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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #972847 it is the complementary color #68D7B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #972847. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #972847 shade: #9C2842, #AD3A55, #BE4C68, #CF5E7B and #E0708E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #972847. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #972847 shade: #972847, #861634, #750421, #64000E and #530000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #972847 shade: #952746, #952728 and #952727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #972847 shade: #952746, #952763, #952781, #8B2795 and #6D2795

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #972847 shade matches the following richer shades: #952746, #A4183F and #B30938

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #972847 shade: #952746, #85364C, #764653, #67555A and #586461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #972847 shade: #952781, #952763, #952746, #952729 and #954227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #972847 shade: #531627, #741E36, #952746, #B53055 and #CC4269

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #972847 shade: #972847, #958B27 and #277295

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #972847 shade: #972847, #469527 and #274695

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #972847 shade: #972847, #958B27, #279576 and #273095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #972847 shade: #972847, #7D9527, #279576 and #3F2795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 53 / 41

HEX #972847

RGB 151 40 71

HSL 343.24, 0.58%, 0.37%

LAB 35.11, 47.85, 8.61

 

Complementary color

CMYK 52 / 0 / 14 / 16

HEX #68D7B8

RGB 104 215 184

HSL 163.24, 0.58%, 0.63%

LAB 79.04, -39.21, 5.63

 

CMYK 0 / 74 / 58 / 39

HEX #9C2842

RGB 156 40 66

HSL 346.55, 0.59%, 0.38%

LAB 35.94, 49, 13.14

 

CMYK 0 / 66 / 51 / 32

HEX #AD3A55

RGB 173 58 85

HSL 345.91, 0.5%, 0.45%

LAB 42.1, 48.86, 10.11

 

CMYK 0 / 60 / 45 / 25

HEX #BE4C68

RGB 190 76 104

HSL 345.26, 0.47%, 0.52%

LAB 48.41, 48.29, 7.72

 

CMYK 0 / 55 / 41 / 19

HEX #CF5E7B

RGB 207 94 123

HSL 344.6, 0.54%, 0.59%

LAB 54.76, 47.51, 5.79

 

CMYK 0 / 50 / 37 / 12

HEX #E0708E

RGB 224 112 142

HSL 343.93, 0.64%, 0.66%

LAB 61.12, 46.64, 4.17

 

CMYK 0 / 74 / 53 / 41

HEX #972847

RGB 151 40 71

HSL 343.24, 0.58%, 0.37%

LAB 35.11, 47.85, 8.61

 

CMYK 0 / 84 / 61 / 47

HEX #861634

RGB 134 22 52

HSL 343.93, 0.72%, 0.31%

LAB 29.13, 47.17, 12.34

 

CMYK 0 / 97 / 72 / 54

HEX #750421

RGB 117 4 33

HSL 344.6, 0.93%, 0.24%

LAB 23.6, 45.23, 17.3

 

CMYK 0 / 100 / 86 / 61

HEX #64000E

RGB 100 0 14

HSL 351.6, 1%, 0.2%

LAB 18.98, 40.68, 23.23

 

CMYK 0 / 100 / 100 / 67

HEX #530000

RGB 83 0 0

HSL 0, 1%, 0.16%

LAB 14.62, 35.43, 22.82

 

CMYK 0 / 74 / 53 / 42

HEX #952746

RGB 149 39 70

HSL 343.09, 0.59%, 0.37%

LAB 34.57, 47.52, 8.45

 

CMYK 0 / 74 / 73 / 42

HEX #952728

RGB 149 39 40

HSL 359.45, 0.59%, 0.37%

LAB 33.97, 45.51, 26.85

 

CMYK 0 / 74 / 74 / 42

HEX #952727

RGB 149 39 39

HSL 0, 0.59%, 0.37%

LAB 33.96, 45.46, 27.45

 

CMYK 0 / 74 / 53 / 42

HEX #952746

RGB 149 39 70

HSL 343.09, 0.59%, 0.37%

LAB 34.57, 47.52, 8.45

 

CMYK 0 / 74 / 34 / 42

HEX #952763

RGB 149 39 99

HSL 327.27, 0.59%, 0.37%

LAB 35.48, 50.51, -8.91

 

CMYK 0 / 74 / 13 / 42

HEX #952781

RGB 149 39 129

HSL 310.91, 0.59%, 0.37%

LAB 36.79, 54.62, -25.78

 

CMYK 7 / 74 / 0 / 42

HEX #8B2795

RGB 139 39 149

HSL 294.55, 0.59%, 0.37%

LAB 36.2, 55.61, -39.14

 

CMYK 27 / 74 / 0 / 42

HEX #6D2795

RGB 109 39 149

HSL 278.18, 0.59%, 0.37%

LAB 31.51, 49.18, -46.91

 

CMYK 0 / 74 / 53 / 42

HEX #952746

RGB 149 39 70

HSL 343.09, 0.59%, 0.37%

LAB 34.57, 47.52, 8.45

 

CMYK 0 / 85 / 62 / 36

HEX #A4183F

RGB 164 24 63

HSL 343.29, 0.74%, 0.37%

LAB 35.8, 55.84, 15.16

 

CMYK 0 / 95 / 69 / 30

HEX #B30938

RGB 179 9 56

HSL 343.41, 0.9%, 0.37%

LAB 37.96, 61.82, 23.07

 

CMYK 0 / 74 / 53 / 42

HEX #952746

RGB 149 39 70

HSL 343.09, 0.59%, 0.37%

LAB 34.57, 47.52, 8.45

 

CMYK 0 / 59 / 43 / 48

HEX #85364C

RGB 133 54 76

HSL 343.29, 0.42%, 0.37%

LAB 34.29, 36.13, 3.77

 

CMYK 0 / 41 / 30 / 54

HEX #764653

RGB 118 70 83

HSL 343.75, 0.26%, 0.37%

LAB 35.71, 22.42, 1.07

 

CMYK 0 / 17 / 13 / 60

HEX #67555A

RGB 103 85 90

HSL 343.33, 0.1%, 0.37%

LAB 38.05, 8.34, -0.13

 

CMYK 12 / 0 / 3 / 61

HEX #586461

RGB 88 100 97

HSL 165, 0.06%, 0.37%

LAB 41.3, -5.26, 0.13

 

CMYK 0 / 74 / 13 / 42

HEX #952781

RGB 149 39 129

HSL 310.91, 0.59%, 0.37%

LAB 36.79, 54.62, -25.78

 

CMYK 0 / 74 / 34 / 42

HEX #952763

RGB 149 39 99

HSL 327.27, 0.59%, 0.37%

LAB 35.48, 50.51, -8.91

 

CMYK 0 / 74 / 53 / 42

HEX #952746

RGB 149 39 70

HSL 343.09, 0.59%, 0.37%

LAB 34.57, 47.52, 8.45

 

CMYK 0 / 74 / 72 / 42

HEX #952729

RGB 149 39 41

HSL 358.91, 0.59%, 0.37%

LAB 33.98, 45.56, 26.25

 

CMYK 0 / 56 / 74 / 42

HEX #954227

RGB 149 66 39

HSL 14.73, 0.59%, 0.37%

LAB 38.61, 33.06, 32.7

 

CMYK 0 / 73 / 53 / 67

HEX #531627

RGB 83 22 39

HSL 343.28, 0.58%, 0.21%

LAB 18.18, 29.71, 4.54

 

CMYK 0 / 74 / 53 / 55

HEX #741E36

RGB 116 30 54

HSL 343.26, 0.59%, 0.29%

LAB 26.47, 39.05, 6.75

 

CMYK 0 / 74 / 53 / 42

HEX #952746

RGB 149 39 70

HSL 343.09, 0.59%, 0.37%

LAB 34.57, 47.52, 8.45

 

CMYK 0 / 73 / 53 / 29

HEX #B53055

RGB 181 48 85

HSL 343.31, 0.58%, 0.45%

LAB 42.14, 55.22, 10.38

 

CMYK 0 / 68 / 49 / 20

HEX #CC4269

RGB 204 66 105

HSL 343.04, 0.58%, 0.53%

LAB 49.2, 57.13, 8.56

 

CMYK 0 / 74 / 53 / 41

HEX #972847

RGB 151 40 71

HSL 343.24, 0.58%, 0.37%

LAB 35.11, 47.85, 8.61

 

CMYK 0 / 7 / 74 / 42

HEX #958B27

RGB 149 139 39

HSL 54.55, 0.59%, 0.37%

LAB 57.08, -8.02, 51.68

 

CMYK 74 / 23 / 0 / 42

HEX #277295

RGB 39 114 149

HSL 199.09, 0.59%, 0.37%

LAB 45.13, -10.74, -25.62

 

CMYK 0 / 74 / 53 / 41

HEX #972847

RGB 151 40 71

HSL 343.24, 0.58%, 0.37%

LAB 35.11, 47.85, 8.61

 

CMYK 53 / 0 / 74 / 42

HEX #469527

RGB 70 149 39

HSL 103.09, 0.59%, 0.37%

LAB 55.01, -44.32, 47.93

 

CMYK 74 / 53 / 0 / 42

HEX #274695

RGB 39 70 149

HSL 223.09, 0.59%, 0.37%

LAB 31.76, 17.29, -46.82

 

CMYK 0 / 74 / 53 / 41

HEX #972847

RGB 151 40 71

HSL 343.24, 0.58%, 0.37%

LAB 35.11, 47.85, 8.61

 

CMYK 0 / 7 / 74 / 42

HEX #958B27

RGB 149 139 39

HSL 54.55, 0.59%, 0.37%

LAB 57.08, -8.02, 51.68

 

CMYK 74 / 0 / 21 / 42

HEX #279576

RGB 39 149 118

HSL 163.09, 0.59%, 0.37%

LAB 55.31, -38.06, 7.69

 

CMYK 74 / 68 / 0 / 42

HEX #273095

RGB 39 48 149

HSL 235.09, 0.59%, 0.37%

LAB 25.91, 32.08, -56.36

 

CMYK 0 / 74 / 53 / 41

HEX #972847

RGB 151 40 71

HSL 343.24, 0.58%, 0.37%

LAB 35.11, 47.85, 8.61

 

CMYK 16 / 0 / 74 / 42

HEX #7D9527

RGB 125 149 39

HSL 73.09, 0.59%, 0.37%

LAB 58.04, -23.88, 51.94

 

CMYK 74 / 0 / 21 / 42

HEX #279576

RGB 39 149 118

HSL 163.09, 0.59%, 0.37%

LAB 55.31, -38.06, 7.69

 

CMYK 58 / 74 / 0 / 42

HEX #3F2795

RGB 63 39 149

HSL 253.09, 0.59%, 0.37%

LAB 25.8, 40.78, -56.48

 

Description

Color code: HEX #972847 | qconv.com Color code: HEX #972847 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 40 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 40 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 53 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 53% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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