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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 219 176 it is the complementary color RGB 0 36 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 219 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 255 219 176: RGB 255 219 171, RGB 255 237 190, RGB 255 255 209, RGB 255 255 228 and RGB 255 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 219 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 255 219 176: RGB 255 219 176, RGB 238 201 157, RGB 221 183 138, RGB 204 165 119 and RGB 187 147 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

Complementary color

CMYK 100 / 54 / 0 / 69

HEX #00244F

RGB 0 36 79

HSL 212.66, 1%, 0.15%

LAB 14.55, 7.33, -29.83

 

CMYK 0 / 14 / 33 / 0

HEX #FFDBAB

RGB 255 219 171

HSL 34.29, 1%, 0.84%

LAB 89.33, 5.81, 28.25

 

CMYK 0 / 7 / 25 / 0

HEX #FFEDBE

RGB 255 237 190

HSL 43.38, 1%, 0.87%

LAB 94.12, -0.96, 25.01

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE4

RGB 255 255 228

HSL 60, 1%, 0.95%

LAB 99.37, -4.48, 12.91

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

CMYK 0 / 16 / 34 / 7

HEX #EEC99D

RGB 238 201 157

HSL 32.59, 0.7%, 0.77%

LAB 83.12, 6.94, 26.87

 

CMYK 0 / 17 / 38 / 13

HEX #DDB78A

RGB 221 183 138

HSL 32.53, 0.55%, 0.7%

LAB 76.72, 7.53, 28.02

 

CMYK 0 / 19 / 42 / 20

HEX #CCA577

RGB 204 165 119

HSL 32.47, 0.45%, 0.63%

LAB 70.23, 8.2, 29.25

 

CMYK 0 / 21 / 47 / 27

HEX #BB9364

RGB 187 147 100

HSL 32.41, 0.39%, 0.56%

LAB 63.63, 8.98, 30.56

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

CMYK 0 / 9 / 30 / 0

HEX #FFE8B2

RGB 255 232 178

HSL 42.08, 1%, 0.85%

LAB 92.66, 0.03, 29.16

 

CMYK 0 / 4 / 30 / 0

HEX #FFF4B2

RGB 255 244 178

HSL 51.43, 1%, 0.85%

LAB 95.65, -6, 33.2

 

CMYK 1 / 0 / 30 / 0

HEX #FCFFB2

RGB 252 255 178

HSL 62.34, 1%, 0.85%

LAB 98.21, -12.55, 36.56

 

CMYK 6 / 0 / 30 / 0

HEX #EFFFB2

RGB 239 255 178

HSL 72.47, 1%, 0.85%

LAB 97.26, -17.31, 35.13

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

CMYK 0 / 14 / 31 / 80

HEX #332C23

RGB 51 44 35

HSL 33.75, 0.19%, 0.17%

LAB 18.48, 1.43, 7.02

 

CMYK 0 / 14 / 31 / 60

HEX #665846

RGB 102 88 70

HSL 33.75, 0.19%, 0.34%

LAB 38.28, 2.66, 12.56

 

CMYK 0 / 14 / 31 / 40

HEX #99836A

RGB 153 131 106

HSL 31.91, 0.19%, 0.51%

LAB 56.13, 4.47, 16.63

 

CMYK 0 / 14 / 31 / 20

HEX #CCAF8D

RGB 204 175 141

HSL 32.38, 0.38%, 0.68%

LAB 73.17, 5.47, 21.33

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

CMYK 22 / 0 / 30 / 0

HEX #C6FFB2

RGB 198 255 178

HSL 104.42, 1%, 0.85%

LAB 94.63, -31.67, 31.14

 

CMYK 26 / 30 / 0 / 0

HEX #BCB2FF

RGB 188 178 255

HSL 247.79, 1%, 0.85%

LAB 75.92, 19.73, -36.79

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

CMYK 30 / 0 / 14 / 0

HEX #B2FFDB

RGB 178 255 219

HSL 151.95, 1%, 0.85%

LAB 94.35, -30.89, 9.71

 

CMYK 14 / 30 / 0 / 0

HEX #DBB2FF

RGB 219 178 255

HSL 271.95, 1%, 0.85%

LAB 78.53, 28.91, -32.53

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

CMYK 22 / 0 / 30 / 0

HEX #C6FFB2

RGB 198 255 178

HSL 104.42, 1%, 0.85%

LAB 94.63, -31.67, 31.14

 

CMYK 30 / 16 / 0 / 0

HEX #B2D6FF

RGB 178 214 255

HSL 211.95, 1%, 0.85%

LAB 84.37, -2.62, -23.87

 

CMYK 8 / 30 / 0 / 0

HEX #EAB2FF

RGB 234 178 255

HSL 283.64, 1%, 0.85%

LAB 79.93, 33.5, -30.27

 

CMYK 0 / 14 / 31 / 0

HEX #FFDBB0

RGB 255 219 176

HSL 32.66, 1%, 0.85%

LAB 89.42, 6.42, 25.79

 

CMYK 30 / 0 / 29 / 0

HEX #B2FFB5

RGB 178 255 181

HSL 122.34, 1%, 0.85%

LAB 93.59, -37.67, 28.04

 

CMYK 30 / 16 / 0 / 0

HEX #B2D6FF

RGB 178 214 255

HSL 211.95, 1%, 0.85%

LAB 84.37, -2.62, -23.87

 

CMYK 0 / 30 / 1 / 0

HEX #FFB2FC

RGB 255 178 252

HSL 302.34, 1%, 0.85%

LAB 81.91, 39.47, -25.44

 

Description

Color code: RGB 255 219 176 | qconv.com Color code: RGB 255 219 176 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 219 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 219 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 31 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 31% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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