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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 46 / 0 / 48 / 58 it is the complementary color CMYK 1 / 26 / 0 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 46 / 0 / 48 / 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 46 / 0 / 48 / 58: CMYK 41 / 0 / 52 / 58, CMYK 36 / 0 / 44 / 51, CMYK 32 / 0 / 38 / 44, CMYK 29 / 0 / 33 / 37 and CMYK 27 / 0 / 29 / 30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 46 / 0 / 48 / 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 46 / 0 / 48 / 58: CMYK 46 / 0 / 48 / 58, CMYK 54 / 0 / 58 / 65, CMYK 66 / 0 / 75 / 72, CMYK 87 / 0 / 100 / 79 and CMYK 100 / 0 / 100 / 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 48 / 58

HEX #3A6B38

RGB 58 107 56

HSL 117.65, 0.31%, 0.32%

LAB 40.74, -28.05, 23.47

 

Complementary color

CMYK 1 / 26 / 0 / 22

HEX #C594C7

RGB 197 148 199

HSL 297.65, 0.31%, 0.68%

LAB 67.41, 27.06, -19.15

 

CMYK 41 / 0 / 52 / 58

HEX #3F6B33

RGB 63 107 51

HSL 107.14, 0.35%, 0.31%

LAB 40.91, -27.07, 26.53

 

CMYK 36 / 0 / 44 / 51

HEX #507D46

RGB 80 125 70

HSL 109.09, 0.28%, 0.38%

LAB 48.03, -26.91, 25.18

 

CMYK 32 / 0 / 38 / 44

HEX #618F59

RGB 97 143 89

HSL 111.11, 0.23%, 0.45%

LAB 54.98, -26.7, 23.89

 

CMYK 29 / 0 / 33 / 37

HEX #72A16C

RGB 114 161 108

HSL 113.21, 0.22%, 0.53%

LAB 61.78, -26.47, 22.69

 

CMYK 27 / 0 / 29 / 30

HEX #83B37F

RGB 131 179 127

HSL 115.38, 0.25%, 0.6%

LAB 68.46, -26.24, 21.56

 

CMYK 46 / 0 / 48 / 58

HEX #3A6B38

RGB 58 107 56

HSL 117.65, 0.31%, 0.32%

LAB 40.74, -28.05, 23.47

 

CMYK 54 / 0 / 58 / 65

HEX #295925

RGB 41 89 37

HSL 115.38, 0.41%, 0.25%

LAB 33.46, -28.09, 24.92

 

CMYK 66 / 0 / 75 / 72

HEX #184712

RGB 24 71 18

HSL 113.21, 0.6%, 0.17%

LAB 25.99, -27.71, 26.19

 

CMYK 87 / 0 / 100 / 79

HEX #073500

RGB 7 53 0

HSL 112.08, 1%, 0.1%

LAB 18.33, -26.55, 25.47

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 46 / 0 / 48 / 58

HEX #3A6B38

RGB 58 107 56

HSL 117.65, 0.31%, 0.32%

LAB 40.74, -28.05, 23.47

 

CMYK 47 / 0 / 42 / 58

HEX #386A3E

RGB 56 106 62

HSL 127.2, 0.31%, 0.32%

LAB 40.4, -27.2, 19.6

 

CMYK 47 / 0 / 34 / 58

HEX #386A46

RGB 56 106 70

HSL 136.8, 0.31%, 0.32%

LAB 40.56, -25.67, 15.11

 

CMYK 47 / 0 / 25 / 58

HEX #386A4F

RGB 56 106 79

HSL 147.6, 0.31%, 0.32%

LAB 40.76, -23.74, 10.01

 

CMYK 47 / 0 / 18 / 58

HEX #386A57

RGB 56 106 87

HSL 157.2, 0.31%, 0.32%

LAB 40.96, -21.86, 5.47

 

CMYK 46 / 0 / 48 / 58

HEX #3A6B38

RGB 58 107 56

HSL 117.65, 0.31%, 0.32%

LAB 40.74, -28.05, 23.47

 

CMYK 46 / 0 / 47 / 38

HEX #569E53

RGB 86 158 83

HSL 117.6, 0.31%, 0.47%

LAB 59.03, -38.26, 32.21

 

CMYK 46 / 0 / 48 / 18

HEX #71D16D

RGB 113 209 109

HSL 117.6, 0.52%, 0.62%

LAB 76.2, -48.25, 40.81

 

CMYK 40 / 0 / 40 / 98

HEX #030503

RGB 3 5 3

HSL 120, 0.25%, 0.02%

LAB 1.21, -0.8, 0.57

 

CMYK 46 / 0 / 48 / 78

HEX #1E381D

RGB 30 56 29

HSL 117.78, 0.32%, 0.17%

LAB 20.8, -16.75, 13.82

 

CMYK 46 / 0 / 48 / 58

HEX #3A6B38

RGB 58 107 56

HSL 117.65, 0.31%, 0.32%

LAB 40.74, -28.05, 23.47

 

CMYK 47 / 7 / 0 / 58

HEX #38636A

RGB 56 99 106

HSL 188.4, 0.31%, 0.32%

LAB 39.25, -12.86, -8.64

 

CMYK 0 / 47 / 25 / 58

HEX #6A384F

RGB 106 56 79

HSL 332.4, 0.31%, 0.32%

LAB 30.54, 25.34, -4.16

 

CMYK 46 / 0 / 48 / 58

HEX #3A6B38

RGB 58 107 56

HSL 117.65, 0.31%, 0.32%

LAB 40.74, -28.05, 23.47

 

CMYK 47 / 45 / 0 / 58

HEX #383A6A

RGB 56 58 106

HSL 237.6, 0.31%, 0.32%

LAB 26.47, 13.17, -28.39

 

CMYK 0 / 47 / 45 / 58

HEX #6A383A

RGB 106 56 58

HSL 357.6, 0.31%, 0.32%

LAB 29.91, 22.36, 8.64

 

CMYK 46 / 0 / 48 / 58

HEX #3A6B38

RGB 58 107 56

HSL 117.65, 0.31%, 0.32%

LAB 40.74, -28.05, 23.47

 

CMYK 47 / 7 / 0 / 58

HEX #38636A

RGB 56 99 106

HSL 188.4, 0.31%, 0.32%

LAB 39.25, -12.86, -8.64

 

CMYK 2 / 47 / 0 / 58

HEX #68386A

RGB 104 56 106

HSL 297.6, 0.31%, 0.32%

LAB 31.38, 29.65, -20.31

 

CMYK 0 / 41 / 47 / 58

HEX #6A3F38

RGB 106 63 56

HSL 8.4, 0.31%, 0.32%

LAB 31.59, 17.9, 12.24

 

CMYK 46 / 0 / 48 / 58

HEX #3A6B38

RGB 58 107 56

HSL 117.65, 0.31%, 0.32%

LAB 40.74, -28.05, 23.47

 

CMYK 47 / 21 / 0 / 58

HEX #38546A

RGB 56 84 106

HSL 206.4, 0.31%, 0.32%

LAB 34.44, -3.89, -15.94

 

CMYK 2 / 47 / 0 / 58

HEX #68386A

RGB 104 56 106

HSL 297.6, 0.31%, 0.32%

LAB 31.38, 29.65, -20.31

 

CMYK 0 / 25 / 47 / 58

HEX #6A4F38

RGB 106 79 56

HSL 27.6, 0.31%, 0.32%

LAB 35.87, 8.08, 17.96

 

Description

Color code: CMYK 46 / 0 / 48 / 58 | qconv.com Color code: CMYK 46 / 0 / 48 / 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 107 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 107 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 48 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 48% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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