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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 53 / 62 / 0 / 27 it is the complementary color CMYK 9 / 0 / 63 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 53 / 62 / 0 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 53 / 62 / 0 / 27: CMYK 49 / 61 / 0 / 29, CMYK 46 / 56 / 0 / 22, CMYK 42 / 51 / 0 / 14, CMYK 40 / 47 / 0 / 7 and CMYK 37 / 44 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 53 / 62 / 0 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 53 / 62 / 0 / 27: CMYK 53 / 62 / 0 / 27, CMYK 58 / 68 / 0 / 35, CMYK 64 / 76 / 0 / 42, CMYK 72 / 87 / 0 / 49 and CMYK 83 / 100 / 0 / 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 62 / 0 / 27

HEX #5747BA

RGB 87 71 186

HSL 248.35, 0.45%, 0.5%

LAB 37.98, 37.8, -58.73

 

Complementary color

CMYK 9 / 0 / 63 / 28

HEX #A8B845

RGB 168 184 69

HSL 68.35, 0.45%, 0.5%

LAB 71.58, -21.3, 54.78

 

CMYK 49 / 61 / 0 / 29

HEX #5C47B5

RGB 92 71 181

HSL 251.45, 0.44%, 0.49%

LAB 38.05, 37.26, -55.65

 

CMYK 46 / 56 / 0 / 22

HEX #6D59C8

RGB 109 89 200

HSL 250.81, 0.5%, 0.57%

LAB 45.03, 35.82, -55.38

 

CMYK 42 / 51 / 0 / 14

HEX #7E6BDB

RGB 126 107 219

HSL 250.18, 0.61%, 0.64%

LAB 51.91, 34.53, -55.1

 

CMYK 40 / 47 / 0 / 7

HEX #8F7DEE

RGB 143 125 238

HSL 249.56, 0.77%, 0.71%

LAB 58.68, 33.38, -54.85

 

CMYK 37 / 44 / 0 / 0

HEX #A08FFF

RGB 160 143 255

HSL 249.11, 1%, 0.78%

LAB 65.23, 31.82, -53.71

 

CMYK 53 / 62 / 0 / 27

HEX #5747BA

RGB 87 71 186

HSL 248.35, 0.45%, 0.5%

LAB 37.98, 37.8, -58.73

 

CMYK 58 / 68 / 0 / 35

HEX #4635A7

RGB 70 53 167

HSL 248.95, 0.52%, 0.43%

LAB 30.97, 39.53, -58.93

 

CMYK 64 / 76 / 0 / 42

HEX #352394

RGB 53 35 148

HSL 249.56, 0.62%, 0.36%

LAB 23.99, 41.27, -58.86

 

CMYK 72 / 87 / 0 / 49

HEX #241181

RGB 36 17 129

HSL 250.18, 0.77%, 0.29%

LAB 17.28, 42.53, -58.12

 

CMYK 83 / 100 / 0 / 57

HEX #13006E

RGB 19 0 110

HSL 250.36, 1%, 0.22%

LAB 11.02, 42.98, -56.32

 

CMYK 53 / 62 / 0 / 27

HEX #5747BA

RGB 87 71 186

HSL 248.35, 0.45%, 0.5%

LAB 37.98, 37.8, -58.73

 

CMYK 43 / 62 / 0 / 28

HEX #6846B8

RGB 104 70 184

HSL 257.89, 0.45%, 0.5%

LAB 39.21, 41.22, -55.48

 

CMYK 33 / 62 / 0 / 28

HEX #7B46B8

RGB 123 70 184

HSL 267.89, 0.45%, 0.5%

LAB 41.3, 45.43, -52.01

 

CMYK 23 / 62 / 0 / 28

HEX #8E46B8

RGB 142 70 184

HSL 277.89, 0.45%, 0.5%

LAB 43.64, 49.91, -48.12

 

CMYK 13 / 62 / 0 / 28

HEX #A146B8

RGB 161 70 184

HSL 287.89, 0.45%, 0.5%

LAB 46.2, 54.54, -43.88

 

CMYK 53 / 62 / 0 / 27

HEX #5747BA

RGB 87 71 186

HSL 248.35, 0.45%, 0.5%

LAB 37.98, 37.8, -58.73

 

CMYK 53 / 62 / 0 / 7

HEX #6F5AED

RGB 111 90 237

HSL 248.57, 0.8%, 0.64%

LAB 48.01, 46.54, -71.61

 

CMYK 55 / 61 / 0 / 87

HEX #0F0D21

RGB 15 13 33

HSL 246, 0.43%, 0.09%

LAB 4.51, 5.77, -12.61

 

CMYK 54 / 62 / 0 / 67

HEX #272054

RGB 39 32 84

HSL 248.08, 0.45%, 0.23%

LAB 16.03, 19.15, -30.72

 

CMYK 53 / 61 / 0 / 47

HEX #3F3487

RGB 63 52 135

HSL 247.95, 0.44%, 0.37%

LAB 27.47, 28.52, -45.08

 

CMYK 53 / 62 / 0 / 27

HEX #5747BA

RGB 87 71 186

HSL 248.35, 0.45%, 0.5%

LAB 37.98, 37.8, -58.73

 

CMYK 0 / 62 / 21 / 28

HEX #B84692

RGB 184 70 146

HSL 320, 0.45%, 0.5%

LAB 47.81, 54.23, -18.63

 

CMYK 46 / 0 / 62 / 28

HEX #64B846

RGB 100 184 70

HSL 104.21, 0.45%, 0.5%

LAB 67.6, -46.52, 48.84

 

CMYK 53 / 62 / 0 / 27

HEX #5747BA

RGB 87 71 186

HSL 248.35, 0.45%, 0.5%

LAB 37.98, 37.8, -58.73

 

CMYK 0 / 54 / 62 / 28

HEX #B85546

RGB 184 85 70

HSL 7.89, 0.45%, 0.5%

LAB 48.42, 38.88, 27.91

 

CMYK 62 / 0 / 54 / 28

HEX #46B855

RGB 70 184 85

HSL 127.89, 0.45%, 0.5%

LAB 66.7, -52.74, 40.54

 

CMYK 53 / 62 / 0 / 27

HEX #5747BA

RGB 87 71 186

HSL 248.35, 0.45%, 0.5%

LAB 37.98, 37.8, -58.73

 

CMYK 0 / 62 / 21 / 28

HEX #B84692

RGB 184 70 146

HSL 320, 0.45%, 0.5%

LAB 47.81, 54.23, -18.63

 

CMYK 8 / 0 / 62 / 28

HEX #A9B846

RGB 169 184 70

HSL 67.89, 0.45%, 0.5%

LAB 71.66, -20.81, 54.46

 

CMYK 62 / 0 / 41 / 28

HEX #46B86C

RGB 70 184 108

HSL 140, 0.45%, 0.5%

LAB 67.03, -49.15, 29.3

 

CMYK 53 / 62 / 0 / 27

HEX #5747BA

RGB 87 71 186

HSL 248.35, 0.45%, 0.5%

LAB 37.98, 37.8, -58.73

 

CMYK 0 / 62 / 39 / 28

HEX #B84670

RGB 184 70 112

HSL 337.89, 0.45%, 0.5%

LAB 46.63, 49.89, 0.17

 

CMYK 8 / 0 / 62 / 28

HEX #A9B846

RGB 169 184 70

HSL 67.89, 0.45%, 0.5%

LAB 71.66, -20.81, 54.46

 

CMYK 62 / 0 / 23 / 28

HEX #46B88E

RGB 70 184 142

HSL 157.89, 0.45%, 0.5%

LAB 67.68, -42.26, 11.94

 

Description

Color code: CMYK 53 / 62 / 0 / 27 | qconv.com Color code: CMYK 53 / 62 / 0 / 27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 71 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 71 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 62 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 62% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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