAB 70.21, 1.79, -5.76

MD-Color
MD-Color CM718

CMYK 3 / 12 / 0 / 29

HEX #B0A0B6

RGB 176 160 182 1

HSL 283.64, 0.13%, 0.67%

LAB 67.84, 9.93, -9.23

MD-Color
MD-Color CM332

CMYK 5 / 0 / 7 / 31

HEX #A7AFA3

RGB 167 175 163 1

HSL 100, 0.07%, 0.66%

LAB 70.54, -5.07, 5.17

MD-Color
MD-Color CM512

CMYK 7 / 6 / 0 / 29

HEX #AAABB6

RGB 170 171 182 1

HSL 235, 0.08%, 0.69%

LAB 70.21, 1.79, -5.76

MD-Color
MD-Color CM718

CMYK 3 / 12 / 0 / 29

HEX #B0A0B6

RGB 176 160 182 1

HSL 283.64, 0.13%, 0.67%

LAB 67.84, 9.93, -9.23

MD-Color
MD-Color CM332

Description

Color code: MD-Color - MD-Color CM777 | qconv.com Color code: MD-Color - MD-Color CM777 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 173 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 173 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 11 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 11% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to PANTONE®

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HEX to RAL®

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HEX to HKS®

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HEX to PANTONE®

convert from #RRGGBB to Pantone®-number (Pantone 0000)

HEX to Sherwin Williams®

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HEX to NCS®

convert from #RRGGBB to NCS-number (S0000-X00X)

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RAL® to RGB

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)

RAL® to NCS®

convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)

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HKS® to RGB

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HKS® to RGBA

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HKS® to CMYK

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HKS® to HEX

convert from HKS®-number (HKS 00) to #RRGGBB

HKS® to RAL®

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HKS® to PANTONE®

convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)

HKS® to Sherwin Williams®

convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)

HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

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PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

convert from Pantone®-number (Pantone 0000) to RGBA red green blue transparency

PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

Icons

PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

nsc-logo

Sherwin Williams® to RGB

convert from Sherwin Williams®-number (SW 0000) to RGB red green blue

Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black

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Sherwin Williams® to HEX

convert from Sherwin Williams®-number (SW 0000) to #RRGGBB

Sherwin Williams® to RAL®

convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)

Sherwin Williams® to HKS®

convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)

Sherwin Williams® to PANTONE®

convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

Sherwin Williams® to NCS®

convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)

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NCS® to RGB

convert from NCS-number (S0000-X00X) to RGB red green blue

NCS® to RGBA

convert from NCS-number (S0000-X00X) to RGBA red green blue transparency

NCS® to CMYK

convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black

Icons

NCS® to HEX

convert from NCS-number (S0000-X00X) to #RRGGBB

NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)

NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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