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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B3E2F it is the complementary color #74C1D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B3E2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8B3E2F: #903E2A, #A1503D, #B26250, #C37463 and #D48676

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B3E2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8B3E2F: #8B3E2F, #7A2C1C, #691A09, #580800 and #470000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 66 / 45

HEX #8B3E2F

RGB 139 62 47

HSL 9.78, 0.49%, 0.36%

LAB 36.25, 31.62, 24.88

Coral4

Complementary color

CMYK 44 / 7 / 0 / 18

HEX #74C1D0

RGB 116 193 208

HSL 189.78, 0.49%, 0.64%

LAB 73.81, -19.87, -14.97

 

CMYK 0 / 57 / 71 / 44

HEX #903E2A

RGB 144 62 42

HSL 11.76, 0.55%, 0.36%

LAB 37.01, 33.31, 28.95

 

CMYK 0 / 50 / 62 / 37

HEX #A1503D

RGB 161 80 61

HSL 11.4, 0.45%, 0.44%

LAB 43.73, 31.84, 26.54

 

CMYK 0 / 45 / 55 / 30

HEX #B26250

RGB 178 98 80

HSL 11.02, 0.39%, 0.51%

LAB 50.43, 30.47, 24.48

 

CMYK 0 / 41 / 49 / 24

HEX #C37463

RGB 195 116 99

HSL 10.63, 0.44%, 0.58%

LAB 57.07, 29.23, 22.7

 

CMYK 0 / 37 / 44 / 17

HEX #D48676

RGB 212 134 118

HSL 10.21, 0.52%, 0.65%

LAB 63.64, 28.12, 21.14

 

CMYK 0 / 55 / 66 / 45

HEX #8B3E2F

RGB 139 62 47

HSL 9.78, 0.49%, 0.36%

LAB 36.25, 31.62, 24.88

 

CMYK 0 / 64 / 77 / 52

HEX #7A2C1C

RGB 122 44 28

HSL 10.21, 0.63%, 0.29%

LAB 29.47, 33.05, 27.64

 

CMYK 0 / 75 / 91 / 59

HEX #691A09

RGB 105 26 9

HSL 10.63, 0.84%, 0.22%

LAB 22.87, 34.22, 30.05

 

CMYK 0 / 91 / 100 / 65

HEX #580800

RGB 88 8 0

HSL 5.45, 1%, 0.17%

LAB 16.74, 34.4, 25.75

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 55 / 66 / 45

HEX #8B3E2F

RGB 139 62 47

HSL 9.78, 0.49%, 0.36%

LAB 36.25, 31.62, 24.88

 

CMYK 0 / 45 / 66 / 47

HEX #884B2E

RGB 136 75 46

HSL 19.33, 0.49%, 0.36%

LAB 38.66, 23.07, 28.26

 

CMYK 0 / 34 / 66 / 47

HEX #885A2E

RGB 136 90 46

HSL 29.33, 0.49%, 0.36%

LAB 42.37, 14.33, 32.59

 

CMYK 0 / 23 / 66 / 47

HEX #88692E

RGB 136 105 46

HSL 39.33, 0.49%, 0.36%

LAB 46.36, 5.55, 37.08

 

CMYK 0 / 12 / 66 / 47

HEX #88782E

RGB 136 120 46

HSL 49.33, 0.49%, 0.36%

LAB 50.53, -3.06, 41.63

 

CMYK 0 / 55 / 66 / 45

HEX #8B3E2F

RGB 139 62 47

HSL 9.78, 0.49%, 0.36%

LAB 36.25, 31.62, 24.88

 

CMYK 0 / 55 / 66 / 25

HEX #BE5540

RGB 190 85 64

HSL 10, 0.5%, 0.5%

LAB 49.27, 40.76, 32.61

 

CMYK 0 / 56 / 66 / 5

HEX #F16B51

RGB 241 107 81

HSL 9.75, 0.85%, 0.63%

LAB 61.49, 49.88, 39.7

 

CMYK 0 / 54 / 65 / 85

HEX #25110D

RGB 37 17 13

HSL 10, 0.48%, 0.1%

LAB 7.44, 9.84, 5.88

 

CMYK 0 / 56 / 66 / 65

HEX #58271E

RGB 88 39 30

HSL 9.31, 0.49%, 0.23%

LAB 22.37, 21.76, 16.52

 

CMYK 0 / 55 / 66 / 45

HEX #8B3E2F

RGB 139 62 47

HSL 9.78, 0.49%, 0.36%

LAB 36.25, 31.62, 24.88

 

CMYK 23 / 0 / 66 / 47

HEX #69882E

RGB 105 136 46

HSL 80.67, 0.49%, 0.36%

LAB 52.74, -25.35, 43.25

 

CMYK 66 / 49 / 0 / 47

HEX #2E4588

RGB 46 69 136

HSL 224.67, 0.49%, 0.36%

LAB 30.91, 14.13, -40.2

 

CMYK 0 / 55 / 66 / 45

HEX #8B3E2F

RGB 139 62 47

HSL 9.78, 0.49%, 0.36%

LAB 36.25, 31.62, 24.88

 

CMYK 66 / 0 / 56 / 47

HEX #2E883C

RGB 46 136 60

HSL 129.33, 0.49%, 0.36%

LAB 50.12, -43.2, 32.81

 

CMYK 56 / 66 / 0 / 47

HEX #3C2E88

RGB 60 46 136

HSL 249.33, 0.49%, 0.36%

LAB 25.84, 32.04, -48.36

 

CMYK 0 / 55 / 66 / 45

HEX #8B3E2F

RGB 139 62 47

HSL 9.78, 0.49%, 0.36%

LAB 36.25, 31.62, 24.88

 

CMYK 23 / 0 / 66 / 47

HEX #69882E

RGB 105 136 46

HSL 80.67, 0.49%, 0.36%

LAB 52.74, -25.35, 43.25

 

CMYK 66 / 10 / 0 / 47

HEX #2E7B88

RGB 46 123 136

HSL 188.67, 0.49%, 0.36%

LAB 47.66, -19.07, -14.04

 

CMYK 43 / 66 / 0 / 47

HEX #4E2E88

RGB 78 46 136

HSL 261.33, 0.49%, 0.36%

LAB 27.71, 35.73, -45.23

 

CMYK 0 / 55 / 66 / 45

HEX #8B3E2F

RGB 139 62 47

HSL 9.78, 0.49%, 0.36%

LAB 36.25, 31.62, 24.88

 

CMYK 43 / 0 / 66 / 47

HEX #4E882E

RGB 78 136 46

HSL 98.67, 0.49%, 0.36%

LAB 51.18, -35.72, 41.11

 

CMYK 66 / 10 / 0 / 47

HEX #2E7B88

RGB 46 123 136

HSL 188.67, 0.49%, 0.36%

LAB 47.66, -19.07, -14.04

 

CMYK 23 / 66 / 0 / 47

HEX #692E88

RGB 105 46 136

HSL 279.33, 0.49%, 0.36%

LAB 31.2, 42.04, -39.44

 

Description

Color name: Coral4 HEX #8B3E2F | qconv.com Color name: Coral4 HEX #8B3E2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us. It is also known as coral4.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 62 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 62 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 66 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 66% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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