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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone MD-Color - MD-Color CM615 it is the complementary color MD-Color - MD-Color CM354. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color MD-Color - MD-Color CM615. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone MD-Color - MD-Color CM615: MD-Color - MD-Color CM605, MD-Color - MD-Color CM140, MD-Color - MD-Color CM151, MD-Color - MD-Color CM170 and MD-Color - MD-Color CM345

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color MD-Color - MD-Color CM615. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone MD-Color - MD-Color CM615: MD-Color - MD-Color CM615, MD-Color - MD-Color CM616, MD-Color - MD-Color CM577, MD-Color - MD-Color CM578 and MD-Color - MD-Color CM628

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 28 / 10

HEX #E5CCA4

RGB 229 204 164

HSL 36.92, 0.56%, 0.77%

LAB 83.19, 2.81, 23.16

MD-Color
MD-Color CM615

Complementary color

CMYK 25 / 36 / 0 / 62

HEX #493E61

RGB 73 62 97

HSL 258.86, 0.22%, 0.31%

LAB 28.71, 13.1, -18.98

MD-Color
MD-Color CM354

CMYK 0 / 12 / 35 / 7

HEX #ECCF9A

RGB 236 207 154 1

HSL 38.78, 0.68%, 0.76%

LAB 84.38, 2.69, 30.1

MD-Color
MD-Color CM605

CMYK 0 / 13 / 30 / 1

HEX #FDDCB1

RGB 253 220 177 1

HSL 33.95, 0.95%, 0.84%

LAB 89.51, 5.28, 25.36

MD-Color
MD-Color CM140

CMYK 0 / 8 / 20 / 2

HEX #FAE6C8

RGB 250 230 200 1

HSL 36, 0.83%, 0.88%

LAB 92.17, 2.16, 17.09

MD-Color
MD-Color CM151

CMYK 0 / 2 / 3 / 5

HEX #F2ECEB

RGB 242 236 235 1

HSL 8.57, 0.21%, 0.94%

LAB 93.83, 1.84, 1.19

MD-Color
MD-Color CM345

CMYK 0 / 11 / 28 / 10

HEX #E5CCA4

RGB 229 204 164 1

HSL 36.92, 0.56%, 0.77%

LAB 83.19, 2.81, 23.16

MD-Color
MD-Color CM615

CMYK 0 / 14 / 36 / 15

HEX #D9BA8A

RGB 217 186 138 1

HSL 36.46, 0.51%, 0.7%

LAB 77.1, 4.36, 28.46

MD-Color
MD-Color CM616

CMYK 0 / 7 / 33 / 25

HEX #C0B281

RGB 192 178 129 1

HSL 46.67, 0.33%, 0.63%

LAB 72.65, -2.42, 26.9

MD-Color
MD-Color CM577

CMYK 0 / 8 / 38 / 31

HEX #B1A36E

RGB 177 163 110 1

HSL 47.46, 0.3%, 0.56%

LAB 67.03, -2.79, 29.39

MD-Color
MD-Color CM578

CMYK 0 / 11 / 28 / 10

HEX #E5CCA4

RGB 229 204 164 1

HSL 36.92, 0.56%, 0.77%

LAB 83.19, 2.81, 23.16

MD-Color
MD-Color CM615

CMYK 0 / 7 / 26 / 11

HEX #E3D4A9

RGB 227 212 169 1

HSL 44.48, 0.51%, 0.78%

LAB 85.14, -1.43, 23.18

MD-Color
MD-Color CM585

CMYK 0 / 5 / 32 / 9

HEX #E9DE9E

RGB 233 222 158 1

HSL 51.2, 0.63%, 0.77%

LAB 87.99, -5.68, 32.8

MD-Color
MD-Color CM572

CMYK 1 / 0 / 32 / 9

HEX #E4E79E

RGB 228 231 158 1

HSL 62.47, 0.6%, 0.76%

LAB 89.91, -12.1, 35.28

MD-Color
MD-Color CM556

CMYK 6 / 0 / 26 / 15

HEX #CCDAA1

RGB 204 218 161 1

HSL 74.74, 0.44%, 0.74%

LAB 84.77, -14.17, 26.55

MD-Color
MD-Color CM546

CMYK 0 / 11 / 28 / 10

HEX #E5CCA4

RGB 229 204 164 1

HSL 36.92, 0.56%, 0.77%

LAB 83.19, 2.81, 23.16

MD-Color
MD-Color CM615

CMYK 0 / 22 / 23 / 68

HEX #52403F

RGB 82 64 63 1

HSL 3.16, 0.13%, 0.28%

LAB 28.95, 7.62, 3.58

MD-Color
MD-Color CM334

CMYK 0 / 22 / 23 / 68

HEX #52403F

RGB 82 64 63 1

HSL 3.16, 0.13%, 0.28%

LAB 28.95, 7.62, 3.58

MD-Color
MD-Color CM334

CMYK 0 / 15 / 36 / 48

HEX #857155

RGB 133 113 85 1

HSL 35, 0.22%, 0.43%

LAB 48.83, 3.49, 18.46

MD-Color
MD-Color CM599

CMYK 0 / 11 / 29 / 31

HEX #AF9B7D

RGB 175 155 125 1

HSL 36, 0.24%, 0.59%

LAB 64.99, 2.68, 18.45

MD-Color
MD-Color CM597

CMYK 0 / 11 / 28 / 10

HEX #E5CCA4

RGB 229 204 164 1

HSL 36.92, 0.56%, 0.77%

LAB 83.19, 2.81, 23.16

MD-Color
MD-Color CM615

CMYK 21 / 0 / 24 / 17

HEX #A7D4A1

RGB 167 212 161 1

HSL 112.94, 0.37%, 0.73%

LAB 80.67, -24.36, 20.54

MD-Color
MD-Color CM526

CMYK 21 / 13 / 0 / 12

HEX #B1C3E0

RGB 177 195 224 1

HSL 217.02, 0.43%, 0.79%

LAB 78.32, 0.01, -16.49

MD-Color
MD-Color CM376

CMYK 0 / 11 / 28 / 10

HEX #E5CCA4

RGB 229 204 164 1

HSL 36.92, 0.56%, 0.77%

LAB 83.19, 2.81, 23.16

MD-Color
MD-Color CM615

CMYK 29 / 0 / 10 / 13

HEX #9EDFC9

RGB 158 223 201 1

HSL 159.69, 0.5%, 0.75%

LAB 84.1, -25.09, 4.21

MD-Color
MD-Color CM476

CMYK 5 / 21 / 0 / 22

HEX #BF9FC8

RGB 191 159 200 1

HSL 286.83, 0.27%, 0.7%

LAB 69.5, 19.16, -16.59

MD-Color
MD-Color CM341

CMYK 0 / 11 / 28 / 10

HEX #E5CCA4

RGB 229 204 164 1

HSL 36.92, 0.56%, 0.77%

LAB 83.19, 2.81, 23.16

MD-Color
MD-Color CM615

CMYK 21 / 0 / 24 / 17

HEX #A7D4A1

RGB 167 212 161 1

HSL 112.94, 0.37%, 0.73%

LAB 80.67, -24.36, 20.54

MD-Color
MD-Color CM526

CMYK 26 / 14 / 0 / 12

HEX #A5C0E0

RGB 165 192 224 1

HSL 212.54, 0.49%, 0.76%

LAB 76.73, -2.01, -18.97

MD-Color
MD-Color CM382

CMYK 2 / 13 / 0 / 15

HEX #D5BEDA

RGB 213 190 218 1

HSL 289.29, 0.27%, 0.8%

LAB 79.63, 13.12, -11

MD-Color
MD-Color CM340

CMYK 0 / 11 / 28 / 10

HEX #E5CCA4

RGB 229 204 164 1

HSL 36.92, 0.56%, 0.77%

LAB 83.19, 2.81, 23.16

MD-Color
MD-Color CM615

CMYK 21 / 0 / 24 / 17

HEX #A7D4A1

RGB 167 212 161 1

HSL 112.94, 0.37%, 0.73%

LAB 80.67, -24.36, 20.54

MD-Color
MD-Color CM526

CMYK 26 / 14 / 0 / 12

HEX #A5C0E0

RGB 165 192 224 1

HSL 212.54, 0.49%, 0.76%

LAB 76.73, -2.01, -18.97

MD-Color
MD-Color CM382

CMYK 0 / 13 / 2 / 14

HEX #DCBFD7

RGB 220 191 215 1

HSL 310.34, 0.29%, 0.81%

LAB 80.39, 14.4, -8.19

MD-Color
MD-Color CM316

Description

Color code: MD-Color - MD-Color CM615 | qconv.com Color code: MD-Color - MD-Color CM615 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 204 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 204 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 28 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 28% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HEX

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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