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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 110 131 it is the complementary color RGB 134 145 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 110 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 110 131 shade: RGB 126 110 126, RGB 143 128 145, RGB 160 146 164, RGB 177 164 183 and RGB 194 182 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 110 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 110 131 shade: RGB 121 110 131, RGB 104 92 112, RGB 87 74 93, RGB 70 56 74 and RGB 53 38 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 110 131 shade: RGB 120 109 131, RGB 126 109 131, RGB 131 109 129, RGB 131 109 123 and RGB 131 109 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 110 131 shade: RGB 120 109 131, RGB 115 109 131 and RGB 109 109 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 110 131 shade matches the following richer shades: RGB 120 109 131, RGB 121 90 150, RGB 122 70 169, RGB 123 51 189 and RGB 124 31 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 110 131 shade: RGB 120 109 131, RGB 119 128 111, RGB 119 148 92, RGB 118 167 72 and RGB 117 187 53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 110 131 shade: RGB 109 109 131, RGB 114 109 131, RGB 120 109 131, RGB 126 109 131 and RGB 131 109 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 110 131 shade: RGB 79 72 86, RGB 100 90 108, RGB 120 109 131, RGB 141 130 151 and RGB 162 153 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 110 131 shade: RGB 121 110 131, RGB 131 109 115 and RGB 109 131 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 110 131 shade: RGB 121 110 131, RGB 131 120 109 and RGB 109 131 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 110 131 shade: RGB 121 110 131, RGB 131 109 115, RGB 119 131 109 and RGB 109 131 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 110 131 shade: RGB 121 110 131, RGB 131 109 109, RGB 119 131 109 and RGB 109 130 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 16 / 0 / 49

HEX #796E83

RGB 121 110 131

HSL 271.43, 0.09%, 0.47%

LAB 48.08, 8.57, -10

 

Complementary color

CMYK 8 / 0 / 14 / 43

HEX #86917C

RGB 134 145 124

HSL 91.43, 0.09%, 0.53%

LAB 58.76, -8.02, 9.81

 

CMYK 0 / 13 / 0 / 51

HEX #7E6E7E

RGB 126 110 126

HSL 300, 0.07%, 0.46%

LAB 48.38, 9.35, -6.53

 

CMYK 1 / 12 / 0 / 43

HEX #8F8091

RGB 143 128 145

HSL 292.94, 0.07%, 0.54%

LAB 55.4, 8.95, -7.06

 

CMYK 2 / 11 / 0 / 36

HEX #A092A4

RGB 160 146 164

HSL 286.67, 0.09%, 0.61%

LAB 62.26, 8.59, -7.57

 

CMYK 3 / 10 / 0 / 28

HEX #B1A4B7

RGB 177 164 183

HSL 281.05, 0.12%, 0.68%

LAB 68.98, 8.26, -8.07

 

CMYK 4 / 10 / 0 / 21

HEX #C2B6CA

RGB 194 182 202

HSL 276, 0.16%, 0.75%

LAB 75.57, 7.95, -8.56

 

CMYK 8 / 16 / 0 / 49

HEX #796E83

RGB 121 110 131

HSL 271.43, 0.09%, 0.47%

LAB 48.08, 8.57, -10

 

CMYK 7 / 18 / 0 / 56

HEX #685C70

RGB 104 92 112

HSL 276, 0.1%, 0.4%

LAB 40.84, 8.99, -9.57

 

CMYK 6 / 20 / 0 / 64

HEX #574A5D

RGB 87 74 93

HSL 281.05, 0.11%, 0.33%

LAB 33.38, 9.47, -9.14

 

CMYK 5 / 24 / 0 / 71

HEX #46384A

RGB 70 56 74

HSL 286.67, 0.14%, 0.25%

LAB 25.64, 10.05, -8.7

 

CMYK 4 / 31 / 0 / 78

HEX #352637

RGB 53 38 55

HSL 292.94, 0.18%, 0.18%

LAB 17.55, 10.75, -8.26

 

CMYK 8 / 17 / 0 / 49

HEX #786D83

RGB 120 109 131

HSL 270, 0.09%, 0.47%

LAB 47.71, 8.8, -10.56

 

CMYK 4 / 17 / 0 / 49

HEX #7E6D83

RGB 126 109 131

HSL 286.36, 0.09%, 0.47%

LAB 48.27, 10.98, -9.66

 

CMYK 0 / 17 / 2 / 49

HEX #836D81

RGB 131 109 129

HSL 305.45, 0.09%, 0.47%

LAB 48.7, 12.42, -7.79

 

CMYK 0 / 17 / 6 / 49

HEX #836D7B

RGB 131 109 123

HSL 321.82, 0.09%, 0.47%

LAB 48.5, 11.24, -4.5

 

CMYK 0 / 17 / 10 / 49

HEX #836D76

RGB 131 109 118

HSL 335.45, 0.09%, 0.47%

LAB 48.35, 10.29, -1.75

 

CMYK 8 / 17 / 0 / 49

HEX #786D83

RGB 120 109 131

HSL 270, 0.09%, 0.47%

LAB 47.71, 8.8, -10.56

 

CMYK 12 / 17 / 0 / 49

HEX #736D83

RGB 115 109 131

HSL 256.36, 0.09%, 0.47%

LAB 47.26, 7, -11.28

 

CMYK 17 / 17 / 0 / 49

HEX #6D6D83

RGB 109 109 131

HSL 240, 0.09%, 0.47%

LAB 46.75, 4.88, -12.11

 

CMYK 8 / 17 / 0 / 49

HEX #786D83

RGB 120 109 131

HSL 270, 0.09%, 0.47%

LAB 47.71, 8.8, -10.56

 

CMYK 19 / 40 / 0 / 41

HEX #795A96

RGB 121 90 150

HSL 271, 0.25%, 0.47%

LAB 43.62, 24.97, -28.17

 

CMYK 28 / 59 / 0 / 34

HEX #7A46A9

RGB 122 70 169

HSL 271.52, 0.41%, 0.47%

LAB 40.22, 41.47, -44.89

 

CMYK 35 / 73 / 0 / 26

HEX #7B33BD

RGB 123 51 189

HSL 271.3, 0.58%, 0.47%

LAB 38.29, 55.94, -59.81

 

CMYK 40 / 85 / 0 / 18

HEX #7C1FD0

RGB 124 31 208

HSL 271.53, 0.74%, 0.47%

LAB 37.52, 67.65, -72.16

 

CMYK 8 / 17 / 0 / 49

HEX #786D83

RGB 120 109 131

HSL 270, 0.09%, 0.47%

LAB 47.71, 8.8, -10.56

 

CMYK 7 / 0 / 13 / 50

HEX #77806F

RGB 119 128 111

HSL 91.76, 0.07%, 0.47%

LAB 52.41, -6.69, 8.1

 

CMYK 20 / 0 / 38 / 42

HEX #77945C

RGB 119 148 92

HSL 91.07, 0.23%, 0.47%

LAB 57.92, -20.58, 26.36

 

CMYK 29 / 0 / 57 / 35

HEX #76A748

RGB 118 167 72

HSL 90.95, 0.4%, 0.47%

LAB 63.31, -32.72, 43.26

 

CMYK 37 / 0 / 72 / 27

HEX #75BB35

RGB 117 187 53

HSL 91.34, 0.56%, 0.47%

LAB 69.17, -43.58, 57.67

 

CMYK 17 / 17 / 0 / 49

HEX #6D6D83

RGB 109 109 131

HSL 240, 0.09%, 0.47%

LAB 46.75, 4.88, -12.11

 

CMYK 13 / 17 / 0 / 49

HEX #726D83

RGB 114 109 131

HSL 253.64, 0.09%, 0.47%

LAB 47.18, 6.64, -11.42

 

CMYK 8 / 17 / 0 / 49

HEX #786D83

RGB 120 109 131

HSL 270, 0.09%, 0.47%

LAB 47.71, 8.8, -10.56

 

CMYK 4 / 17 / 0 / 49

HEX #7E6D83

RGB 126 109 131

HSL 286.36, 0.09%, 0.47%

LAB 48.27, 10.98, -9.66

 

CMYK 0 / 17 / 1 / 49

HEX #836D82

RGB 131 109 130

HSL 302.73, 0.09%, 0.47%

LAB 48.73, 12.62, -8.33

 

CMYK 8 / 16 / 0 / 66

HEX #4F4856

RGB 79 72 86

HSL 270, 0.09%, 0.31%

LAB 31.74, 6.01, -7.23

 

CMYK 7 / 17 / 0 / 58

HEX #645A6C

RGB 100 90 108

HSL 273.33, 0.09%, 0.39%

LAB 39.76, 7.82, -8.79

 

CMYK 8 / 17 / 0 / 49

HEX #786D83

RGB 120 109 131

HSL 270, 0.09%, 0.47%

LAB 47.71, 8.8, -10.56

 

CMYK 7 / 14 / 0 / 41

HEX #8D8297

RGB 141 130 151

HSL 271.43, 0.09%, 0.55%

LAB 55.95, 8.31, -9.73

 

CMYK 5 / 10 / 0 / 33

HEX #A299AA

RGB 162 153 170

HSL 271.76, 0.09%, 0.63%

LAB 64.46, 6.56, -7.68

 

CMYK 8 / 16 / 0 / 49

HEX #796E83

RGB 121 110 131

HSL 271.43, 0.09%, 0.47%

LAB 48.08, 8.57, -10

 

CMYK 0 / 17 / 12 / 49

HEX #836D73

RGB 131 109 115

HSL 343.64, 0.09%, 0.47%

LAB 48.26, 9.74, -0.09

 

CMYK 17 / 0 / 15 / 49

HEX #6D8370

RGB 109 131 112

HSL 128.18, 0.09%, 0.47%

LAB 52.57, -11.93, 7.65

 

CMYK 8 / 16 / 0 / 49

HEX #796E83

RGB 121 110 131

HSL 271.43, 0.09%, 0.47%

LAB 48.08, 8.57, -10

 

CMYK 0 / 8 / 17 / 49

HEX #83786D

RGB 131 120 109

HSL 30, 0.09%, 0.47%

LAB 51.11, 2.25, 7.56

 

CMYK 17 / 0 / 8 / 49

HEX #6D8378

RGB 109 131 120

HSL 150, 0.09%, 0.47%

LAB 52.77, -10.3, 3.29

 

CMYK 8 / 16 / 0 / 49

HEX #796E83

RGB 121 110 131

HSL 271.43, 0.09%, 0.47%

LAB 48.08, 8.57, -10

 

CMYK 0 / 17 / 12 / 49

HEX #836D73

RGB 131 109 115

HSL 343.64, 0.09%, 0.47%

LAB 48.26, 9.74, -0.09

 

CMYK 9 / 0 / 17 / 49

HEX #77836D

RGB 119 131 109

HSL 92.73, 0.09%, 0.47%

LAB 53.23, -8.73, 10.42

 

CMYK 17 / 0 / 5 / 49

HEX #6D837D

RGB 109 131 125

HSL 163.64, 0.09%, 0.47%

LAB 52.91, -9.24, 0.58

 

CMYK 8 / 16 / 0 / 49

HEX #796E83

RGB 121 110 131

HSL 271.43, 0.09%, 0.47%

LAB 48.08, 8.57, -10

 

CMYK 0 / 17 / 17 / 49

HEX #836D6D

RGB 131 109 109

HSL 0, 0.09%, 0.47%

LAB 48.09, 8.67, 3.24

 

CMYK 9 / 0 / 17 / 49

HEX #77836D

RGB 119 131 109

HSL 92.73, 0.09%, 0.47%

LAB 53.23, -8.73, 10.42

 

CMYK 17 / 1 / 0 / 49

HEX #6D8283

RGB 109 130 131

HSL 182.73, 0.09%, 0.47%

LAB 52.79, -7.34, -3.09

 

Description

Color code: RGB 121 110 131 | qconv.com Color code: RGB 121 110 131 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 110 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 110 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 16 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 16% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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