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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB7093 it is the complementary color #248F6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB7093. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DB7093: #E0708E, #F182A1, #FF94B4, #FFA6C7 and #FFB8DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB7093. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DB7093: #DB7093, #CA5E80, #B94C6D, #A83A5A and #972847

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 33 / 14

HEX #DB7093

RGB 219 112 147

HSL 340.37, 0.6%, 0.65%

LAB 60.56, 45.53, 0.39

Pale Violet Red

Complementary color

CMYK 75 / 0 / 24 / 44

HEX #248F6C

RGB 36 143 108

HSL 160.37, 0.6%, 0.35%

LAB 53.06, -38.38, 10.2

 

CMYK 0 / 50 / 37 / 12

HEX #E0708E

RGB 224 112 142

HSL 343.93, 0.64%, 0.66%

LAB 61.12, 46.64, 4.17

 

CMYK 0 / 46 / 33 / 5

HEX #F182A1

RGB 241 130 161

HSL 343.24, 0.8%, 0.73%

LAB 67.46, 45.75, 2.79

 

CMYK 0 / 42 / 29 / 0

HEX #FF94B4

RGB 255 148 180

HSL 342.06, 1%, 0.79%

LAB 73.37, 43.85, 0.99

 

CMYK 0 / 35 / 22 / 0

HEX #FFA6C7

RGB 255 166 199

HSL 337.75, 1%, 0.83%

LAB 77.67, 37.18, -3.16

 

CMYK 0 / 28 / 15 / 0

HEX #FFB8DA

RGB 255 184 218

HSL 331.27, 1%, 0.86%

LAB 82.16, 30.62, -6.82

 

CMYK 0 / 49 / 33 / 14

HEX #DB7093

RGB 219 112 147

HSL 340.37, 0.6%, 0.65%

LAB 60.56, 45.53, 0.39

 

CMYK 0 / 53 / 37 / 21

HEX #CA5E80

RGB 202 94 128

HSL 341.11, 0.5%, 0.58%

LAB 54.15, 46.37, 1.86

 

CMYK 0 / 59 / 41 / 27

HEX #B94C6D

RGB 185 76 109

HSL 341.83, 0.44%, 0.51%

LAB 47.74, 47.13, 3.62

 

CMYK 0 / 65 / 46 / 34

HEX #A83A5A

RGB 168 58 90

HSL 342.55, 0.49%, 0.44%

LAB 41.36, 47.7, 5.81

 

CMYK 0 / 74 / 53 / 41

HEX #972847

RGB 151 40 71

HSL 343.24, 0.58%, 0.37%

LAB 35.11, 47.85, 8.61

 

CMYK 0 / 49 / 33 / 14

HEX #DB7093

RGB 219 112 147

HSL 340.37, 0.6%, 0.65%

LAB 60.56, 45.53, 0.39

 

CMYK 0 / 49 / 41 / 14

HEX #DB7082

RGB 219 112 130

HSL 349.91, 0.6%, 0.65%

LAB 60.12, 43.55, 9.57

 

CMYK 0 / 49 / 49 / 14

HEX #DB7070

RGB 219 112 112

HSL 0, 0.6%, 0.65%

LAB 59.72, 41.73, 19.39

 

CMYK 0 / 41 / 49 / 14

HEX #DB8270

RGB 219 130 112

HSL 10.09, 0.6%, 0.65%

LAB 63.5, 32.38, 24.48

 

CMYK 0 / 33 / 49 / 14

HEX #DB9370

RGB 219 147 112

HSL 19.63, 0.6%, 0.65%

LAB 67.35, 23.29, 29.55

 

CMYK 0 / 49 / 33 / 14

HEX #DB7093

RGB 219 112 147

HSL 340.37, 0.6%, 0.65%

LAB 60.56, 45.53, 0.39

 

CMYK 0 / 47 / 33 / 94

HEX #0F080A

RGB 15 8 10

HSL 342.86, 0.3%, 0.05%

LAB 2.68, 2.3, -0.04

 

CMYK 0 / 48 / 33 / 74

HEX #42222C

RGB 66 34 44

HSL 341.25, 0.32%, 0.2%

LAB 17.85, 16.78, 0.11

 

CMYK 0 / 49 / 32 / 54

HEX #753C4F

RGB 117 60 79

HSL 340, 0.32%, 0.35%

LAB 33.09, 27.28, -0.21

 

CMYK 0 / 49 / 33 / 34

HEX #A85671

RGB 168 86 113

HSL 340.24, 0.32%, 0.5%

LAB 47.2, 36.69, 0.1

 

CMYK 0 / 49 / 33 / 14

HEX #DB7093

RGB 219 112 147

HSL 340.37, 0.6%, 0.65%

LAB 60.56, 45.53, 0.39

 

CMYK 0 / 6 / 49 / 14

HEX #DBCD70

RGB 219 205 112

HSL 52.15, 0.6%, 0.65%

LAB 81.78, -7.43, 47.7

 

CMYK 49 / 13 / 0 / 14

HEX #70BEDB

RGB 112 190 219

HSL 196.26, 0.6%, 0.65%

LAB 73.15, -16.29, -21.97

 

CMYK 0 / 49 / 33 / 14

HEX #DB7093

RGB 219 112 147

HSL 340.37, 0.6%, 0.65%

LAB 60.56, 45.53, 0.39

 

CMYK 33 / 0 / 49 / 14

HEX #93DB70

RGB 147 219 112

HSL 100.37, 0.6%, 0.65%

LAB 80.76, -41.47, 45.33

 

CMYK 49 / 33 / 0 / 14

HEX #7093DB

RGB 112 147 219

HSL 220.37, 0.6%, 0.65%

LAB 61.16, 7.49, -40.5

 

CMYK 0 / 49 / 33 / 14

HEX #DB7093

RGB 219 112 147

HSL 340.37, 0.6%, 0.65%

LAB 60.56, 45.53, 0.39

 

CMYK 0 / 6 / 49 / 14

HEX #DBCD70

RGB 219 205 112

HSL 52.15, 0.6%, 0.65%

LAB 81.78, -7.43, 47.7

 

CMYK 49 / 0 / 16 / 14

HEX #70DBB7

RGB 112 219 183

HSL 159.81, 0.6%, 0.65%

LAB 80.47, -39.4, 8.26

 

CMYK 49 / 42 / 0 / 14

HEX #707EDB

RGB 112 126 219

HSL 232.15, 0.6%, 0.65%

LAB 55.56, 19.93, -49.33

 

CMYK 0 / 49 / 33 / 14

HEX #DB7093

RGB 219 112 147

HSL 340.37, 0.6%, 0.65%

LAB 60.56, 45.53, 0.39

 

CMYK 8 / 0 / 49 / 14

HEX #C9DB70

RGB 201 219 112

HSL 70.09, 0.6%, 0.65%

LAB 84.1, -21.61, 50.16

 

CMYK 49 / 0 / 16 / 14

HEX #70DBB7

RGB 112 219 183

HSL 159.81, 0.6%, 0.65%

LAB 80.47, -39.4, 8.26

 

CMYK 41 / 49 / 0 / 14

HEX #8270DB

RGB 130 112 219

HSL 250.09, 0.6%, 0.65%

LAB 53.44, 32.55, -52.64

 

Description

Color name: Pale Violet Red HEX #DB7093 | qconv.com Color name: Pale Violet Red HEX #DB7093 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as pale violet red.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 112 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 112 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 33 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 33% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - まつげ美容液EYELASH CUBE
Link: http://www.alphaway.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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