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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6959CD it is the complementary color #96A632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6959CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6959CD: #6E59C8, #7F6BDB, #907DEE, #A18FFF and #B2A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6959CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6959CD: #6959CD, #5847BA, #4735A7, #362394 and #251181

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 57 / 0 / 20

HEX #6959CD

RGB 105 89 205

HSL 248.28, 0.54%, 0.58%

LAB 45.02, 36.43, -58.3

Slateblue3

Complementary color

CMYK 10 / 0 / 70 / 35

HEX #96A632

RGB 150 166 50

HSL 68.28, 0.54%, 0.42%

LAB 64.95, -21.1, 55.23

 

CMYK 45 / 56 / 0 / 22

HEX #6E59C8

RGB 110 89 200

HSL 251.35, 0.5%, 0.57%

LAB 45.12, 36.04, -55.23

 

CMYK 42 / 51 / 0 / 14

HEX #7F6BDB

RGB 127 107 219

HSL 250.71, 0.61%, 0.64%

LAB 52, 34.76, -54.96

 

CMYK 39 / 47 / 0 / 7

HEX #907DEE

RGB 144 125 238

HSL 250.09, 0.77%, 0.71%

LAB 58.76, 33.62, -54.71

 

CMYK 37 / 44 / 0 / 0

HEX #A18FFF

RGB 161 143 255

HSL 249.64, 1%, 0.78%

LAB 65.31, 32.07, -53.57

 

CMYK 30 / 37 / 0 / 0

HEX #B2A1FF

RGB 178 161 255

HSL 250.85, 1%, 0.82%

LAB 70.99, 26.38, -44.52

 

CMYK 49 / 57 / 0 / 20

HEX #6959CD

RGB 105 89 205

HSL 248.28, 0.54%, 0.58%

LAB 45.02, 36.43, -58.3

 

CMYK 53 / 62 / 0 / 27

HEX #5847BA

RGB 88 71 186

HSL 248.87, 0.45%, 0.5%

LAB 38.07, 37.99, -58.58

 

CMYK 57 / 68 / 0 / 35

HEX #4735A7

RGB 71 53 167

HSL 249.47, 0.52%, 0.43%

LAB 31.06, 39.69, -58.78

 

CMYK 64 / 76 / 0 / 42

HEX #362394

RGB 54 35 148

HSL 250.09, 0.62%, 0.36%

LAB 24.08, 41.4, -58.71

 

CMYK 71 / 87 / 0 / 49

HEX #251181

RGB 37 17 129

HSL 250.71, 0.77%, 0.29%

LAB 17.36, 42.61, -57.97

 

CMYK 49 / 57 / 0 / 20

HEX #6959CD

RGB 105 89 205

HSL 248.28, 0.54%, 0.58%

LAB 45.02, 36.43, -58.3

 

CMYK 40 / 56 / 0 / 20

HEX #7C5ACD

RGB 124 90 205

HSL 257.74, 0.53%, 0.58%

LAB 46.98, 40.05, -55.05

 

CMYK 30 / 56 / 0 / 20

HEX #905ACD

RGB 144 90 205

HSL 268.17, 0.53%, 0.58%

LAB 49.07, 44.84, -51.59

 

CMYK 20 / 56 / 0 / 20

HEX #A35ACD

RGB 163 90 205

HSL 278.09, 0.53%, 0.58%

LAB 51.27, 49.62, -47.93

 

CMYK 11 / 56 / 0 / 20

HEX #B65ACD

RGB 182 90 205

HSL 288, 0.53%, 0.58%

LAB 53.67, 54.52, -43.98

 

CMYK 49 / 57 / 0 / 20

HEX #6959CD

RGB 105 89 205

HSL 248.28, 0.54%, 0.58%

LAB 45.02, 36.43, -58.3

 

CMYK 0 / 100 / 0 / 100

HEX #010001

RGB 1 0 1

HSL 300, 1%, 0%

LAB 0.08, 0.4, -0.29

 

CMYK 48 / 56 / 0 / 80

HEX #1B1734

RGB 27 23 52

HSL 248.28, 0.39%, 0.15%

LAB 9.75, 10.94, -18.51

 

CMYK 49 / 56 / 0 / 60

HEX #352D67

RGB 53 45 103

HSL 248.28, 0.39%, 0.29%

LAB 22.35, 20.22, -33.05

 

CMYK 49 / 56 / 0 / 40

HEX #4F439A

RGB 79 67 154

HSL 248.28, 0.39%, 0.43%

LAB 34, 28.61, -46.11

 

CMYK 49 / 57 / 0 / 20

HEX #6959CD

RGB 105 89 205

HSL 248.28, 0.54%, 0.58%

LAB 45.02, 36.43, -58.3

 

CMYK 0 / 56 / 19 / 20

HEX #CD5AA7

RGB 205 90 167

HSL 319.83, 0.53%, 0.58%

LAB 55.16, 54.41, -19.51

 

CMYK 41 / 0 / 56 / 20

HEX #78CD5A

RGB 120 205 90

HSL 104.35, 0.53%, 0.58%

LAB 75.07, -46.82, 48.58

 

CMYK 49 / 57 / 0 / 20

HEX #6959CD

RGB 105 89 205

HSL 248.28, 0.54%, 0.58%

LAB 45.02, 36.43, -58.3

 

CMYK 0 / 49 / 56 / 20

HEX #CD695A

RGB 205 105 90

HSL 7.83, 0.53%, 0.58%

LAB 55.91, 38.16, 26.57

 

CMYK 56 / 0 / 49 / 20

HEX #5ACD69

RGB 90 205 105

HSL 127.83, 0.53%, 0.58%

LAB 74.1, -53.31, 39.97

 

CMYK 49 / 57 / 0 / 20

HEX #6959CD

RGB 105 89 205

HSL 248.28, 0.54%, 0.58%

LAB 45.02, 36.43, -58.3

 

CMYK 0 / 56 / 19 / 20

HEX #CD5AA7

RGB 205 90 167

HSL 319.83, 0.53%, 0.58%

LAB 55.16, 54.41, -19.51

 

CMYK 7 / 0 / 56 / 20

HEX #BECD5A

RGB 190 205 90

HSL 67.83, 0.53%, 0.58%

LAB 79.24, -21.08, 54.47

 

CMYK 56 / 0 / 38 / 20

HEX #5ACD80

RGB 90 205 128

HSL 139.83, 0.53%, 0.58%

LAB 74.44, -49.61, 28.76

 

CMYK 49 / 57 / 0 / 20

HEX #6959CD

RGB 105 89 205

HSL 248.28, 0.54%, 0.58%

LAB 45.02, 36.43, -58.3

 

CMYK 0 / 56 / 36 / 20

HEX #CD5A84

RGB 205 90 132

HSL 338.09, 0.53%, 0.58%

LAB 53.98, 49.77, -0.7

 

CMYK 7 / 0 / 56 / 20

HEX #BECD5A

RGB 190 205 90

HSL 67.83, 0.53%, 0.58%

LAB 79.24, -21.08, 54.47

 

CMYK 56 / 0 / 20 / 20

HEX #5ACDA3

RGB 90 205 163

HSL 158.09, 0.53%, 0.58%

LAB 75.13, -42.58, 11.2

 

Description

Color name: Slateblue3 HEX #6959CD | qconv.com Color name: Slateblue3 HEX #6959CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as SlateBlue3.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 89 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 89 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 57 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 57% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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