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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone HKS 61 it is the complementary color HKS 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color HKS 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone HKS 61: , , , and

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color HKS 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone HKS 61: , ,

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 12 / 67

HEX #2A5349

RGB 42 83 73

HSL 165.37, 0.33%, 0.25%

LAB 32.17, -17.19, 1.4

HKS 61

Complementary color

CMYK 6 / 0 / 10 / 27

HEX #ADB9A6

RGB 173 185 166

HSL 97.89, 0.12%, 0.69%

LAB 73.76, -7.69, 8.22

HKS 91

CMYK 49 / 0 / 12 / 67

HEX #2A5349

RGB 42 83 73

HSL 165.37, 0.33%, 0.25%

LAB 32.17, -17.19, 1.4

HKS 61

CMYK 5 / 0 / 7 / 50

HEX #7A8077

RGB 122 128 119

HSL 100, 0.04%, 0.48%

LAB 52.85, -4.02, 4.11

HKS 92

CMYK 6 / 0 / 10 / 27

HEX #ADB9A6

RGB 173 185 166

HSL 97.89, 0.12%, 0.69%

LAB 73.76, -7.69, 8.22

HKS 91

CMYK 6 / 0 / 10 / 27

HEX #ADB9A6

RGB 173 185 166

HSL 97.89, 0.12%, 0.69%

LAB 73.76, -7.69, 8.22

HKS 91

CMYK 0 / 11 / 61 / 0

HEX #FFE263

RGB 255 226 99

HSL 48.85, 1%, 0.69%

LAB 90.12, -4.39, 64.1

HKS 1

CMYK 49 / 0 / 12 / 67

HEX #2A5349

RGB 42 83 73

HSL 165.37, 0.33%, 0.25%

LAB 32.17, -17.19, 1.4

HKS 61

CMYK 0 / 3 / 23 / 86

HEX #23221B

RGB 35 34 27

HSL 52.5, 0.13%, 0.12%

LAB 13.11, -1.1, 4.9

HKS 88

CMYK 0 / 3 / 23 / 86

HEX #23221B

RGB 35 34 27

HSL 52.5, 0.13%, 0.12%

LAB 13.11, -1.1, 4.9

HKS 88

CMYK 49 / 0 / 12 / 67

HEX #2A5349

RGB 42 83 73

HSL 165.37, 0.33%, 0.25%

LAB 32.17, -17.19, 1.4

HKS 61

CMYK 49 / 0 / 12 / 67

HEX #2A5349

RGB 42 83 73

HSL 165.37, 0.33%, 0.25%

LAB 32.17, -17.19, 1.4

HKS 61

CMYK 49 / 0 / 12 / 67

HEX #2A5349

RGB 42 83 73

HSL 165.37, 0.33%, 0.25%

LAB 32.17, -17.19, 1.4

HKS 61

CMYK 53 / 24 / 0 / 66

HEX #284156

RGB 40 65 86

HSL 207.39, 0.37%, 0.25%

LAB 26.46, -2.87, -15.55

HKS 41

CMYK 53 / 24 / 0 / 66

HEX #284156

RGB 40 65 86

HSL 207.39, 0.37%, 0.25%

LAB 26.46, -2.87, -15.55

HKS 41

CMYK 49 / 0 / 12 / 67

HEX #2A5349

RGB 42 83 73

HSL 165.37, 0.33%, 0.25%

LAB 32.17, -17.19, 1.4

HKS 61

CMYK 5 / 0 / 7 / 50

HEX #7A8077

RGB 122 128 119

HSL 100, 0.04%, 0.48%

LAB 52.85, -4.02, 4.11

HKS 92

CMYK 6 / 0 / 10 / 27

HEX #ADB9A6

RGB 173 185 166

HSL 97.89, 0.12%, 0.69%

LAB 73.76, -7.69, 8.22

HKS 91

CMYK 6 / 0 / 10 / 27

HEX #ADB9A6

RGB 173 185 166

HSL 97.89, 0.12%, 0.69%

LAB 73.76, -7.69, 8.22

HKS 91

CMYK 0 / 3 / 23 / 86

HEX #23221B

RGB 35 34 27

HSL 52.5, 0.13%, 0.12%

LAB 13.11, -1.1, 4.9

HKS 88

CMYK 49 / 0 / 12 / 67

HEX #2A5349

RGB 42 83 73

HSL 165.37, 0.33%, 0.25%

LAB 32.17, -17.19, 1.4

HKS 61

CMYK 53 / 24 / 0 / 66

HEX #284156

RGB 40 65 86

HSL 207.39, 0.37%, 0.25%

LAB 26.46, -2.87, -15.55

HKS 41

CMYK 0 / 19 / 54 / 65

HEX #5A4929

RGB 90 73 41

HSL 39.18, 0.37%, 0.26%

LAB 32.03, 2.55, 21.75

HKS 76

CMYK 49 / 0 / 12 / 67

HEX #2A5349

RGB 42 83 73

HSL 165.37, 0.33%, 0.25%

LAB 32.17, -17.19, 1.4

HKS 61

CMYK 30 / 57 / 0 / 53

HEX #543478

RGB 84 52 120

HSL 268.24, 0.4%, 0.34%

LAB 28.63, 29.21, -33.68

HKS 37

CMYK 0 / 19 / 54 / 65

HEX #5A4929

RGB 90 73 41

HSL 39.18, 0.37%, 0.26%

LAB 32.03, 2.55, 21.75

HKS 76

CMYK 49 / 0 / 12 / 67

HEX #2A5349

RGB 42 83 73

HSL 165.37, 0.33%, 0.25%

LAB 32.17, -17.19, 1.4

HKS 61

CMYK 53 / 24 / 0 / 66

HEX #284156

RGB 40 65 86

HSL 207.39, 0.37%, 0.25%

LAB 26.46, -2.87, -15.55

HKS 41

CMYK 0 / 15 / 29 / 76

HEX #3E352C

RGB 62 53 44

HSL 30, 0.17%, 0.21%

LAB 22.83, 2.28, 7.15

HKS 90

CMYK 0 / 19 / 54 / 65

HEX #5A4929

RGB 90 73 41

HSL 39.18, 0.37%, 0.26%

LAB 32.03, 2.55, 21.75

HKS 76

CMYK 49 / 0 / 12 / 67

HEX #2A5349

RGB 42 83 73

HSL 165.37, 0.33%, 0.25%

LAB 32.17, -17.19, 1.4

HKS 61

CMYK 53 / 24 / 0 / 66

HEX #284156

RGB 40 65 86

HSL 207.39, 0.37%, 0.25%

LAB 26.46, -2.87, -15.55

HKS 41

CMYK 0 / 15 / 29 / 76

HEX #3E352C

RGB 62 53 44

HSL 30, 0.17%, 0.21%

LAB 22.83, 2.28, 7.15

HKS 90

CMYK 0 / 19 / 54 / 65

HEX #5A4929

RGB 90 73 41

HSL 39.18, 0.37%, 0.26%

LAB 32.03, 2.55, 21.75

HKS 76

Description

Color code: HKS 61 | qconv.com Color code: HKS 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 83 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 83 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 12 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 12% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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RAL® to NCS®

convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)

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HKS® to RGB

convert from HKS®-number (HKS 00) to RGB red green blue

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convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black

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convert from HKS®-number (HKS 00) to #RRGGBB

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

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convert from Pantone®-number (Pantone 0000) to RGB red green blue

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

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convert from Pantone®-number (Pantone 0000) to #RRGGBB

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convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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NCS® to PANTONE®

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