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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone MD-Color - MD-Color CM142 it is the complementary color MD-Color - MD-Color CM459. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color MD-Color - MD-Color CM142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone MD-Color - MD-Color CM142: MD-Color - MD-Color CM142, MD-Color - MD-Color CM127, MD-Color - MD-Color CM115, MD-Color - MD-Color CM131 and MD-Color - MD-Color CM100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color MD-Color - MD-Color CM142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone MD-Color - MD-Color CM142: MD-Color - MD-Color CM142, MD-Color - MD-Color CM153, MD-Color - MD-Color CM607, MD-Color - MD-Color CM608 and MD-Color - MD-Color CM609

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 49 / 0

HEX #FFCD83

RGB 255 205 131

HSL 35.81, 1%, 0.76%

LAB 85.28, 8.8, 43.36

MD-Color
MD-Color CM142

Complementary color

CMYK 93 / 0 / 1 / 57

HEX #086E6D

RGB 8 110 109

HSL 179.41, 0.86%, 0.23%

LAB 41.7, -25.67, -6.93

MD-Color
MD-Color CM459

CMYK 0 / 15 / 42 / 0

HEX #FFDA93

RGB 255 218 147 1

HSL 39.44, 1%, 0.79%

LAB 88.69, 3.65, 39.66

MD-Color
MD-Color CM127

CMYK 0 / 8 / 32 / 2

HEX #FAE7AA

RGB 250 231 170 1

HSL 45.75, 0.89%, 0.82%

LAB 91.85, -2.33, 32.09

MD-Color
MD-Color CM115

CMYK 0 / 8 / 24 / 2

HEX #FBE7BE

RGB 251 231 190 1

HSL 40.33, 0.88%, 0.86%

LAB 92.3, 0.61, 22.46

MD-Color
MD-Color CM131

CMYK 0 / 1 / 16 / 4

HEX #F4F1CC

RGB 244 241 204 1

HSL 55.5, 0.65%, 0.88%

LAB 94.53, -4.99, 18.26

MD-Color
MD-Color CM100

CMYK 0 / 22 / 52 / 8

HEX #EBB870

RGB 235 184 112 1

HSL 35.12, 0.75%, 0.68%

LAB 77.94, 10.03, 43.35

MD-Color
MD-Color CM153

CMYK 0 / 23 / 57 / 16

HEX #D5A55C

RGB 213 165 92 1

HSL 36.2, 0.59%, 0.6%

LAB 70.75, 9.39, 44.16

MD-Color
MD-Color CM607

CMYK 0 / 26 / 63 / 22

HEX #C8944B

RGB 200 148 75 1

HSL 35.04, 0.53%, 0.54%

LAB 64.94, 11.82, 45.47

MD-Color
MD-Color CM608

CMYK 0 / 29 / 67 / 26

HEX #BD873E

RGB 189 135 62 1

HSL 34.49, 0.51%, 0.49%

LAB 60.33, 13.37, 46.3

MD-Color
MD-Color CM609

CMYK 0 / 11 / 47 / 1

HEX #FDE186

RGB 253 225 134 1

HSL 45.88, 0.97%, 0.76%

LAB 90.07, -1.96, 47.82

MD-Color
MD-Color CM116

CMYK 0 / 11 / 47 / 1

HEX #FDE186

RGB 253 225 134 1

HSL 45.88, 0.97%, 0.76%

LAB 90.07, -1.96, 47.82

MD-Color
MD-Color CM116

CMYK 0 / 1 / 42 / 7

HEX #EDEA8A

RGB 237 234 138 1

HSL 58.18, 0.73%, 0.74%

LAB 91.09, -12.37, 46.86

MD-Color
MD-Color CM102

CMYK 0 / 1 / 42 / 7

HEX #EDEA8A

RGB 237 234 138 1

HSL 58.18, 0.73%, 0.74%

LAB 91.09, -12.37, 46.86

MD-Color
MD-Color CM102

CMYK 0 / 22 / 23 / 68

HEX #52403F

RGB 82 64 63 1

HSL 3.16, 0.13%, 0.28%

LAB 28.95, 7.62, 3.58

MD-Color
MD-Color CM334

CMYK 0 / 36 / 39 / 59

HEX #68433F

RGB 104 67 63 1

HSL 5.85, 0.25%, 0.33%

LAB 32.52, 15.46, 9

MD-Color
MD-Color CM284

CMYK 0 / 11 / 43 / 25

HEX #C0AA6D

RGB 192 170 109 1

HSL 44.1, 0.4%, 0.59%

LAB 70.22, -0.49, 34.31

MD-Color
MD-Color CM587

CMYK 22 / 0 / 44 / 15

HEX #AAD97A

RGB 170 217 122 1

HSL 89.68, 0.56%, 0.66%

LAB 81.61, -31.3, 41.8

MD-Color
MD-Color CM554

CMYK 21 / 24 / 0 / 21

HEX #A099CA

RGB 160 153 202 1

HSL 248.57, 0.32%, 0.7%

LAB 65.37, 12.85, -24.23

MD-Color
MD-Color CM359

CMYK 37 / 0 / 1 / 18

HEX #84D0CE

RGB 132 208 206 1

HSL 178.42, 0.45%, 0.67%

LAB 78.74, -23.88, -6.46

MD-Color
MD-Color CM468

CMYK 0 / 22 / 7 / 21

HEX #CA9DBB

RGB 202 157 187 1

HSL 320, 0.3%, 0.7%

LAB 69.65, 21.61, -9.05

MD-Color
MD-Color CM317

CMYK 22 / 0 / 44 / 15

HEX #AAD97A

RGB 170 217 122 1

HSL 89.68, 0.56%, 0.66%

LAB 81.61, -31.3, 41.8

MD-Color
MD-Color CM554

CMYK 38 / 11 / 0 / 17

HEX #84BCD4

RGB 132 188 212 1

HSL 198, 0.48%, 0.67%

LAB 73.3, -12.17, -17.83

MD-Color
MD-Color CM430

CMYK 0 / 13 / 2 / 14

HEX #DCBFD7

RGB 220 191 215 1

HSL 310.34, 0.29%, 0.81%

LAB 80.39, 14.4, -8.19

MD-Color
MD-Color CM316

CMYK 32 / 0 / 36 / 24

HEX #83C17C

RGB 131 193 124 1

HSL 113.91, 0.36%, 0.62%

LAB 72.51, -33.42, 28.6

MD-Color
MD-Color CM527

CMYK 38 / 11 / 0 / 17

HEX #84BCD4

RGB 132 188 212 1

HSL 198, 0.48%, 0.67%

LAB 73.3, -12.17, -17.83

MD-Color
MD-Color CM430

CMYK 0 / 17 / 13 / 6

HEX #F0C8D0

RGB 240 200 208 1

HSL 348, 0.57%, 0.86%

LAB 84.17, 15.38, 1.31

MD-Color
MD-Color CM286

Description

Color code: MD-Color - MD-Color CM142 | qconv.com Color code: MD-Color - MD-Color CM142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 205 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 205 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 49 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 49% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to PANTONE®

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CMYK to Sherwin Williams®

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Icons

HEX to RAL®

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HEX to HKS®

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HEX to PANTONE®

convert from #RRGGBB to Pantone®-number (Pantone 0000)

HEX to Sherwin Williams®

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RAL® to RGB

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RAL® to RGBA

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)

RAL® to NCS®

convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)

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HKS® to RGB

convert from HKS®-number (HKS 00) to RGB red green blue

HKS® to RGBA

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HKS® to CMYK

convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black

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HKS® to HEX

convert from HKS®-number (HKS 00) to #RRGGBB

HKS® to RAL®

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HKS® to PANTONE®

convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)

HKS® to Sherwin Williams®

convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)

HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

nsc-logo

PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

convert from Pantone®-number (Pantone 0000) to RGBA red green blue transparency

PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

Icons

PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGB

convert from Sherwin Williams®-number (SW 0000) to RGB red green blue

Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black

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Sherwin Williams® to HEX

convert from Sherwin Williams®-number (SW 0000) to #RRGGBB

Sherwin Williams® to RAL®

convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)

Sherwin Williams® to HKS®

convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)

Sherwin Williams® to PANTONE®

convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

Sherwin Williams® to NCS®

convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)

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NCS® to RGB

convert from NCS-number (S0000-X00X) to RGB red green blue

NCS® to RGBA

convert from NCS-number (S0000-X00X) to RGBA red green blue transparency

NCS® to CMYK

convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black

Icons

NCS® to HEX

convert from NCS-number (S0000-X00X) to #RRGGBB

NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)

NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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