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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFDBB000 it is the complementary color #00244F00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFDBB000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFDBB000 shade: #FFDBAB00, #FFEDBE00, #FFFFD100, #FFFFE400 and #FFFFF700

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFDBB000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFDBB000 shade: #FFDBB000, #EEC99D00, #DDB78A00, #CCA57700 and #BB936400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFDBB000 shade: #FFDCB3, #FFC8B3 and #FFB3B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFDBB000 shade: #FFDCB3, #FFF1B3, #F9FFB3, #E4FFB3 and #CFFFB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFDBB000 shade matches the following richer shades: #FFDCB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFDBB000 shade: #FFDCB3, #F9DCB9, #F3DBBF, #ECDAC5 and #E6DACB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFDBB000 shade: #FFB3B3, #FFC7B3, #FFDBB3, #FFF0B3 and #FAFFB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFDBB000 shade: #FFB760, #FFC989, #FFDCB3, #FFEFDC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFDBB000 shade: #FFDBB0, #C7FFB3 and #BDB3FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFDBB000 shade: #FFDBB0, #B3FFDB and #DBB3FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFDBB000 shade: #FFDBB0, #C7FFB3, #B3D6FF and #EBB3FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFDBB000 shade: #FFDBB0, #B3FFB5, #B3D6FF and #FFB3FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #FFDBB000

RGBA 255 219 176 0

HSLA 32.66, 1%, 0.85%, 0

LABA 89.42, 6.42, 25.79, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #00244F00

RGBA 0 36 79 0

HSLA 212.66, 1%, 0.15%, 0

LABA 14.55, 7.33, -29.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFDBAB00

RGBA 255 219 171 0

HSLA 34.29, 1%, 0.84%, 0

LABA 89.33, 5.81, 28.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFEDBE00

RGBA 255 237 190 0

HSLA 43.38, 1%, 0.87%, 0

LABA 94.12, -0.96, 25.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFD100

RGBA 255 255 209 0

HSLA 60, 1%, 0.91%, 0

LABA 98.98, -7.34, 22.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFE400

RGBA 255 255 228 0

HSLA 60, 1%, 0.95%, 0

LABA 99.37, -4.48, 12.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFF700

RGBA 255 255 247 0

HSLA 60, 1%, 0.98%, 0

LABA 99.8, -1.37, 3.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFDBB000

RGBA 255 219 176 0

HSLA 32.66, 1%, 0.85%, 0

LABA 89.42, 6.42, 25.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EEC99D00

RGBA 238 201 157 0

HSLA 32.59, 0.7%, 0.77%, 0

LABA 83.12, 6.94, 26.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DDB78A00

RGBA 221 183 138 0

HSLA 32.53, 0.55%, 0.7%, 0

LABA 76.72, 7.53, 28.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CCA57700

RGBA 204 165 119 0

HSLA 32.47, 0.45%, 0.63%, 0

LABA 70.23, 8.2, 29.25, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BB936400

RGBA 187 147 100 0

HSLA 32.41, 0.39%, 0.56%, 0

LABA 63.63, 8.98, 30.56, 0

 

CMYK 0 / 14 / 30 / 0

HEX #FFDCB3

RGB 255 220 179

HSL 32.37, 1%, 0.85%

LAB 89.72, 6.28, 24.65

 

CMYK 0 / 22 / 30 / 0

HEX #FFC8B3

RGB 255 200 179

HSL 16.58, 1%, 0.85%

LAB 84.91, 16.66, 17.98

 

CMYK 0 / 30 / 30 / 0

HEX #FFB3B3

RGB 255 179 179

HSL 0, 1%, 0.85%

LAB 80.04, 27.66, 11.13

 

CMYK 0 / 14 / 30 / 0

HEX #FFDCB3

RGB 255 220 179

HSL 32.37, 1%, 0.85%

LAB 89.72, 6.28, 24.65

 

CMYK 0 / 5 / 30 / 0

HEX #FFF1B3

RGB 255 241 179

HSL 48.95, 1%, 0.85%

LAB 94.92, -4.38, 31.7

 

CMYK 2 / 0 / 30 / 0

HEX #F9FFB3

RGB 249 255 179

HSL 64.74, 1%, 0.85%

LAB 98, -13.53, 35.74

 

CMYK 11 / 0 / 30 / 0

HEX #E4FFB3

RGB 228 255 179

HSL 81.32, 1%, 0.85%

LAB 96.52, -21.14, 33.51

 

CMYK 19 / 0 / 30 / 0

HEX #CFFFB3

RGB 207 255 179

HSL 97.89, 1%, 0.85%

LAB 95.18, -28.48, 31.47

 

CMYK 0 / 14 / 30 / 0

HEX #FFDCB3

RGB 255 220 179

HSL 32.37, 1%, 0.85%

LAB 89.72, 6.28, 24.65

 

CMYK 0 / 14 / 30 / 0

HEX #FFDCB3

RGB 255 220 179

HSL 32.37, 1%, 0.85%

LAB 89.72, 6.28, 24.65

 

CMYK 0 / 12 / 26 / 2

HEX #F9DCB9

RGB 249 220 185

HSL 32.81, 0.84%, 0.85%

LAB 89.31, 4.83, 20.88

 

CMYK 0 / 10 / 21 / 5

HEX #F3DBBF

RGB 243 219 191

HSL 32.31, 0.68%, 0.85%

LAB 88.68, 3.97, 16.79

 

CMYK 0 / 8 / 17 / 7

HEX #ECDAC5

RGB 236 218 197

HSL 32.31, 0.51%, 0.85%

LAB 87.97, 2.82, 12.56

 

CMYK 0 / 5 / 12 / 10

HEX #E6DACB

RGB 230 218 203

HSL 33.33, 0.35%, 0.85%

LAB 87.62, 1.61, 8.84

 

CMYK 0 / 30 / 30 / 0

HEX #FFB3B3

RGB 255 179 179

HSL 0, 1%, 0.85%

LAB 80.04, 27.66, 11.13

 

CMYK 0 / 22 / 30 / 0

HEX #FFC7B3

RGB 255 199 179

HSL 15.79, 1%, 0.85%

LAB 84.67, 17.18, 17.65

 

CMYK 0 / 14 / 30 / 0

HEX #FFDBB3

RGB 255 219 179

HSL 31.58, 1%, 0.85%

LAB 89.48, 6.8, 24.31

 

CMYK 0 / 6 / 30 / 0

HEX #FFF0B3

RGB 255 240 179

HSL 48.16, 1%, 0.85%

LAB 94.67, -3.88, 31.37

 

CMYK 2 / 0 / 30 / 0

HEX #FAFFB3

RGB 250 255 179

HSL 63.95, 1%, 0.85%

LAB 98.07, -13.16, 35.86

 

CMYK 0 / 28 / 62 / 0

HEX #FFB760

RGB 255 183 96

HSL 32.83, 1%, 0.69%

LAB 79.6, 17.54, 53.67

 

CMYK 0 / 21 / 46 / 0

HEX #FFC989

RGB 255 201 137

HSL 32.54, 1%, 0.77%

LAB 84.4, 11.43, 39.21

 

CMYK 0 / 14 / 30 / 0

HEX #FFDCB3

RGB 255 220 179

HSL 32.37, 1%, 0.85%

LAB 89.72, 6.28, 24.65

 

CMYK 0 / 6 / 14 / 0

HEX #FFEFDC

RGB 255 239 220

HSL 32.57, 1%, 0.93%

LAB 95.23, 2.34, 11.12

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

CMYK 22 / 0 / 30 / 0

HEX #C7FFB3

RGB 199 255 179

HSL 104.21, 1%, 0.85%

LAB 94.7, -31.19, 30.75

 

CMYK 26 / 30 / 0 / 0

HEX #BDB3FF

RGB 189 179 255

HSL 247.89, 1%, 0.85%

LAB 76.24, 19.46, -36.28

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

CMYK 30 / 0 / 14 / 0

HEX #B3FFDB

RGB 179 255 219

HSL 151.58, 1%, 0.85%

LAB 94.41, -30.6, 9.79

 

CMYK 14 / 30 / 0 / 0

HEX #DBB3FF

RGB 219 179 255

HSL 271.58, 1%, 0.85%

LAB 78.76, 28.37, -32.17

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

CMYK 22 / 0 / 30 / 0

HEX #C7FFB3

RGB 199 255 179

HSL 104.21, 1%, 0.85%

LAB 94.7, -31.19, 30.75

 

CMYK 30 / 16 / 0 / 0

HEX #B3D6FF

RGB 179 214 255

HSL 212.37, 1%, 0.85%

LAB 84.43, -2.34, -23.77

 

CMYK 8 / 30 / 0 / 0

HEX #EBB3FF

RGB 235 179 255

HSL 284.21, 1%, 0.85%

LAB 80.25, 33.27, -29.77

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

CMYK 30 / 0 / 29 / 0

HEX #B3FFB5

RGB 179 255 181

HSL 121.58, 1%, 0.85%

LAB 93.64, -37.35, 28.12

 

CMYK 30 / 16 / 0 / 0

HEX #B3D6FF

RGB 179 214 255

HSL 212.37, 1%, 0.85%

LAB 84.43, -2.34, -23.77

 

CMYK 0 / 30 / 1 / 0

HEX #FFB3FC

RGB 255 179 252

HSL 302.37, 1%, 0.85%

LAB 82.12, 38.94, -25.12

 

Description

Color code: HEX #FFDBB000 | qconv.com Color code: HEX #FFDBB000 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 219 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 219 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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