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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone Kelly Moore - KM41833 Gingerbread Man it is the complementary color Kelly Moore - KM3126-3 Sea of Marma. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color Kelly Moore - KM41833 Gingerbread Man. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the Kelly Moore - KM41833 Gingerbread Man shade: Kelly Moore - KM40553 Maple Sugar, Kelly Moore - KM40463 Benetello, Kelly Moore - KM40452 Country Life, Kelly Moore - 231 Spanish Sand and Kelly Moore - KM40122 Washed Khaki
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color Kelly Moore - KM41833 Gingerbread Man. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the Kelly Moore - KM41833 Gingerbread Man shade: Kelly Moore - KM41833 Gingerbread Man, Kelly Moore - KM40405 Pinecone Path, Kelly Moore - KM41125 Bistro Brown, Kelly Moore - 160 Bravado and Kelly Moore - 417 Oxford Brown
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the Kelly Moore - KM41833 Gingerbread Man shade: Kelly Moore - KM41833 Gingerbread Man, Kelly Moore - 212 Saltillo and Kelly Moore - KM41353 Chocolate Cherry
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the Kelly Moore - KM41833 Gingerbread Man shade: Kelly Moore - KM41833 Gingerbread Man, Kelly Moore - KM34153 Aged Olive, Kelly Moore - KM34153 Aged Olive, Kelly Moore - KM33513 Forest Ranger and Kelly Moore - KM39113 Old Growth Forest
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The Kelly Moore - KM41833 Gingerbread Man shade matches the following richer shades: Kelly Moore - KM41833 Gingerbread Man, Kelly Moore - KM36165 Sunbaked Earth, Kelly Moore - AC2055 Gold Trinket, Kelly Moore - KM36085 Deep Spice and Kelly Moore - AC2115 Light My Fire
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the Kelly Moore - KM41833 Gingerbread Man shade: Kelly Moore - KM41833 Gingerbread Man, Kelly Moore - KM38223 Cast in Stone, Kelly Moore - KM37983 Romantic Mood, Kelly Moore - KM3119-3 Blue Monday and Kelly Moore - KM3151-3 Hidden Springs
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the Kelly Moore - KM41833 Gingerbread Man shade: Kelly Moore - KM41433 Spring Bliss, Kelly Moore - 212 Saltillo, Kelly Moore - KM41833 Gingerbread Man, Kelly Moore - KM39753 African Plain and Kelly Moore - KM34153 Aged Olive
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the Kelly Moore - KM41833 Gingerbread Man shade: Kelly Moore - AC2525 Rocky Mountain, Kelly Moore - KM40245 Latte Please, Kelly Moore - KM41833 Gingerbread Man, Kelly Moore - KM39743 Highland Grass and Kelly Moore - 228 Charro
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the Kelly Moore - KM41833 Gingerbread Man shade: Kelly Moore - KM41833 Gingerbread Man, Kelly Moore - KM33113 Woodland Sage and Kelly Moore - KM3072-5 Petulant Pat
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the Kelly Moore - KM41833 Gingerbread Man shade: Kelly Moore - KM41833 Gingerbread Man, Kelly Moore - KM32953 Garden Leaf and Kelly Moore - KM3015-3 Jubilation
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the Kelly Moore - KM41833 Gingerbread Man shade: Kelly Moore - KM41833 Gingerbread Man, Kelly Moore - KM33113 Woodland Sage, Kelly Moore - KM3087-3 Mountain Vale and Kelly Moore - KM37513 Orchard Plum
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the Kelly Moore - KM41833 Gingerbread Man shade: Kelly Moore - KM41833 Gingerbread Man, Kelly Moore - AC241-Y Global Village, Kelly Moore - KM3087-3 Mountain Vale and Kelly Moore - AC2255 Grape Riot
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
Complementary color
HSL 208.93, 0.22%, 0.51%
LAB 53.13, -3.41, -17.76
Lighter colors
HSL 21.72, 0.23%, 0.49%
LAB 52.72, 11.51, 17.16
HSL 24, 0.24%, 0.55%
LAB 58.45, 9.35, 16.62
HSL 25.09, 0.29%, 0.63%
LAB 67.02, 8.39, 16.46
HSL 32.63, 0.35%, 0.68%
LAB 72.95, 4.69, 19.37
HSL 30, 0.44%, 0.75%
LAB 79.38, 5.69, 17.77
Darker colors
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
HSL 24.91, 0.26%, 0.41%
LAB 44.53, 9.36, 17.32
HSL 16.22, 0.21%, 0.35%
LAB 36.57, 9.76, 10.28
HSL 4.29, 0.25%, 0.33%
LAB 31.97, 16.56, 8.88
HSL 20, 0.13%, 0.28%
LAB 30.31, 3.98, 5.51
Warmer colors
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
HSL 19.67, 0.26%, 0.47%
LAB 49.67, 13.59, 17.58
HSL 358.33, 0.16%, 0.45%
LAB 45.23, 14.74, 5.16
Colder colors
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
HSL 57.14, 0.17%, 0.47%
LAB 57.49, -5.94, 21.69
HSL 57.14, 0.17%, 0.47%
LAB 57.49, -5.94, 21.69
HSL 82.11, 0.15%, 0.51%
LAB 59.32, -12.01, 18.47
HSL 83.57, 0.12%, 0.47%
LAB 53.96, -9.37, 13.77
Richer colors
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
HSL 15, 0.37%, 0.49%
LAB 49.98, 25.39, 24.84
HSL 33.98, 0.46%, 0.48%
LAB 58.36, 11.99, 41.34
HSL 18.67, 0.57%, 0.54%
LAB 56.72, 33.16, 39.18
HSL 20.33, 0.84%, 0.58%
LAB 63.07, 41.87, 53.02
Paler colors
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
HSL 36, 0.02%, 0.47%
LAB 50.52, 0.17, 1.91
HSL 202.11, 0.08%, 0.46%
LAB 50.08, -2.89, -5.34
HSL 209.54, 0.28%, 0.46%
LAB 48.37, -2.96, -21.04
HSL 199.47, 0.48%, 0.47%
LAB 55.06, -12.08, -26.47
Analogue colors
HSL 355.26, 0.16%, 0.48%
LAB 47.5, 15.73, 4.32
HSL 19.67, 0.26%, 0.47%
LAB 49.67, 13.59, 17.58
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
HSL 35.68, 0.15%, 0.5%
LAB 55.92, 2.03, 13.96
HSL 57.14, 0.17%, 0.47%
LAB 57.49, -5.94, 21.69
Monochromatic colors
HSL 14.4, 0.15%, 0.32%
LAB 33.65, 6.98, 6.6
HSL 25.71, 0.21%, 0.39%
LAB 43.03, 6.89, 13.94
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
HSL 36.67, 0.16%, 0.55%
LAB 60.83, 1.54, 13.57
HSL 34.09, 0.23%, 0.63%
LAB 68, 2.93, 15.52
Partial complementary colors
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
HSL 128.82, 0.13%, 0.5%
LAB 56.58, -17.98, 11.61
HSL 238.97, 0.25%, 0.46%
LAB 40.48, 14.45, -31.51
Triadic colors
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
HSL 145.91, 0.18%, 0.49%
LAB 57.23, -20.54, 8.47
HSL 271.43, 0.09%, 0.47%
LAB 48.08, 8.57, -10
Rectangular (tetradic) colors
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
HSL 128.82, 0.13%, 0.5%
LAB 56.58, -17.98, 11.61
HSL 225, 0.16%, 0.49%
LAB 49.04, 3.42, -17.53
HSL 316.55, 0.13%, 0.45%
LAB 46.26, 15.41, -7.26
Square colors
HSL 26.94, 0.2%, 0.48%
LAB 52.42, 7.15, 16.04
HSL 113.08, 0.23%, 0.44%
LAB 53.47, -26.47, 22.97
HSL 225, 0.16%, 0.49%
LAB 49.04, 3.42, -17.53
HSL 312.22, 0.24%, 0.45%
LAB 44.36, 29.17, -14.81
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 120 green and 98 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 33 yellow and 42 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
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RGB to NCS®
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CMYK to RGB
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CMYK to RAL®
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CMYK to PANTONE®
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HEX to HKS®
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HEX to PANTONE®
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HEX to Sherwin Williams®
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HEX to NCS®
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RAL® to RGB
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RAL® to CMYK
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RAL® to HEX
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RAL® to HKS®
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RAL® to PANTONE®
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RAL® to Sherwin Williams®
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RAL® to NCS®
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HKS® to RGB
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HKS® to CMYK
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HKS® to HEX
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HKS® to RAL®
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HKS® to PANTONE®
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HKS® to Sherwin Williams®
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HKS® to NCS®
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PANTONE® to RGB
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PANTONE® to CMYK
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PANTONE® to HEX
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PANTONE® to RAL®
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PANTONE® to HKS®
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PANTONE® to Sherwin Williams®
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PANTONE® to NCS®
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Sherwin Williams® to RGB
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Sherwin Williams® to CMYK
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Sherwin Williams® to HEX
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Sherwin Williams® to RAL®
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Sherwin Williams® to HKS®
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Sherwin Williams® to PANTONE®
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Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
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NCS® to RAL®
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NCS® to HKS®
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NCS® to PANTONE®
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NCS® to Sherwin Williams®
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