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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFD700 it is the complementary color #0028FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFD700. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FFD700 shade: #FFD700, #FFE90E, #FFFB21, #FFFF34 and #FFFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFD700. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FFD700 shade: #FFD700, #EEC500, #DDB300, #CCA100 and #BB8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FFD700 shade: #FFD700, #FF9200, #FF4D00, #FF0800 and #FF0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FFD700 shade: #FFD700, #E2FF00, #9DFF00, #58FF00 and #13FF00

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FFD700 shade matches the following richer shades: #FFD700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FFD700 shade: #FFD700, #EAC814, #D5BA29, #C1AC3D and #AC9E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FFD700 shade: #FF4C00, #FF9000, #FFD400, #E5FF00 and #A1FF00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FFD700 shade: #AC9100, #D5B400, #FFD700, #FFDD29 and #FFE352

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FFD700 shade: #FFD700, #00FF08 and #6E00FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FFD700 shade: #FFD700, #00FFD4 and #D400FF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FFD700 shade: #FFD700, #00FF08, #002AFF and #FF00F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FFD700 shade: #FFD700, #00FF55, #002AFF and #FF00AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

Complementary color

CMYK 100 / 84 / 0 / 0

HEX #0028FF

RGB 0 40 255

HSL 230.59, 1%, 0.5%

LAB 35.47, 69.5, -102.57

 

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 0 / 9 / 95 / 0

HEX #FFE90E

RGB 255 233 14

HSL 54.52, 1%, 0.53%

LAB 91.49, -10.81, 89.28

HEX #FFE90E

CMYK 0 / 2 / 87 / 0

HEX #FFFB21

RGB 255 251 33

HSL 58.92, 1%, 0.56%

LAB 96.15, -19.29, 90.35

HEX #FFFB21

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

HEX #FFFF34

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

HEX #FFFF47

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 0 / 17 / 100 / 7

HEX #EEC500

RGB 238 197 0

HSL 49.66, 1%, 0.47%

LAB 80.8, -0.01, 82.08

HEX #EEC500

CMYK 0 / 19 / 100 / 13

HEX #DDB300

RGB 221 179 0

HSL 48.6, 1%, 0.43%

LAB 74.58, 1.96, 76.94

HEX #DDB300

CMYK 0 / 21 / 100 / 20

HEX #CCA100

RGB 204 161 0

HSL 47.35, 1%, 0.4%

LAB 68.26, 4, 71.73

HEX #CCA100

CMYK 0 / 24 / 100 / 27

HEX #BB8F00

RGB 187 143 0

HSL 45.88, 1%, 0.37%

LAB 61.83, 6.13, 66.44

HEX #BB8F00

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 0 / 43 / 100 / 0

HEX #FF9200

RGB 255 146 0

HSL 34.35, 1%, 0.5%

LAB 70.75, 33.77, 76.28

HEX #FF9200

CMYK 0 / 70 / 100 / 0

HEX #FF4D00

RGB 255 77 0

HSL 18.12, 1%, 0.5%

LAB 58.57, 65.05, 69.44

HEX #FF4D00

CMYK 0 / 97 / 100 / 0

HEX #FF0800

RGB 255 8 0

HSL 1.88, 1%, 0.5%

LAB 53.42, 79.56, 67.28

HEX #FF0800

CMYK 0 / 100 / 100 / 0

HEX #FF0000

RGB 255 0 0

HSL 0, 1%, 0.5%

LAB 53.23, 80.11, 67.22

HEX #FF0000

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 11 / 0 / 100 / 0

HEX #E2FF00

RGB 226 255 0

HSL 66.82, 1%, 0.5%

LAB 95.03, -33.31, 91.98

HEX #E2FF00

CMYK 38 / 0 / 100 / 0

HEX #9DFF00

RGB 157 255 0

HSL 83.06, 1%, 0.5%

LAB 91.09, -58.88, 87.26

HEX #9DFF00

CMYK 65 / 0 / 100 / 0

HEX #58FF00

RGB 88 255 0

HSL 99.29, 1%, 0.5%

LAB 88.73, -77.4, 84.39

HEX #58FF00

CMYK 93 / 0 / 100 / 0

HEX #13FF00

RGB 19 255 0

HSL 115.53, 1%, 0.5%

LAB 87.8, -85.57, 83.26

HEX #13FF00

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 0 / 15 / 91 / 8

HEX #EAC814

RGB 234 200 20

HSL 50.47, 0.84%, 0.5%

LAB 81.21, -3.08, 80.04

HEX #EAC814

CMYK 0 / 13 / 81 / 16

HEX #D5BA29

RGB 213 186 41

HSL 50.58, 0.68%, 0.5%

LAB 75.71, -4.47, 70.22

HEX #D5BA29

CMYK 0 / 11 / 68 / 24

HEX #C1AC3D

RGB 193 172 61

HSL 50.45, 0.52%, 0.5%

LAB 70.3, -4.99, 57.42

HEX #C1AC3D

CMYK 0 / 8 / 52 / 33

HEX #AC9E52

RGB 172 158 82

HSL 50.67, 0.35%, 0.5%

LAB 64.83, -5.11, 41.15

HEX #AC9E52

CMYK 0 / 70 / 100 / 0

HEX #FF4C00

RGB 255 76 0

HSL 17.88, 1%, 0.5%

LAB 58.44, 65.4, 69.37

 

CMYK 0 / 44 / 100 / 0

HEX #FF9000

RGB 255 144 0

HSL 33.88, 1%, 0.5%

LAB 70.32, 34.8, 76.01

 

CMYK 0 / 17 / 100 / 0

HEX #FFD400

RGB 255 212 0

HSL 49.88, 1%, 0.5%

LAB 86.18, -0.4, 86.61

 

CMYK 10 / 0 / 100 / 0

HEX #E5FF00

RGB 229 255 0

HSL 66.12, 1%, 0.5%

LAB 95.24, -32.11, 92.22

 

CMYK 37 / 0 / 100 / 0

HEX #A1FF00

RGB 161 255 0

HSL 82.12, 1%, 0.5%

LAB 91.28, -57.55, 87.48

 

CMYK 0 / 16 / 100 / 33

HEX #AC9100

RGB 172 145 0

HSL 50.58, 1%, 0.34%

LAB 60.8, -1.79, 64.99

 

CMYK 0 / 15 / 100 / 16

HEX #D5B400

RGB 213 180 0

HSL 50.7, 1%, 0.42%

LAB 74.05, -2.08, 76.21

 

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 0 / 13 / 84 / 0

HEX #FFDD29

RGB 255 221 41

HSL 50.47, 1%, 0.58%

LAB 88.51, -4.39, 82.58

HEX #FFDD29

CMYK 0 / 11 / 68 / 0

HEX #FFE352

RGB 255 227 82

HSL 50.29, 1%, 0.66%

LAB 90.23, -5.87, 71.19

HEX #FFE352

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 100 / 0 / 97 / 0

HEX #00FF08

RGB 0 255 8

HSL 121.88, 1%, 0.5%

LAB 87.75, -86.07, 82.58

HEX #00FF08

CMYK 57 / 100 / 0 / 0

HEX #6E00FF

RGB 110 0 255

HSL 265.88, 1%, 0.5%

LAB 38.79, 81.98, -96.89

HEX #6E00FF

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 100 / 0 / 17 / 0

HEX #00FFD4

RGB 0 255 212

HSL 169.88, 1%, 0.5%

LAB 89.99, -59.65, 6.5

HEX #00FFD4

CMYK 17 / 100 / 0 / 0

HEX #D400FF

RGB 212 0 255

HSL 289.88, 1%, 0.5%

LAB 53.19, 92.06, -72.71

HEX #D400FF

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 100 / 0 / 97 / 0

HEX #00FF08

RGB 0 255 8

HSL 121.88, 1%, 0.5%

LAB 87.75, -86.07, 82.58

HEX #00FF08

CMYK 100 / 84 / 0 / 0

HEX #002AFF

RGB 0 42 255

HSL 230.12, 1%, 0.5%

LAB 35.74, 68.69, -102.11

HEX #002AFF

CMYK 0 / 100 / 4 / 0

HEX #FF00F6

RGB 255 0 246

HSL 302.12, 1%, 0.5%

LAB 59.81, 97.02, -56.66

HEX #FF00F6

CMYK 0 / 16 / 100 / 0

HEX #FFD700

RGB 255 215 0

HSL 50.59, 1%, 0.5%

LAB 86.93, -1.92, 87.14

HEX #FFD700

CMYK 100 / 0 / 67 / 0

HEX #00FF55

RGB 0 255 85

HSL 140, 1%, 0.5%

LAB 88.05, -82.11, 64.67

HEX #00FF55

CMYK 100 / 84 / 0 / 0

HEX #002AFF

RGB 0 42 255

HSL 230.12, 1%, 0.5%

LAB 35.74, 68.69, -102.11

HEX #002AFF

CMYK 0 / 100 / 33 / 0

HEX #FF00AA

RGB 255 0 170

HSL 320, 1%, 0.5%

LAB 56.25, 88.12, -18.84

HEX #FF00AA

Description

Color code: HEX #FFD700 | qconv.com Color code: HEX #FFD700 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as gold1.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 215 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 215 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 100% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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