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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone ispo 2001 - ispo 2001 330/02 it is the complementary color ispo 2001 - ispo 2001 290/00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color ispo 2001 - ispo 2001 330/02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone ispo 2001 - ispo 2001 330/02: ispo 2001 - ispo 2001 330/22, ispo 2001 - ispo 2001 340/23, ispo 2001 - ispo 2001 320/33, ispo 2001 - ispo 2001 310/04 and ispo 2001 - ispo 2001 310/04

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color ispo 2001 - ispo 2001 330/02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone ispo 2001 - ispo 2001 330/02: ispo 2001 - ispo 2001 330/02, ispo 2001 - ispo 2001 320/32, ispo 2001 - ispo 2001 330/11, ispo 2001 - ispo 2001 290/41 and ispo 2001 - ispo 2001 330/00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 1 / 0 / 27

HEX #9CB8BA

RGB 156 184 186

HSL 184, 0.18%, 0.67%

LAB 72.82, -9.06, -4.21

ispo 2001
ispo 2001 330/02

Complementary color

CMYK 0 / 32 / 32 / 61

HEX #644444

RGB 100 68 68

HSL 0, 0.19%, 0.33%

LAB 32.39, 13.82, 5.56

ispo 2001
ispo 2001 290/00

CMYK 5 / 0 / 3 / 21

HEX #BFCAC3

RGB 191 202 195 1

HSL 141.82, 0.09%, 0.77%

LAB 80.32, -5.06, 2.18

ispo 2001
ispo 2001 340/23

CMYK 10 / 3 / 0 / 15

HEX #C2D1D8

RGB 194 209 216 1

HSL 199.09, 0.22%, 0.8%

LAB 82.93, -3.68, -5.2

ispo 2001
ispo 2001 320/33

CMYK 10 / 3 / 0 / 7

HEX #D6E6ED

RGB 214 230 237 1

HSL 198.26, 0.39%, 0.88%

LAB 90.32, -3.95, -5.23

ispo 2001
ispo 2001 310/04

CMYK 10 / 3 / 0 / 7

HEX #D6E6ED

RGB 214 230 237 1

HSL 198.26, 0.39%, 0.88%

LAB 90.32, -3.95, -5.23

ispo 2001
ispo 2001 310/04

CMYK 16 / 1 / 0 / 27

HEX #9CB8BA

RGB 156 184 186 1

HSL 184, 0.18%, 0.67%

LAB 72.82, -9.06, -4.21

ispo 2001
ispo 2001 330/02

CMYK 19 / 7 / 0 / 28

HEX #94ABB7

RGB 148 171 183 1

HSL 200.57, 0.2%, 0.65%

LAB 68.64, -5.33, -8.82

ispo 2001
ispo 2001 320/32

CMYK 21 / 3 / 0 / 41

HEX #789397

RGB 120 147 151 1

HSL 187.74, 0.13%, 0.53%

LAB 59.06, -8.55, -5.27

ispo 2001
ispo 2001 330/11

CMYK 0 / 5 / 3 / 48

HEX #857F81

RGB 133 127 129 1

HSL 340, 0.02%, 0.51%

LAB 53.76, 2.65, -0.28

ispo 2001
ispo 2001 290/41

CMYK 31 / 1 / 0 / 57

HEX #4B6C6D

RGB 75 108 109 1

HSL 181.76, 0.18%, 0.36%

LAB 43.25, -11.54, -4.39

ispo 2001
ispo 2001 330/00

CMYK 16 / 1 / 0 / 27

HEX #9CB8BA

RGB 156 184 186 1

HSL 184, 0.18%, 0.67%

LAB 72.82, -9.06, -4.21

ispo 2001
ispo 2001 330/02

CMYK 15 / 2 / 0 / 28

HEX #9CB3B7

RGB 156 179 183 1

HSL 188.89, 0.16%, 0.66%

LAB 71.37, -7.03, -4.71

ispo 2001
ispo 2001 330/12

CMYK 17 / 7 / 0 / 26

HEX #9DAFBD

RGB 157 175 189 1

HSL 206.25, 0.2%, 0.68%

LAB 70.53, -3.26, -9.25

ispo 2001
ispo 2001 310/32

CMYK 19 / 7 / 0 / 28

HEX #94ABB7

RGB 148 171 183 1

HSL 200.57, 0.2%, 0.65%

LAB 68.64, -5.33, -8.82

ispo 2001
ispo 2001 320/32

CMYK 19 / 7 / 0 / 28

HEX #94ABB7

RGB 148 171 183 1

HSL 200.57, 0.2%, 0.65%

LAB 68.64, -5.33, -8.82

ispo 2001
ispo 2001 320/32

CMYK 16 / 1 / 0 / 27

HEX #9CB8BA

RGB 156 184 186 1

HSL 184, 0.18%, 0.67%

LAB 72.82, -9.06, -4.21

ispo 2001
ispo 2001 330/02

CMYK 10 / 3 / 0 / 7

HEX #D6E6ED

RGB 214 230 237 1

HSL 198.26, 0.39%, 0.88%

LAB 90.32, -3.95, -5.23

ispo 2001
ispo 2001 310/04

CMYK 12 / 2 / 0 / 67

HEX #4A5254

RGB 74 82 84 1

HSL 192, 0.06%, 0.31%

LAB 34.25, -2.71, -2.26

ispo 2001
ispo 2001 330/30

CMYK 12 / 2 / 0 / 46

HEX #7A878A

RGB 122 135 138 1

HSL 191.25, 0.06%, 0.51%

LAB 55.38, -4.08, -3.23

ispo 2001
ispo 2001 330/31

CMYK 16 / 1 / 0 / 27

HEX #9CB8BA

RGB 156 184 186 1

HSL 184, 0.18%, 0.67%

LAB 72.82, -9.06, -4.21

ispo 2001
ispo 2001 330/02

CMYK 0 / 5 / 13 / 28

HEX #B8AFA1

RGB 184 175 161 1

HSL 36.52, 0.14%, 0.68%

LAB 71.84, 0.79, 8.32

ispo 2001
ispo 2001 250/42

CMYK 16 / 1 / 0 / 27

HEX #9CB8BA

RGB 156 184 186 1

HSL 184, 0.18%, 0.67%

LAB 72.82, -9.06, -4.21

ispo 2001
ispo 2001 330/02

CMYK 0 / 10 / 10 / 28

HEX #B8A5A6

RGB 184 165 166 1

HSL 356.84, 0.12%, 0.68%

LAB 69.37, 7.07, 1.99

ispo 2001
ispo 2001 290/12

CMYK 4 / 0 / 14 / 27

HEX #B1B9A0

RGB 177 185 160 1

HSL 79.2, 0.15%, 0.68%

LAB 73.92, -7.29, 11.75

ispo 2001
ispo 2001 360/22

CMYK 16 / 1 / 0 / 27

HEX #9CB8BA

RGB 156 184 186 1

HSL 184, 0.18%, 0.67%

LAB 72.82, -9.06, -4.21

ispo 2001
ispo 2001 330/02

CMYK 0 / 11 / 19 / 26

HEX #BCA898

RGB 188 168 152 1

HSL 26.67, 0.21%, 0.67%

LAB 70.15, 4.63, 10.9

ispo 2001
ispo 2001 260/42

CMYK 4 / 0 / 14 / 27

HEX #B1B9A0

RGB 177 185 160 1

HSL 79.2, 0.15%, 0.68%

LAB 73.92, -7.29, 11.75

ispo 2001
ispo 2001 360/22

CMYK 16 / 1 / 0 / 27

HEX #9CB8BA

RGB 156 184 186 1

HSL 184, 0.18%, 0.67%

LAB 72.82, -9.06, -4.21

ispo 2001
ispo 2001 330/02

CMYK 9 / 6 / 0 / 28

HEX #A7ACB7

RGB 167 172 183 1

HSL 221.25, 0.1%, 0.69%

LAB 70.27, 0.43, -6.24

ispo 2001
ispo 2001 300/12

CMYK 0 / 11 / 19 / 26

HEX #BCA898

RGB 188 168 152 1

HSL 26.67, 0.21%, 0.67%

LAB 70.15, 4.63, 10.9

ispo 2001
ispo 2001 260/42

CMYK 11 / 0 / 16 / 27

HEX #A5B99C

RGB 165 185 156 1

HSL 101.38, 0.17%, 0.67%

LAB 72.96, -12.31, 12.43

ispo 2001
ispo 2001 350/02

Description

Color code: ispo 2001 - ispo 2001 330/02 | qconv.com Color code: ispo 2001 - ispo 2001 330/02 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 184 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 184 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 1 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 1% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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